Lyssnar
pรฅ tystnaden
genom ett brus
i mรถrkret
Hรฅller andan
i ett eko
som sluter
mina รถgon
ยฉ๏ธBjรถrn Blomqvist 2026-07-22
-
Ekenรคs Slott: En Resa genom Historien
Ekenรคs slott har en rik historia och fรคngslande berรคttelser med enastรฅende arkitektur, legender och historier som vรคcker nyfikenhet och fรถrundran.
Pรฅ Ekenรคsklippan vid sjรถn Teden i รstergรถtland stรฅr jag fรถrundrad. Utsikten ned mot den tidigare torrlagda sjรถn Teden och upp mot himlen รคr fantastisk. Vid sidan av mig reser sig stolt, Ekenรคs slott. Det รคr en imponerande byggnad som gรฅr tillbaka till 1560-talet, dรฅ en kastal fรถrst byggdes.

Peder Banรฉr byggde slottet Ekenรคs mellan 1630 och 1644. Den hollรคndska arkitekten Hans Flemming, som ocksรฅ designade andra slott i omrรฅdet, stod bakom detta bygge. Slottet har en historia av tidlรถs skรถnhet.
Pรฅ gรฅrden utanfรถr slottet stรฅr jag ivrigt och vรคntar pรฅ guiden som ska ta oss pรฅ en spรคnnande resa genom slottets olika rum. Varje rum har en intressant historia som jag vill hรถra. Slottet strรคcker sig stolt mot himlen med sin klassiska arkitektur i renรคssansstil och sina tre stora torn.

Precis som mรฅnga andra historiska platser har detta slott sina spรถkhistorier som ger en kรคnsla av skrรคck och spรคnning. Jag kรคnner en nervรถs rรคdsla nรคr guiden kommer ut genom porten och vรคnligt hรคlsar oss vรคlkomna till denna fascinerande plats.
I entrรฉn, pรฅ vรคggen rakt in, hรคnger ett portrรคtt av en dam som jag lรคste om i en mindre fรถrstudie. Guiden pekar entusiastiskt pรฅ en tavla bakom sig och berรคttar om slottets historia, som involverar berรถmda grevar och kungligheter. Det finns en vacker historia hรคr.

Pรฅ hedersplatsen i slottsentrรฉn hรคnger ett portrรคtt av den legendariska Hรถnsagumman, som sรคgs ha rรคddat slottet frรฅn ryssarnas hรคrjningar lรคngs den svenska kusten pรฅ 1700-talet. Tack vare detta exceptionella mod har hon blivit avportrรคtterad, vilket var ovanligt fรถr tjรคnstefolk. Hon sรคgs fortfarande hรฅlla ett รถga pรฅ alla som vรฅgar gรฅ in i slottets magiska vรคrld.
I slottets rum dรคr vรคggarna viskar hemligheter, mรฅlas historierna om hur olika รคgare har pรฅverkat denna byggnad. Fascinerande kakelugnar som sitter pรฅ yttervรคggarna i stรคllet fรถr innervรคggarna, ger en kรคnsla av djupare mening bakom varje val. Med min nรฅgot sรคmre hรถrsel och en guide som vรคxlar mellan mjuka och kraftfulla toner, uppfattade jag att dessa kakelugnar stรฅr dรคr eldstรคderna fanns fรถrr.

Pรฅ vรคggen i matsalen hรคnger portrรคtt av olika hรถgt uppsatta personer, sรฅsom grevar, hertigar och kungligheter. Det kรคnns som om de har vandrat i dessa rum. Nรคr guiden stรคller sin frรฅga om vem รคr den saknade gestalten som inte hรคnger mellan tvรฅ portrรคtt, och varfรถr saknas den โ ser vi alla ut som stora frรฅgetecken. Kan det vara drottning Kristina eller Gustav II Adolf? Jag lรฅter istรคllet min nyfikenhet gรฅ till berรคttelser om kakelugnar.

Med mitt engagemang fรถr bilder trycker jag snabbt pรฅ avtryckaren till mobilkameran sรฅ tummen gรฅr varm. En virvelvind till guide rusar mot nรคsta rum, medan jag kommer pรฅ efterkรคlken. Andfรฅdd gรถr jag en storslagen entrรฉ till nรคsta stopp. Det guiden redan har sagt รคr en gรฅta jag inte vill lรถsa. Jag hoppas det inte รคr avgรถrande fรถr resten av berรคttelsen.
Det finns en explosion av fรคrg i mรฅnga rum. Majestรคtiskt blรฅtt, grรถnt och vackra inslag av det rรถda. I det sรฅ kallade syrummet, finns en chockerande blรฅ ton som fรฅngar uppmรคrksamheten. Det รคr mรถbler i blรฅtt, gardiner i samma nyans och tapeter badande i blรฅtt. Tapeterna รคr original och behรฅller sin intensiva fรคrg fรถr att de innehรฅller arsenik, berรคttar guiden. Nรฅgot Grevinnan Maria Klingspor ska ha blivit dรฅlig av nรคr hon visslades i rummet.

Det finns en salong i slottet sรฅklart som sรฅ mรฅnga andra salonger jag sett pรฅ andra slott. Det fรฅr mig att vilja gรฅ vidare med kรคnsla av ointresse. Fรถr fรถrsta gรฅngen ligger jag fรถre guiden i steget, att han nรคstan snubblar efter mig. Men lรฅt oss vara รคrliga: en salong รคr bara en salong och jag hade รคndรฅ aldrig blivit inbjuden till nรฅgon fest dรคr. Jag skulle troligen ha kommit frรฅn de lรคgsta skikten i samhรคllet. Vad vet jag?
Berรคttelsen om slottets spรถkhistorier รคr fylld av spรคnning. En sรคrskilt gripande berรคttelse handlar om Grevinnan Maria Klingspor som รฅtervรคnder varje รฅr den 2 maj, pรฅ sin makes namnsdag. รgonvittnen har sett henne stiga upp ur sin grav, elegant och sorgsen fรถr att gรฅ mot slottet. Personalens fรถrberedelser med kakor i hennes syrum รคr en hyllning till henne. Med en blandning av spรคnning och rรคdsla fortsรคtter vandringen. Med stรคndigt nervรถsa blickar bakรฅt, fรถljer jag med gruppen till nรคsta plats.

Nedfรถr en smal spiraltrappa fรถrlorar vi oss i en kรคllarliknande plats med en magisk aura. Vi befinner oss hรถgre upp i slottet รคn vi tror, men det kรคnns som att vi รคr i ett kรคllarvalv. Det murade rummet omger oss och trappan till evigheten som jag kallar den, รคr en gรฅta som vรคcker min nyfikenhet. Just nu leder den ingenstans, och varfรถr? Det รคr en hemlighet som fรถrblir obesvarad men gรฅtfullheten ger platsen dess unika skรถnhet. En fascinerande del av min upplevelse.
Det รคr hรคr som spรถkhistoria nr. tvรฅ har sin plats. Man kan sรคga att hemligheterna รคr inmurade i vรคggen. Enligt legenden fรถrstรถrde Greve Mauritz Vellingk viktiga dokument, och drรคngpojken som hjรคlpte honom blev inmurad fรถr att skydda hemligheten. Guiden kallar det “Nisses hรฅla”. Det finns ett rum dรคr som aldrig har รถppnats, och det vilar en fรถrbannelse รถver det. Om rummet รถppnas tror man att en stor olycka ska drabba bรฅde slottet och dess รคgare.

Kรถket kallas ofta fรถr husets hjรคrta, en plats full av vรคrme och gemenskap. Hรคr bรถrjar ett รคventyr! รven om jag kanske inte fรฅr med mig allt guiden sรคger om kรถket, kรคnner jag att det รคr min plats dรคr jag kan vรคxa som person. Att stiga in hรคr kรคnns som att resa tillbaka i tiden, bortom moderna kรถk och teknik. Jag ser mig sjรคlv laga mat pรฅ gammaldags vis dรคr varje matrรคtt รคr en chans att skapa nรฅgot unikt och gott!
Frรฅn ingenstans leder en kort trappa oss ut pรฅ slottsgรฅrden. Guiden tackade vรคnligt och hoppades att vi haft en trevlig visning. Ingen stรคller nรฅgra frรฅgor, eller sรฅ รคr de som jag รคr. Jag har alltid mรฅnga frรฅgor men jag fรถrstรฅr att det skulle fรถrlรคnga guidetiden om alla mina frรฅgor skulle besvaras.
ยฉ Bjรถrn Blomqvist 2026-07-14
-
Frรฅn Tankar till Mรฅlningar: Konst och Fรถrstรฅelse
Vem รคr konstnรคren? En frรฅga som kittlar under vรคnster รถga med blicken fรคst pรฅ tavlan jag stรฅr framfรถr. Verket รคr lika fysiskt som min kropp som stรฅr dรคr med stora รถgon. Lika stora som tavlorna pรฅ vรคggen framfรถr mig. Svaret har jag pรฅ tungan nรคr munnen gapar av fรถrvรฅning. Ut kommer trรฅdar av saliv, lika korta som trรฅdarna mรฅlningen hรคnger i.
Mellan bundna ark eller genom flytande kristall finns svaret jag sรถker. Pรฅ det vรคlputsade kalkgolvet vandrar jag fram och tillbaka i jakt pรฅ svaret, pรฅ vรคg mot nรคsta byte. Allt lรคngs vรคggarna i Grande Gallerie รคr gjorda med stadig hand och i รคkthetens aura. Lika uppradade som oss besรถkare. Den obesvarade frรฅgan gnager รคn mer nรคr nรคsta alster talar sitt klarsprรฅk.
Ocksรฅ den skapad med omsorg om alla historiska tekniker. Svaret flyter bort i beskรฅdan av Marats livlรถsa kropp i badkaret Jacques-Louis David, eller nรฅn av hans elever gestaltat sรฅ realistiskt. Dรฅtidens pensel vinner matchen mot algoritmernas mรฅlarlรฅda รคnnu en gรฅng. Vem, vad och nรคr, รคr lika nรคrvarande som jag sjรคlv.
I den bildskapande vรคrld jag rรถr mig i gรฅr en bro mellan inre vision och yttre uttryck. Det รคr en resa frรฅn tanke till motiv, frรฅn hjรคrnan till den kรคnsliga handrรถrelsens arbete. Det รคr inte bara svar pรฅ obesvarade frรฅgor och konsthistoriens stรถrsta verk jag nu jagar. Det รคr ocksรฅ en flykt frรฅn det “nya normala”.
ยฉ๏ธ Bjรถrn Blomqvist 2026-07-13
-
Will Artificial Intelligence Replace Traditional Art?
Will artificial art take over? This question is being asked more and more frequently as AI-generated images gain ground. History shows that art has faced technological innovations without older forms of expression disappearing. Can the past help us understand what is happening now?
Some believe that artificial art will increasingly dominate in the future. I hold a different opinion. If we look from a historical perspective, traditional art has survived several technological revolutions that challenged established artistic practices. On the other hand, we know that there was a tech bubble that burst. It is also possible that some aspects of the current AI boom represent a technological bubble whose long-term significance remains uncertain.
What I’m primarily thinking about is the reproduction of art, digital art, and the entrance of photography into the traditional art scene.
If we look back at art history, we know that many great artists had apprentices and assistants who reproduced the master’s works, often by painting backgrounds or clothing. The master was responsible for the composition and artistic vision, which was common during the Renaissance and Baroque periods. Buyers accepted this, as they paid for the masterโs idea and style rather than for every brushstroke to be executed by the master personally. How much of the works are made by the master, and should they then be counted as art?
We might unconsciously reflect on the hard work that a piece of art demands. Before Rembrandt, the Camera obscura was used as a technical aid for creating sketches. The Camera obscura was utilized from the 16th century as an optical aid to project an image of reality. The artist could more easily reproduce perspectives and details. The use of optical aids has later sparked debates about artistic skill and authorship, yet these debates have done little to diminish the status of the artists who used such tools. The value of the work was still considered to lie in selection, composition, color, and interpretation.
If we move further through history, we find forms of mass reproduction that never fully entered the realm of fine art: posters, postcards, and souvenirs. These forms continue to exist, yet they have largely remained outside the realm of fine art. Could it be that the door was not open for this?
There are several reasons why posters, postcards, and souvenirs are not perceived as a threat to the art world. They are primarily considered reproductions rather than original works. The art world values originality and authenticity, which means a poster of the Mona Lisa is seen as a copy, not as a new artwork. Secondly, their purpose has often been commercial or decorative. Postcards and souvenirs are created to share memories or tourist experiences, not as standalone art. Therefore, they are placed in a different cultural category than fine art.
For the third point, they have not challenged the notion of artistic creation. No one has claimed that mass-produced postcards replace the artist. The art world has been able to benefit from the reproductions, such as posters and postcards, which serve as marketing for museums and artworks. They have increased the dissemination and accessibility of art without competing with the status of the originals.
The first major challenge that comes to mind is the arrival of photography in the nineteenth century. But what did traditional art have to defend itself?
When photography was introduced in the 19th century, it was initially met with great skepticism from the art world. Critics argued that photography was not true art since the image was created through a mechanical process rather than the artist’s hand and skill. Many believed that the photographer only documented reality, while the painter interpreted and created it.
There was also concern that photography would compete with painting, especially within portrait art. Over time, however, perspectives changed. Pioneering photographers began to experiment with composition, light, perspective, and expression in ways that demonstrated that photography could be more than a technical reproduction of reality. Throughout the 20th century, photography gradually established itself as an independent art form, represented in museums, galleries, and art education.
Then came the digital era, introducing new forms of computer-generated art. A lesser threat to traditional art, compared to photography.
When computers became available for artistic work in the late 20th century, new forms of digital art emerged. Initially, this development was met with some skepticism. Critics questioned whether works created with the help of computers could truly be compared to traditional painting, graphics, or sculpture. However, over time, digital art established itself as a distinct field within the art world. Today, digital works are displayed in museums and galleries while traditional techniques continue to be significant. The development suggests that new technology often broadens the field of art rather than replacing it.
AI art can thus be seen as a continuation of the development of digital art. Like previous technological innovations, it challenges established notions of creation and artistry, but it is still unclear whether it will fundamentally change the art world or primarily establish itself as yet another medium of artistic expression.
What is today the most important tool for keeping traditional art in focus โ is humanity. If we as observers passionately seek the “true” art, it will survive. If artists continue to demonstrate the value of human creativity, traditional art is likely to endure. Gallery owners also play a crucial role in what they choose to display.
In summary, an art historical perspective suggests that technological innovations such as photography and digital art have not replaced traditional art forms, but rather broadened the artistic field. AI art can be understood as a continuation of this development. Although artificial intelligence is likely to play a significant role in the future of art production, there is little historical evidence that it would completely replace human-created art. The longevity of traditional art is closely linked to the continued valuation of human creation, authenticity, and artistic intention.
Literature
- Walter Benjamin,ย The Work of Art in the Age of Mechanical Reproduction
- Susan Sontag,ย On Photography
- Christiane Paul,ย Digital Art
- Marcus du Sautoy,ย The Creativity Code
- Kate Crawford,ย Atlas of AI
- Svetlana Alpers,ย The Art of Describing
- David Hockney,ย Secret Knowledge
- Giorgio Vasari,ย The Lives of the Artists
ยฉ Bjรถrn Blomqvist 2026-07-03
-
When the Machine Paints Better Than the Human
A reflection on art and perception, and what happens to creativity when perfection becomes effortless.
What happens to art when machines not only copy human skill, but surpass it โ and when perfection no longer costs anything?
Technically, the answer is already here. Artificial intelligence creates images quickly and accurately, in ways no human can match. It seamlessly transitions between styles and expressions โ without doubt, fatigue, or the need for time.
Art isn’t just about results; if it were, everything would be decided. It’s important to keep this idea open instead of closing it off.

The history of art isn’t just about technical progress. In fact, It is often the opposite. Key moments happen when something becomes unnecessary. When precision isn’t needed anymore, it allows for new ideas. When reality doesn’t have to be shown, it can be understood in different ways.

In that light, artificial art seems less like a threat and more like something that reveals something about it. It shows, quite harshly, how much of what we call art is really just variations of existing patterns. What may lose significance is not the art itself, but what was already predictable.
It’s hard to say the change is neutral. The constant access to perfect images influences both what is made and how we perceive things. Our eyes quickly adapt.
What takes time and thought may seem less valuable compared to things that provide instant satisfaction. This change happens not in the art itself, but in how the observer sees it.
Against this backdrop, the question shifts from competition to a more basic one: what cannot simply be optimized? Perhaps it involves elements of riskโthings that could have failed. It highlights not just results, but a process where something significant was at stake.
This is not a sentimental view of the โhumanโ, but a distinction in what a work is, rather than how it appears.
The question isn’t about whether artificial art can replace human art, but about understanding why it matters if it can’t. If someday the answer is no, it doesn’t mean the art itself is to blame. It’s tied to our ability to perceive.
Maybe it is not art that changes, but our perception of it?
ยฉ Bjรถrn Blomqvist 2026-04-12
-
Livet
Min vardag, som i ett vacuum,
mellan penseln och duken
Min vardag, ut(tryck)slรถs,
som att titta pรฅ, nรคr fรคrg torkar
ยฉ Bjรถrn Blomqvist 2026-03-16
-
Human-Made Art in the Age of AI โ A Critical Reflection

The rise of artificial art is clear and will continue in the future. But when will it stop? Are there any limits, or are the boundaries few? The questions may seem broad, but what truly complicates things is my own thoughts. An artist’s hard work and material choices can easily be overlooked in this algorithm-driven world.
Experiencing the creativity of others and the amazing variety of artworks is one of life’s greatest joys. Standing in front of a piece makes you curious, leading you to ask the artist questions like: how did you create this? How long did it take? Or how did you make it so perfect?
As an art historian and analyst, I seek deeper questions, but if algorithms create the art, do these questions become insignificant? What does it mean for creativity and authenticity when brush strokes come from code?
Nowadays, artificial art is everywhere, leading to increased skepticism. I often find myself spending more time checking if an artwork is AI-generated instead of focusing on its content, themes, and story.
Such a situation is challenging for me as an observer and disheartening for real artists. Their work often goes unrecognized or unappreciated, leading to skepticism among viewers. This overshadowing by AI artists like Salvador AI or Vincent van AI can be frustrating for those who care deeply about human creativity.
As long as art galleries display talent, human-made can stand out. With the growth of digital media, more people are curious about art, which may encourage them to visit exhibitions and appreciate art in its true form.
My goal is to attend many exhibitions each year and often visit museums and historical sites. I document each visit with reports on this blog. The images, locations, and historical contexts are real. Castles aren’t created by algorithms, and brushstrokes don’t come from keyboards or screens.
Note: The image for the post is, of course, AI-generated – if you were wondering?
ยฉ Bjรถrn Blomqvist 2026-02-16
-
Frozen moments

Photo: Femรถre 2026-02-10 (Bjรถrn Blomqvist). Frozen moments in
a trembling hand
The icy catch of the sea
in the silence of the stones
The ice, a silent blanket,
in a lullaby for the soul
The icy view of the bay
in the absence of waves
The shroud of white cliffs,
like ice in the drink of life
Slippery places are in
the grip of the coast
Weak polar winds and
the proximity of frozen lips
No turning back when
frozen moments seduceยฉ Bjรถrn Blomqvist 2026-02-10
-
Dissolution
Days, weeks and
an eternal puzzle
form images that
fall together in a
trembling hand on
a sloping plane.Structure, shape and
a familiar pattern
create moments that
in a millisecond
throw all the pieces
into a burning flameยฉ Bjรถrn Blomqvist 2026-02-01
-
“From the Shadows”: A Meeting Between Art, Memory and Inner Landscapes
Christmas markets are delightful and awaken a longing within me when I think of my old workplace. The annual Christmas market outside the museum entrance has an irresistible charm. The weight of nostalgia feels overwhelming. The grand county museum, with its fantastic exhibitions, stirs strong emotions in me. Every visit is a melancholic journey. Every step I take reminds me of the memories and moments I have left behind.
Once inside the museum, the excitement hovers. Many fantastic exhibitions to explore. One of the exhibitions, “Out of the Shadows” โ an art exhibition by Johan Thurfjell, captures your attention. It gives a strong sense of connection and touches you deeply.

Photo: Bjรถrn Blomqvist “The door is a solitary object but also a symbol. A door is never just a door: it is a portal, a threshold, an interface. It separates outside from inside, but also offers a path to the other side. What hides behind it?”1
Alone in the dark. Only me, the door, and the light that speaks with an intense voice for both of us. Small in the sense of the room, yet so enchanting in its depth. Behind the lonely door hides something longing to reveal itself. The hidden seeps out like a loving whisper, as if the work itself challenges the boundary between presence and absence. In Johan Thurfjellโs exhibition Out of the Shadows, a scene is born. It is a powerful symbol of the spaces that are usually kept in darkness within us.
The installation contains two works, The Door and Backstage. But it is The Door that captivates the gaze and awakens profound questions. It stands there, seemingly ordinary, yet it pulses with a mysterious sense of what is happening inside, or behind. An intriguing movement seems to have just swept past. A secret activity might be unfolding, hidden from our eyes.
In encountering the work, the thought arises that every human being carries their own inner universe. This universe is a landscape of winding corridors, narrow corners, and unexpected openings. The door becomes a marker for the point where reality and imagination meet. What we think we know is unsettled by what we only sense. It is in this in-between space. In the very moment of doubt, the work opens itself and begins to speak.
Ongoing exhibitions at Sรถrmland Museum to visit can be found here: https://sormlandsmuseum.se/utstallningar/
ยฉ Bjรถrn Blomqvist 2025-12-11
-
Teatervandringar pรฅ Ljungs slott: En unik historisk upplevelse

Texten bygger pรฅ en tidigare engelsk version, nu bearbetad och รฅtergiven pรฅ svenska. For the original English text, see [Theatrical Tours at Ljungs Castle: A Unique Historical Experience].
Ljungs slott
Upplev 1700-talet pรฅ Ljungs slott i รstergรถtland. Besรถkare fรฅr utforska stรฅtliga salar, kรถk och hemliga rum, och Axel von Fersens kรคrleksbrev till Marie Antoinette fรฅr nytt liv. En eftermiddag fylld av skratt och historisk atmosfรคr โ en tidsresa utรถver det vanliga.
Slottet, fรคrdigstรคlldes รฅr 1779, men byggandet pรฅbรถrjades redan 1776 pรฅ initiativ av fรคltmarskalken och politikern Axel von Fersen den รคldre. Arkitekten bakom det lokalt producerade slottet, var Jean Eric Rehn1. Slottet รคr byggt av sten och tegel frรฅn trakten.

Skรฅdespel, skรฅdeplats
En teatervandring genom slottet gรถrs av guider frรฅn fรถreningen Ljungs Slotts Bevarande. Sรฅklart iklรคdda 1700-talsklรคder. Allt bรถrjar i husets hjรคrta. I kรถket pรฅ nedervรฅningen.
Uppradad lรคngs ena kortsidan i kรถket fick man fรถlja skรฅdespelet. Ett storslaget kรถket med spis, skafferi och porslinsskรฅp. En scen ur 1700-talets vardagsliv utspelades bland kรถkspigor och tjรคnare. De klagade pรฅ maten, skรคmtade om falska rรฅttor i kรถket och nรฅgon tog en klunk โmedicinโ. Skรฅdespelet fortsatte.
Pรฅ nedre plan finns รคven ett kafรฉ, en utstรคllning om Jean Erik Rehn och en museibutik. Entrรฉhallen รคr i rokokoinspirerad stil.
En trappa upp, i den s.k. adelsvรฅningen, hรถll Axel von Fersen den รคldre2 och hans familj till. Vรฅningen รคr inredd i ren gustaviansk stil3.
Adelsvรฅningen
I den stora matsalen med sina lรฅngbord, stรฅr en kakelugn och รถppen spis i vardera kortsida vรคgg. Under 1700-talet kom kakelugnar att bli populรคra. Pรฅ vรคggarna hรคnger portrรคtt av Fersenslรคktens medlemmar.

Matsalen, belรคgen pรฅ slottets norra sida, har fรถnster mot norr fรถr att hรฅlla rummet svalt under varma dagar. Efter en kort scen ur ett teaterstycke med ensemblen gรฅr man vidare till hertigens sovrum.
Axel von Fersen d.y.4 var lรฅng och stilig, men sรคngen var bara 1,65 meter lรฅng. Den hade sรคnghimmel fรถr att skydda mot drag och kyla, och fรถr att ge en viss avskildhet. รven i sovrummet utrรคttades behoven.

Under den pรฅgรฅende fรถrestรคllningen kom jungfrun in och tog fram en pottskรฅl under hertigens sรคng. Kรคrlet bars sedan upp till vinden och tรถmdes fรถr att fรถrhindra att lukten stรถrde slottsinvรฅnarna.
Frรฅn sovrummet ledde en dรถrr in till Axel von Fersen den yngres fรคngslande arbetsrum. Hรคr skrev han brev till sin รคlskade Marie Antoinette med osynligt blรคck. Jungfrun, som flitigt skรถtte om kontoret, avslรถjade parets hemliga kodsprรฅk i breven.

I de eleganta salongerna dansade herrarna och damerna. De rรถrde sig till hovfolkets musik. Musiken var troligen barock eller inspirerad av 1700-talets folkvisor. Den spelades frรฅn pianot intill. Deras perukprydda huvuden rรถrde sig i takt med melodin. Jag kan dock inte med sรคkerhet sรคga vilken musik de dansade till.

Guvernanten lรฅg i nรคsta rum och vilade, plรฅgad av huvudvรคrk och illamรฅende. I sin omtanke erbjรถd jungfrun henne ett huskurat vinblandat lรคkemedel. Jag minns att det innehรถll rรถtt och vitt vin. Det hade ocksรฅ kanelstรคnger och nรฅgot mer. Det lรคt som en trรถstande rosรฉfรคrgad glรถgg. Den skulle kunna lรคtta hennes besvรคr.
Guiden visade upp sina tidsenliga klรคder, med strumpor, kjolar, underkjolar och nattlinnen prydligt lager pรฅ lager. Hon gav oss en inblick i 1700-talets mode. Hon fรถrklarade att en mouche var en viktig del av modet. Det var ett litet skรถnhetsmรคrke format som en fluga. Mouchen hade bรฅde praktiska och estetiska syften och symboliserade status. Guiden placerade sin mouche pรฅ hรถgra kinden.
Avslutning
Den timslรฅnga guidade turen, med inslag av teater, avslutades med en kรคnsla av tidsresa. Vi fick mรถta 1700-talsdamerna i deras praktfulla drรคkter och lyssnade fascinerat pรฅ de gripande berรคttelserna om bรฅde slottet och Fersenslรคkten.
Tillbaka pรฅ nedervรฅningen, bland rokokodetaljerna, รฅtervรคnde jag till 2000-talet. Mitt fokus skiftade nu till museibutiken och Ljungs kyrka, dรคr mรฅnga Fersenslรคkter vilar.
Kรคllor
- https://www.kungligaslotten.se/artiklar-film-360/kungliga-slotten/2021-03-08-stilhistoria—gustavianskt.html
- https://www.kungligaslotten.se/artiklar-film-360/kungliga-slotten/2021-03-08-stilhistoria—rokoko.html
- https://historiskahem.se/byggnadshistoria/kakelugnen/
- https://sok.riksarkivet.se/sbl/Presentation.aspx?id=15288
- https://sv.wikipedia.org/wiki/Axel_von_Fersen_den_รคldre
- https://sok.riksarkivet.se/sbl/Presentation.aspx?id=7577
- https://sv.wikipedia.org/wiki/Jean_Eric_Rehn
- https://sok.riksarkivet.se/sbl/Presentation.aspx?id=15292
- https://sv.wikipedia.org/wiki/Axel_von_Fersen
- https://sv.wikipedia.org/wiki/Musch
ยฉ Bjรถrn Blomqvist 2025-07-13
- Jean Eric Rehn (1717โ1793) var en central gestalt inom svensk arkitektur under gustaviansk tid. Han fรถrde รถvergรฅngen frรฅn lekfull rokoko till stramare nyklassicism inspirerad av antikens ideal. Efter studier i Paris blev han hovintendent och professor vid Konstakademien, och hans stil kom att prรคgla den gustavianska estetiken. โฉ๏ธ
- Axel von Fersen den รคldre (1719โ1794) var greve, militรคr och diplomat. Han var ambassadรถr i Frankrike och medlem av riksrรฅdet. Som en ledande fรถretrรคdare fรถr hattpartiet drev han en profransk, monarkistisk politik. Han var far till Axel von Fersen den yngre. โฉ๏ธ
- Gustaviansk stilย รคr den svenska tolkningen av fransk nyklassicism under Gustav III:s tid (ca 1770โ1810). Ljusa fรคrger, raka linjer och klassiska motiv som urnor och band prรคglar stilen, som fรถrenar enkelhet och elegans. โฉ๏ธ
- Axel von Fersen den yngre (1755โ1810) var adelsman och officer med internationell karriรคr. Han umgicks i franska hovet och blev nรคra vรคn med Marie Antoinette โ ryktet sรคger รคven รคlskare. Han deltog i planeringen av kungafamiljens flykt under franska revolutionen och blev senare riksmarskalk i Sverige. Hans brev och dagbรถcker ger en unik inblick i 1700-talets Europa. โฉ๏ธ
-
Julita gรฅrd โ en uppslukande historisk upplevelse

Texten bygger pรฅ en tidigare engelsk version, nu bearbetad och รฅtergiven pรฅ svenska. For the original English text, see [Exploring Julita Manor: An Immersive Historical Experience].
Julita Gรฅrd
Julita gรฅrd, med anor frรฅn 1100-talet, speglar svensk kulturhistoria genom medeltida klosterliv och herrgรฅrdsliv frรฅn 1900-talet. Guidade visningar avslรถjar gรฅrdens hemligheter och berรคttelser frรฅn Arthur Bรคckstrรถms tid.
Vinden blรฅste hรคrligt frรฅn vรคster och vรฅgorna pรฅ sjรถn รljaren var hรถga. Jag sรฅg verkligen fram emot en fantastisk utflykt till Julita gรฅrd. Platsen har en historia som strรคcker sig till 1100-talet.
Julita gรฅrd รคr en betydelsefull historisk plats som ligger drygt en timmes bilfรคrd hemifrรฅn. Idag ingรฅr den i Nordiska museets samlingar, dit den donerades av sin senaste รคgare, lรถjtnant Arthur Bรคckstrรถm.

Vandring i tid och rum
Ensam och fรถrvรคntansfull stod jag dรคr (sommaren 2024). Bara jag och guiden. En privat visning, nรคstan som en drรถm! Vad jag fick veta frรฅn guidningen, รคr det jag kommer delge er hรคr. Det รคr mina intryck och mina betraktelser!
Det sรฅ kallade stora huset, dรคr guideturen startar, รคr betydligt yngre รคn platsen, vilket ger den en spรคnnande historia. Huvudbyggnaden uppfรถrdes pรฅ 1600-talet. Huset brann ned under mitten av 1700-talet, men ett nytt hus uppfรถrdes pรฅ samma plats, senare under 1700-talet.

Gรฅrden kรถptes pรฅ auktion av Arthur Bรคckstrรถms fรถrรคldrar, รฅr 1892 frรฅn familjen Palbitzki. Vid kรถpet var huset helt tomt. Det gav familjen Bรคckstrรถm en fantastisk mรถjlighet. De kunde sรคtta sin egen prรคgel pรฅ gรฅrden โ bรฅde pรฅ exteriรถren och de tillhรถrande byggnaderna. De gjorde รคven inredningen personlig och skapade ett varmt och inbjudande hem. Enligt guiden.
Tiden fรถre Arthur
Klรคdd i tidsenliga klรคder berรคttade guiden med en fรคngslande passion om huset โ enbart fรถr mig. I det inledande anfรถrandet sades det att kung Knut Eriksson donerade gรฅrden Sรคby รฅr 1180. Gรฅrden omfattar en betydande del av Julita socken.

Donationerna tillfรถll cistercienserorden. Munkarna uppfรถrde ett kloster pรฅ den plats dรคr herrgรฅrden nu stรฅr. De konstruerade ett valv pรฅ den plats dรคr den sรถdra flygeln รคr belรคgen.
I den sรถdra flygeln, ovanfรถr valven, finns ett imponerande kรถk, dรคr maten till alla pรฅ gรฅrden tillagades med stor omsorg. Ett andra kรถk finns ocksรฅ i den norra flygeln. Ibland fungerade det รคven som ett vรคlkomnande soppkรถk fรถr luffare och andra fรถrbipasserande.

Under reformationen pรฅ 1500-talet, nรคr Gustav Vasa regerade, stรคngdes klostren. Tidigare hade klostren varit viktiga fรถr lรคrande och andlighet i Sverige. Landet blev lutherskt, vilket fรถrรคndrade det religiรถsa och politiska landskapet. Staten fick mer makt รถver kyrkan och dess tillgรฅngar. Julita blev ett kronohemman, vilket pรฅverkade den lokala befolkningen och ekonomin. Kungamakten fick styra klosterjordarna och omfรถrdela resurser fรถr att stรคrka sin makt.
Jag vet en del om Gustav Vasa. Men jag hade ingen aning om att han tillbringade sina sista tvรฅ veckor pรฅ just Julita. Under tiden han var dรคr, var han sjuk. med sig hade han ett fรถlje pรฅ 200 hรคstar. Det รคr inte helt klart om sjukdomen han drabbades av under resan dit var den som ledde till hans bortgรฅng. Guiden kunde tyvรคrr inte ge nรฅgra svar pรฅ den frรฅgan.
Arthurs Bรคckstrรถms tid
Arthur Bรคckstrรถm รถvertog gรฅrden 1902 efter sin far, Johan Bรคckstrรถm. Arthur arrenderade den med stor entusiasm och hรคngivenhet fram till sin dรถd 1941. Detta skapade en stolt tradition som fortsรคtter att inspirera. Under Arthurs tid byggdes bland annat en kuskbostad, ett stall samt ett vagnsgarage.

Arthur hade inga egna barn, men mรฅnga hundar. De var inte bara husdjur, utan ocksรฅ en integrerad del av hans liv och hans familj. Enligt vad guiden sa, vilar hundarna pรฅ samma heliga plats som Arthur sjรคlv, i evig gemenskap.
Arthur var verkligen en omtรคnksam person! 1 600 luffare kom fรถrbi hans gรฅrd under ett och samma รฅr. Han brydde sig om de fattiga och hungriga ๏ผ en bra gest, enligt guiden. Hans รถnskan att hjรคlpa till var genuin. Han ville se till att alla levde gott, bรฅde de som behรถvde stรถd och de som arbetade pรฅ gรฅrden. Han ville att alla skulle kรคnna sig vรคrdefulla.

Portrรคtt av Arthur Bรคckstrรถm, mรฅlat av Bernhard รstergren 1935. Stora huset
Fรถrsta vรฅningen (markplan) i huvudbyggnaden var Arthurs privata del. Guiden berรคttade รฅterigen, entusiastiskt om hur viktiga hans hundar var fรถr honom. Varje morgon njรถt han ocksรฅ av rabarberjuice, en god start pรฅ dagen, helt enkelt. Pรฅ bordet bredvid sรคngen stรฅr en kanna som bekrรคftar berรคttelsen.
Jag stรคllde mรฅnga frรฅgor, vilket gjorde att jag lรคrde mig mycket och kรคnde mig inspirerad. Vad fick jag mer veta?
Jo, i ena รคnden av vรฅningen finns Arthurs frukostrum, och i den andra รคnden finns hans sovrum. Dรคremellan finns ett sรคllskapsrum dรคr dignitรคrer mรถttes fรถr att prata, njuta av cigarrer och spela kort. Kanske diskuterades affรคrer och politik dรคr?
Pรฅ vรฅning tvรฅ mรถttes jag av en vacker salong och en matsal. De var fyllda med Rรถrstrands-porslin och glas med Arthurs sigill pรฅ. Jag frรฅgade sรฅklart guiden om glasen kom frรฅn Reijmyre glasbruk, som grundades รฅr 1810 och ligger inte sรฅ lรฅngt hรคrifrรฅn. Guiden visste inte, sรฅ den frรฅgan fรฅr framtida besรถkare sjรคlva undersรถka.
I det sรฅ kallade Julitarummet hรคnger en imponerande mรฅlning av Julita krutverk. I krutverkets verkstad tillverkade man lรคderkanoner. Ja, hรถr och hรคpna! Detta var en banbrytande uppfinning som avsรฅg att gรถra kanoner mycket lรคttare att transportera pรฅ slagfรคltet. Tyvรคrr blev projektet ett misslyckande, eftersom krutblandningen ofta exploderade.
Mรฅlningen รคr en kopia, berรคttade guiden. Originalet kan beskรฅdas pรฅ Rijksmuseet i Amsterdam. Jag besรถkte det museet vรฅren 2023. Jag beundrade verket utan att tรคnka pรฅ att det var originalet till verket jag nu stรฅr framfรถr. Vilken slump?
Pรฅ รถversta vรฅningen finns ett underbart bibliotek, ett gรคstvรคnligt gรคstrum och en rymlig salong. Biblioteket rymmer รถver 5 000 volymer, vilket sรคkerligen รคr en glรคdje fรถr alla vetgiriga besรถkare. De stora koffertarna vid gรคstrummets entrรฉ, berรคttar om spรคnnande lรฅngvรคga resor.
Det var inte bara besรถkare och luffare som var dรคr. รven de anstรคllda. De flesta av gรฅrdens 150 arbetare bodde i omrรฅdet. Mรฅnga var torpare och hade fรถrmรฅnen att bo i nรฅgot av de 80 torpen.
Henning Forsman
En som ofta omnรคmndes var gรฅrdssnickaren Henning Forsman. Stรถrsta delen av herrgรฅrdens mรถbler รคr tillverkade av honom. I hans verkstad, belรคgen i utkanten, fanns ingen elektricitet, fick jag veta. Allt arbete utfรถrdes fรถr hand och med mekaniska maskiner.
I herrgรฅrden (stora huset) fanns det dรคremot el. Guiden pekade entusiastiskt pรฅ lamporna i taket โ utan lampskรคrmar, just fรถr att kunna visa att huset hade elektriskt ljus.

Forsmans uppdrag var att skapa mรถbler fรถr herrskapet i en rad olika historiska stilar. Mycket av mรถblemanget i huset bรคr hans osynliga signatur av finess och elegans. Guiden visade stolar i empirestil, med majestรคtiska lejonfรถtter. Dekorerade med tofsar.
Pรฅ egen hand
Efter en timmes guidning lรคmnade jag huset. Den stora trรคdgรฅrden breder ut sig framfรถr mig. Ett lusthus รคr synligt i fjรคrran. Det รคr en kopia, som guiden poรคngterade. Originalet รคr belรคget pรฅ Skansen.

Mรฅnga intryck rikare fortsatte jag det spรคnnande utforskandet av omrรฅdet. Nu utan guide och efter eget intresse. Orangeri, museum och kyrka รคr verkligen nรฅgra av de fantastiska byggnader som bรถr besรถkas โ och sjรคlvklart ett mysigt kafรฉ! Kaffet var nรคstan dyrare รคn intrรคdet, men den vรคnliga personalen gjorde upplevelsen vรคrdefull.
Intill kyrkan ligger det fรถrtrollande Julita Skans hembygdsmuseum, en skattkammare av historia och kultur. Dรคr รถppnar Arthur Bรคckstrรถm lyckligt sitt hjรคrta och sin privata samling, som gnistrar av minnen och historier. Men det รคr inte allt!

En mindre, men kraftfull konstutstรคllning har ocksรฅ funnit sin vรคg hit. โรntligen!โ utbrister jag inombords, โlite modern konst som vรคcker liv och kรคnslor.โ Utstรคllningen ligger en trappa upp i museets gastkramande entrรฉbyggnad. Utstรคllningen framhรคver imponerande verk av lokala konstnรคrer i Katrineholms kommun, inklusive Julita. Den arrangeras av den ideella fรถreningen KIKK (Konstnรคrer i Katrineholms Kommun).
Museibyggnaden รคr hรคrligt sammanbyggd med gรฅrdens kyrka via en liten, charmig innergรฅrd. Kyrkporten, som sig bรถr, vetter mot vรคster โ mot det glittrande รljaren.

Det stora huset รคr belรคget i รถster, vilket รคven gรคller kyrkans altare. Besรถkare fรคrdas sรฅledes frรฅn vรคst till รถst โ frรฅn mรถrker mot ljus โ nรคr de passerar genom porten till altaret. Kyrkor har traditionellt konstruerats med altaret riktat mot รถster, den riktning dรคr solen stiger.
Kyrkan, eller snarare kapellet, รคr uppfรถrt i trรค i enlighet med Arthurs egna visioner. Inuti anordnas trรคbรคnkar och ett altare i รถster. Byggnaden, som รคr liten och stillsam, prรคglas av ett fristรฅende klocktorn (kampanil) intill.
Dagen avslutades med ett besรถk i orangeriet och det nรคrbelรคgna tegelbruket. Nรฅgra blommor inhandlades innan sista stoppet. Museibutiken.
Kรคllor
- Julita Gรฅrd. Nordiska museets fรถrlag 2019 (2:a upplagan)
- https://www.julitagard.se/om-julita-gard/
- https://www.nordiskamuseet.se/besok-oss/besoksmal/julita-gard/
- https://www.julitagard.se/byggnader/
- https://www.julitagard.se/om-julita-gard/vem-var-arthur-backstrom/
- https://www.julitagard.se/om-julita-gard/julita-gards-historia/
- https://sv.wikipedia.org/wiki/Julita_gรฅrd
ยฉ Bjรถrn Blomqvist 2025-11-11
-
Att fรถrstรฅ synestesi โ Sinnets palett

Texten bygger pรฅ en tidigare engelsk version, nu bearbetad och รฅtergiven pรฅ svenska. For the original English text, see [Understanding Synesthesia:]
Syfte och metod
Syftet med studien รคr att undersรถka mina egna perceptuella upplevelser i relation till fenomenet synestesi. Studien fokuserar pรฅ hur fรคrg, form, ljud och begrepp samverkar i min vardagliga perception. Genom sjรคlvobservation och jรคmfรถrelse med befintlig forskning identifieras flera synestetiska uttryck, framfรถr allt grafemfรคrgssynestesi, dagfรคrgssynestesi och tid-rumssynestesi.
Min fรคrgstarka fรถrmรฅga
Vardagen รคr inte bara svart eller vit. Den รคr en fรคrgpalett som fรฅngar intryck och sinnesstรคmningar i regnbรฅgens alla nyanser. Om jag frรฅgar vad du heter och du svarar “Erikโ, dรฅ รคr du grรถn. Jag heter Bjรถrn, och รคr blรฅ. B som i blรฅ. Om du heter Anna, รคr du rรถd. Patrik รคr brun. Sofie รคr vit. Johanna รคr vinrรถd osv.
Namn och fรคrger blandas samman. Det visar de fascinerande kopplingar jag skapar mellan namn och fรคrg. Det รคr uppenbart โ det รคr synestesi!
- Om mitt namn (Bjรถrn) รคr blรฅtt och lรฅter som en isig vind โ vilka fรคrger sรคtter du pรฅ ord?
- Har siffror fรคrger?
- รr du som jag?
Vad รคr synestesi?
Synestesi รคr ett neurologiskt fenomen dรคr sinnena รคr sammankopplade. Den vanligaste formen, grafemfรคrgsynestesi, innebรคr automatiska och konsekventa kopplingar mellan bokstรคver eller siffror och specifika fรคrger. Dessa samband รคr ofta envรคgs och utvecklas tidigt i barndomen.
Synestesi kan ta sig mรฅnga uttryck. Den kan exempelvis koppla tidsenheter till fรคrger eller fรถrvandla musik till visuella upplevelser. Man har identifierat omkring 70 olika typer.
Forskning
Enligt forskning vid Karolinska Institutet definieras synestesi som en unik fรถrmรฅga dรคr sinnesintryck eller tankar kopplas samman pรฅ ovanliga sรคtt. Bokstรคver kan till exempel vara fรถrknippade med fรคrger, eller ljud kan framkalla former.
Cirka 4% av befolkningen har nรฅgon form av synestesi. Fenomenet varierar mellan individer och รคr delvis รคrftligt. Forskare menar att synestesi ofta triggas av begrepp snarare รคn direkta sinnesintryck.
Det kan hjรคlpa hjรคrnan att gรถra abstrakta idรฉer mer konkreta. Synesteter uppvisar ibland fรถrbรคttrad minnesfรถrmรฅga och en tydlig kreativ รฅdra โ nรฅgot som fรถrklarar kopplingen till konstnรคrliga yrken.
Synestesi och autism?
Det finns teorier om samband mellan synestesi och autism. Det finns ocksรฅ teorier om samband mellan synestesi och tvรฅngssyndrom. Detta beror pรฅ liknande mรถnster i hjรคrnans kopplingar och detaljfokus. Pรฅgรฅende forskning studerar dessa samband genom tvillingstudier och hjรคrnavbildning.
Synestesi รคr inte en funktionsnedsรคttning. Den upplevs ofta som nรฅgot positivt, eftersom den berikar individens erfarenheter och visar hur unikt mรคnniskor kan uppfatta vรคrlden.
Hur โ pรฅ vilket sรคtt
Hur lรฅter fรคrgen rรถd? Endast nรฅgon med synestesi kan svara pรฅ det. En person hรถr en trumpet och ser trianglar, en annan tรคnker pรฅ basket och kรคnner smaken av vรฅfflor. En tredje uppfattar siffran nio som en sรคrskild nyans av rosa.
Synestesi betyder โsamtidig perceptionโ. Forskning visar att det ofta รคr sjรคlva begreppet eller idรฉn om nรฅgot som utlรถser den synestetiska upplevelsen.
De vanligaste formerna รคr:
- Auditiv-taktil synestesi: Ljud framkallar kรคnselfรถrnimmelser som tryck, vรคrme eller smรคrta.
- Dagfรคrgssynestesi: Veckodagar upplevs i specifika fรคrger.
- Grafemfรคrgssynestesi: Bokstรคver, siffror eller symboler har bestรคmda fรคrger.
- Hรถrsel-rรถrelsesynestesi: Rรถrelser upplevs med tillhรถrande ljud, t.ex. ett โsvischโ.
- Spegelberรถringssynestesi: Nรคr man ser nรฅgon berรถras eller skadas och kรคnner det fysiskt sjรคlv.
- Ljud-fรคrgssynestesi: Ljud eller musik vรคcker fรคrgupplevelser.
- Tid-rumssynestesi: Tidssekvenser (t.ex. kalendern) visualiseras som mรถnster eller former.
- Spatial sekvenssynestesi (SSS): Siffror, datum eller sekvenser upplevs som placerade i rummet i bestรคmda mรถnster
Min fรคrgstarka vardag
Jag lรคrde mig ordet synestesi fรถr inte sรฅ lรคnge sedan. Tidigare var jag omedveten om att fenomenet hade ett namn. Nรคr jag fick det beskrivet fรถr mig kรคnde jag att hela mitt liv rymdes i det ordet.
I รฅratal har jag sett ord, siffror, datum, tider och bokstรคver i fรคrger. Det bรถrjade nรคr jag var barn.
Mina former av synestesi passar in pรฅ alternativen ovan, 2, 3, 7 och 8. Jag har bรฅde fรคrg och en form pรฅ hela รฅret och dess mรฅnader.

Sรฅ hรคr ser รฅret ut i mitt huvud. Varje mรฅnad har sin egen fรคrg. Dagarna kring jul och fram till nyรฅr upptar den รถvre raden i min inre bild. Tydliga tecken pรฅ (7) Tid-rumssynestesi.
Fรถrst kommer julhelgen. Dรคrefter kommer mellandagarna. Till sist รคr det nyรฅret. Den raden tรคcker en vecka, medan den undre representerar stรถrre delen av รฅret.
Nu รคr det november. Hela mรฅnaden har jag fรถrestรคllt mig att jag befinner mig pรฅ den branta hรถgra kortsidan av rektangeln. I uppรฅtstigande rรถrelse. Inte fรถrrรคn dagarna innan jul, svรคnger det in pรฅ den รถvre lรฅngsidan av rektangeln. Dรคr befinner jag mig รคnda fram till det nya รฅrets fรถrsta dag.
Ordens kulรถr
Veckans alla dagar: Mรฅndag, Tisdag, Onsdag, Torsdag, Fredag, Lรถrdag, Sรถndag
Efternamn: Persson, Andersson, Larsson, Karlsson, Svensson, Algotsson, Ekberg, Lind, Lund, Blomqvist.
Pรฅ liknande sรคtt ser jag veckodagar, namn, bokstรคver och siffror i fรคrg. Orden fรฅr sina nyanser genom sina inledande bokstรคver och genom datum som knyts till dem. Det omfattar, (2) dagfรคrgssynestesi, (3) grafemfรคrgssynestesi och (8) Spatial sekvenssynestesi (SSS). Som tidigare nรคmnt, har olika namn olika fรคrger, baserat pรฅ fรถrsta bokstaven i namnet.
Tid och siffror
๐ฐ๏ธ 16:00, 18.00, 17:00 22:00, 15:00, 04:00 ๏ผ โถ 2 3 4 5 6 7 8 9 0
Exempel: Om du sรคger att vi har mรถte kl. 16:00, รคr det mรถrkblรฅ tid. Om det รคr flyttat till kl. 18:00, รคr det vinrรถtt. Det kan skapa konflikt i mitt huvud, eftersom kl. 17:00 har en ljusare rรถd fรคrg och kan skapa missfรถrstรฅnd. (7) Tid-rumssynestesi.
Den vanligaste formen, (3) grafemfรคrgssynestesi innefattar fรคrger pรฅ siffror och bokstรคver. Som jag tidigare nรคmnt, har jag olika fรคrger fรถr olika namn, med koppling till fรถrsta bokstaven. Siffror รคr inget undantag. รven dรคr fylls de av fรคrger i mitt sinne.
Exempel: Tre datum stack ut i december 2024 och tvรฅ kommande datum i รฅr 2025.
- Den 3:e var grรถn ๐ฉ.
- Den 4:e var svart โฌ๏ธ โ en djup kontrast som vรคcker kรคnslor av mystik och tyngd. Dรฅ hade ett jag lรคkarbesรถk.
- Den 5:e var gul ๐จ โ ljus och varm, fylld av optimism. Dรฅ var det julbord med kollegorna.
- I รฅr รคr julbordet den 2:a och det datumet รคr rรถtt ๐ฅ.
- Den 4:e i รฅr รคr det APT (oรถnskat), men fortfarande svart โฌ๏ธ.
Fรคrger ger verkligen energi och skickar signaler till hjรคrnan. Dessa signaler hjรคlper mig att minnas. De pรฅverkar ocksรฅ mina kรคnslor och min kreativitet. Mitt poetisk skapande och mitt unika sรคtt att minnas saker och hรคndelser, samt mitt starka bildminne.
Slutsats
Genom mina egna upplevelser har jag insett att jag har synestesi. Jag kopplar fรคrg, form, ord, tid och siffror pรฅ ett stabilt sรคtt. Detta har funnits sedan barndomen och stรคmmer รถverens med forskning om synestesi. Det fรถrstรคrker min upplevelse av vรคrlden och omvandlar abstrakta begrepp till konkreta erfarenheter, vilket fรถrdjupar kopplingen mellan tanke och kรคnsla. Mina upplevelser รถverensstรคmmer sรคrskilt med grafemfรคrgssynestesi och dagfรคrgssynestesi, och synestesi รคr en del av min identitet.
Kรคllor
- https://ki.se/forskning/popularvetenskap-och-dialog/popularvetenskapliga-teman/tema-vara-sinnen/en-fargstark-formaga-synestesi
- https://ki.se/forskning/forskningsomraden-centrum-och-natverk/forskargrupper/synestesi-autism-och-perception-janina-neufelds-team
- https://sv.wikipedia.org/wiki/Synestesi
- https://my-clevelandclinic-org.translate.goog/health/symptoms/24995-synesthesia?_x_tr_hist=true
- https://www.apollohospitals.com/sv/symptoms/synesthesia
ยฉ Bjรถrn Blomqvist 2025-11-09
-
Modernistisk arkitektur i fokus: En fallstudie

Texten bygger pรฅ en tidigare engelsk version, nu bearbetad och รฅtergiven pรฅ svenska. For the original English text, see [Exploring Modernist Architecture].
Vissa byggnader fรฅngar blicken utan att egentligen vara vackra. De stรฅr dรคr, kantiga och rรฅa, men med en tyst nรคrvaro som man inte kan vรคrja sig mot. Ibland passerar jag ett sรฅdant hus. Det รคr ett stycke modernism med brutalistiska drag. Byggnaden vรคcker fler frรฅgor รคn den ger svar.
Hantverkshuset
En byggnad kan fรคngsla en genom sin karaktรคr. Framhรคvd av dess spetsiga tak och glasfasad som gestaltar modernism. Rรฅbetong som lyfter fram samspelet mellan funktion och form. Det skapas ett rum fรถr reflektion kring tid och material.
Det finns byggnader med medveten arkitektonisk utformning av olika skรคl. Det รคr just den del som syns tydligast, och som jag pรฅ nรฅgot sรคtt tycker รคr spektakulรคr. Inte fรถr att den รคr unik โ det finns sรฅklart andra byggnader med liknande form och stil. Som jag sjรคlv sรคger: โDen sticker verkligen ut.โ
Byggnaden har lรคnge fรฅngat mitt intresse, och med sin fascinerande arkitektur. Den stรฅr ut och fรฅngar min blick nรคr jag gรฅr fรถrbi. Jag kan stรฅ lรคnge framfรถr den och fundera รถver vad den fรถrmedlar ur ett arkitektoniskt perspektiv.
Nรคr jag betraktar byggnaden tycker jag inte att den รคr sรคrskilt vacker. Men nรคr jag stรฅr framfรถr entrรฉn och det utstickande taket strรคcker sig รถver mig, kรคnner jag en viss modernistisk nรคrvaro. Byggnaden utstrรฅlar ocksรฅ en brutalistisk charm.
Personligen tycker jag att den pรฅminner om en tweedkeps med nedfรคllda รถronlappar. Den liknar ocksรฅ en haj med lรฅng, spetsig panna. Det รคr utan tvekan en modern byggnad. Den har ett spetsigt, utstickande tak. Dess glasade fasad betonar dess unika arkitektoniska stil.
Huset รคr byggt 1964 och stรฅr vid ett mindre industriomrรฅde i Oxelรถsund. Omrรฅdet gรฅr under namnet Stรฅlbyn. Jag har inte kunnat hitta nรฅgon information om husets historia eller vem arkitekten bakom det mรฅ vara. Det jag vill undersรถka รคr hur byggnaden fรถrhรฅller sig till olika arkitekturstilar.
En fallstudie

En modern byggnad med en distinkt glasfasad och ett spetsigt tak, representativ fรถr modernism och brutalism. Jag har tillbringat en tid med att sรถka i min kunskapsbank och i arkitekturbรถcker i mitt eget bibliotek. Analytiskt, baserat pรฅ byggรฅr, material och form, skulle jag sรคga att det รคr modernism1.
Designen visar asymmetri i byggnadens nedre del (vรคnster i bilden) jรคmfรถrt med andra sektioner. Det spetsiga, utstickande taket och dess ojรคmna former anknyter till modernistisk arkitektur. Dรฅ byggnader i modernistisk stil, oftast prรคglas av platta tak, รถppna planlรถsningar, gardinfรถnster och minimal dekoration.
Valet av material โ tegel, glas och betong โ รคr typiskt fรถr modernismen. Det skapar en industriell kรคnsla och betonar minimalism och rena linjer utan dekorativa detaljer. Dessa aspekter visar att byggnaden fรถrkroppsligar funktionalism2 โ kรคnnetecknad av funktion, form, process och industriell design. Den tillgodoser mรคnniskors behov.
Hantverkshuset rymmer olika verksamheter, bland annat en bilverkstad, en vรฅrdcentral, en postterminal och en reklambyrรฅ. Den uppfyller effektivt samhรคllets behov โ ett kรคnnetecken fรถr funktionalismen.
En annan stil som hรคrstammar frรฅn modernismen รคr brutalism3, som kรคnnetecknas av enkla, obehandlade material som betong. En arkitektur stรฅr utanfรถr tradition och konventionell estetik, och uppnรฅr effekt genom rรฅa former och materialens รคrlighet. Tvรฅ centrala byggnader inom brutalismen รคr Hunstanton School i Norfolk och La Tourette Abbey i Frankrike.
Reflektion
I mรถtet mellan betongens tyngd och glasets ljus blir byggnaden mer รคn bara en form. Den blir ett kraftfullt eko av sin tid. Den reflekterar vรฅr egen blick pรฅ den och dess betydelse. Analysen leder mig bestรคmt till funktionalism och brutalism, dรคr det finns gott om utrymme fรถr nya insikter och perspektiv.
ยฉ๏ธ Bjรถrn Blomqvist 2025-11-06
- Modernistisk arkitektur รคr den arkitekturstil som dominerade den vรคsterlรคndska vรคrlden mellan 1930- och 1960-talen. Den kรคnnetecknas av ett analytiskt och funktionellt fรถrhรฅllningssรคtt till byggnadsdesign. Byggnader i denna stil prรคglas ofta av platta tak, รถppna planlรถsningar, gardinfรถnster och minimal dekoration.ย โฉ๏ธ
- Funktionalismen รคr en gren av modernismen som uppstod pรฅ 1920-talet. Arkitekterna fokuserade pรฅ byggnadsdesign utifrรฅn funktion. Detta resulterade i slรคta, odekorerade fasader med platta tak och enkla geometriska former. โฉ๏ธ
- Brutalistisk arkitekturย blomstrade under 1950- och 1960-talen. Den drevs av en strรคvan efter funktionalitet och betonade ocksรฅ รคrlighet i materialanvรคndningen. Stilen kรคnnetecknas av rรฅa betongytor, exponerade bรคrande element och ofta enorma proportioner. Brutalismens charm ligger i avsaknaden av utsmyckning โฉ๏ธ
-
Upptรคck Stora Sundby Slott: En Tidsresa

Texten bygger pรฅ en tidigare engelsk version, nu bearbetad och รฅtergiven pรฅ svenska. For the original English text, see [Exploring Stora Sundby Castle].
Stora Sundby skott
Stora Sundby slott reser sig som en drรถm ur sagornas vรคrld, bara en och en halv timme bort frรฅn vardagen. Bakom dess murar dรถljer sig sekler av makt och kรคrlek. Frรฅn medeltida fรคstning till romantiskt sagoslott.
Pรฅ schemat stod Stora Sundby slott! Slottet stรฅr prรคktigt hรคr i Sรถrmland, vilket vรคckte en varm kรคnsla av hemhรถrighet. Bilresan dit tog en timme och trettio minuter. Fast besluten att ta in allt som guiden hade att berรคtta, skulle jag komma dรคrifrรฅn allt rikare pรฅ historiska intryck.
Pรฅ slottet bor 4:e generationen av familjen Klingspor. Av privata skรคl, รคr fotografering inomhus inte tillรฅten. Slottet รคr yngre รคn tidigare slott jag besรถkt. Det bรคr pรฅ en rik historia som strรคcker รคnda till 1200-talet. Slottet omges av en storslagen park och vidstrรคckta jaktmarker. Med en engagerad guide fick jag inblick i slottets rika historia. Jag ser fram emot att dela dessa tankar med er.
En plats med rรถtter i 1200-talet
Stora Sundby har sina anor frรฅn 1200-talet. Sjรถn Hjรคlmaren, vars strand slottet ligger vid, รคr Sveriges fjรคrde stรถrsta sjรถ. Den var betydligt stรถrre pรฅ 1300-talet รคn i dag. Maktkamperna som avlรถste varandra under 1300-talet, fรถrekom รคven hรคr. Det var en orolig tid med kungar och hertigar i konflikt.
Redan pรฅ 1200-talet, uppfรถrdes ett fรถrsvarstorn hรคr. Det fรถrsta egentliga slottet byggdes pรฅ 1500-talet under ledning av Lars Siggeson Sparre. Familjen Sparre kom att spela en avgรถrande roll fรถr Stora Sundbys utveckling. Under flera sekler lade de grunden till ett storslaget arv. Det var pรฅ 1600-talet som den den berรถmda riddarsalen tillkom. Det รคr hjรคrtat i slottets historia.

Den romantisk omvandlingen
I bรถrjan av 1800-talet kom Carl de Geer till Stora Sundby, dรฅ en av Sveriges rikaste mรคn. Hans dotter behรถvde ett eget hem, och planerna pรฅ ett nytt slott tog form. Men Carls hustru, Ulrika Sofia Sprengtporten, hade helt andra idรฉer.
Sofias vision fรถr slottet fรถddes ur de riddarromaner av Sir Walter Scott, hon hade lรคst. Hon drรถmde om ett romantiskt slott som taget ur litteraturens vรคrld. Inspirationen sรคgs vara Walter Scotts hem Abbotsford. Noterat: (att enligt guiden รคr det det samma arkitekt som skapat de bรฅda slottet, men jag รคr kรคllkritisk till det.) รr det verkligen sรฅ? Slottet รคr vad det รคr (ett kalenderslott) och kommer vara det fรถr lรฅng tid framรถver.
Stora Sundby blev ett sรฅ kallat kalenderslott, en symbol fรถr tidens gรฅng. De fyra stora tornen representerar รฅrstiderna, de tolv smรฅ tornen, รฅrets mรฅnader. Slottet har dessutom 52 rum och 365 fรถnster. Det รคr lika mรฅnga rum som รฅrets veckor. Det finns en dag fรถr varje fรถnster likasรฅ. En arkitektonisk hyllning till tiden helt enkelt, eller som guiden sa; “Ett fรถnster om dagen att tvรคtta”.

En vandring genom historien1
Fรถrsta stoppet var riddarsalen โ slottets hjรคrta. Att stiga in dรคr, var som att fรคrdas tillbaka till 1600-talet. Vรคggarna pryds av mรฅlningar i lรคder, och som skildrar Kartagos fall, skapade under de Geer-eran.
Pรฅ en vรคgg hรคnger ett portrรคtt av Karl XIV Johan. Han var den fรถrste Bernadotten. Han var ocksรฅ den franske soldaten som blev svensk kung. Taket i salen hรถjdes upp under ombyggnaden fรถr att ge plats รฅt en praktfull takmรฅlning i de Geer-stil. Dรคr i taket, tronar Sparres vapenskรถldar som ett monument รถver familjens historia.
Nรคsta stopp var matsalen โ enkel men fylld av charm. I ett hรถrn stรฅr en kakelugn som tycks ha รถverlevt seklerna utan att fรถrlora sin charm. Vรคggarna รคr klรคdda med kalvskinnstapeter. Guiden berรคttade pรฅ ett poetiskt sรคtt hur varje fyrkant i tapeten representerar en kalv. Det var som om varje del hade sin egen berรคttelse. “I skenet av levande ljus lรคr tapeterna ha skimrat pรฅ ett nรคrmast magiskt sรคtt”.
I fรถljande rum blev stรคmningen plรถtsligt mer familjรคr, nรคstan komisk โ som i en familjescen ur en tv-serie. Slรคkthistorierna flรถdade: vem gifte sig med vem, vilka allianser skapades? I det rรถda rummet dรคremot, har delar av tv-serien Young Royals spelats in..

Slottets hemligheter
Endast ett fรฅtal av slottets 52 rum ingรฅr i rundturen. Man fick hรถra bรฅde skvaller och legender om familjerna Sparre, de Geer och Klingspor. De utsmyckade salarna konkurrerade med berรคttelserna sjรคlva. I ett av de sista rummen skimrade svagt upplysta 1700-talsmรฅlningar av en italiensk konstnรคr. Hans namn fรถll i glรถmska i stunden. Kanske pรฅ grund av den nรคstan spรถklika stรคmningen dรคr.
Plรถtsligt stod jag รฅter pรฅ borggรฅrden, fylld av samtal om spรถken och hemliga gรฅngar. Men finns det verkligen det och ett stort bibliotek? Jo, det finns ett bibliotek, dock inte stort โ och detaljerna kring de hemliga gรฅngarna fรถrblir hรถljda i dunkel. Det gรถr platsen รคnnu mer fรคngslande. Fรถrhoppningen รคr att fler delar av slottet en dag รถppnas fรถr allmรคnheten.
Stora Sundby slott bรคr pรฅ fler berรคttelser som vรคntar pรฅ att bli berรคttade.
Sammanfattning
Besรถket pรฅ Stora Sundby slott var en tidsresa genom 1200-talets och 1800-talets stil. Med sina fyra torn och 365 fรถnster รคr slottet som en levande kalender. Guiden delade familjernas historia, makt och kultur. Riddarsalen och de mindre rummen berรคttade om svunna tider och personliga historier. รven om fรฅ rum รคr รถppna, upplevs mystik och fantasi kring hemliga gรฅngar och spรถken. Slottet รคr bรฅde ett arkitektoniskt mรคsterverk och en del av Sveriges historia.
ยฉ Bjรถrn Blomqvist 2025-11-06
-
En Inre bild
Vad tรคnker du pรฅ?
Vad ser du?
Vad vill du se?
Var finns det?
Var tog det vรคgen?
Var รคr det?
Hur tรคnker du?
Hur ser du den?
Hur blir denโฆ
โฆbilden i ljuset av din tanke?
ยฉ Bjรถrn Blomqvist 2025-11-06
-
Understanding Creativity: How Art Builds on the Past

Art draws inspiration from the past while simultaneously striving for innovation. Every artist carries the weight of history within them, yet they yearn to discover their unique style. This delicate balance between heritage and change is where creation truly blossoms. Tradition transforms into material that emerges as something distinct and vibrant.
Something Iโve always wondered about is the phrase: โAll art is born from art.โ It can be interpreted in different ways. However, for me, it underscores a fundamental truth. This truth is about the cyclical nature of creativity. Just as many great artworks throughout history are built upon earlier ideas, a dialogue continues between different eras. Artworks exhibit various styles, which is similar to the other phrase: โThereโs nothing new under the sun.โ
Todayโs artists draw inspiration from the past by repurposing and reimagining these influences. This creative process allows them to craft something novel and pertinent. This exemplifies the ongoing evolution of art and ideas. Ultimately, it underscores that art is a collective endeavor, with each piece contributing to a larger, ever-developing narrative.
Iโm curious about the multifaceted nature of art. There are so many layers of meaning and significance that require in-depth exploration. Where can I find answers to my questions? Iโm particularly interested in the origins of contemporary artworks. Itโs fascinating to consider how the creative expressions of earlier generations have shaped our current artistic landscape. How have new art styles emerged from the old, driven by a quest for identity and understanding? Who holds the answers to these questions that perplex me? I yearn to uncover the historical insights that can illuminate our understanding of art and its evolution.
On a deeper level, I find myself pondering the intricate distinction between forgery and imitation. This complex question explores the realms of art and ethics. It raises profound questions about the acceptable boundaries of inspiration. It also considers the fine line between resemblance and caricature. The intention behind the creation becomes a pivotal factor in these cases. While a resemblance seeks to pay homage, a caricature often aims to mock or criticize. These subtle nuances can be challenging to define. Yet, they are crucial in shaping our perception. They also impact the valuation of both artistic works and cultural expressions.
The resemblance of a work to earlier works often leads to claims of similarity and inspiration. This phenomenon is not limited to visual arts. It also applies to music and lyrics. Many expressions and themes frequently recur in different versions. For instance, a poem I write may resemble someone elseโs without my knowledge. This can sometimes evoke a sense of wonder. Is it merely a coincidence that influences our creations? Or are there common frameworks that draw us towards similar images and emotions? Only we, as creators, can truly know. We navigate a world filled with influences and ideas, constantly seeking our unique expression. Simultaneously, we are aware of how we shape and are shaped by the works that have come before us.
Itโs crucial to comprehend an artistโs intent behind their work. This applies irrespective of whether itโs groundbreaking, revolutionary, or a reproduction of earlier creations. Each artwork carries a profound significance and context. Every interpretation is unique and can evoke diverse emotions and thoughts within us.
I, along with other observers, cannot provide precise answers. Our interpretations are shaped by our unique perspectives, experiences, and emotions. This inherent subjectivity makes art a dynamic and personal experience for everyone who engages with it. The artwork becomes a dialogue between the artist and the observer, with both parties contributing to its meaning and significance.
In todayโs art world, itโs an intriguing question to ponder. Does the artist possess knowledge of art history? Or are they simply forging their own unique path? Many artists draw inspiration from the past. However, I believe that most have a solid foundation in the traditional art forms. By studying earlier works, they gain insights and techniques that shape their own creations. These references add depth and richness to the art being produced today. They also ensure that it resonates with audiences on a deeper level.
Itโs also crucial to not merely replicate the past. Instead, artists must discover a distinctive and original voice in their creations. The artist seeks to express themselves, while simultaneously allowing the viewer to interpret the work freely. This fosters a dialogue between the artwork and the audience. It enables each viewer to experience the art in their own unique way.
The question of forgery is more about provoking than imitating. Itโs more about provoking because it often sparks debate and questions the norms of what truly constitutes art. The art that has been created contributes to this, as itโs often provocative and thought-provoking.
An analogy serves several purposes. It can pay tribute to the original work, or it can challenge or provoke the viewer. Something that already exists can always be presented anew. It can be shown from a different perspective. This highlights the diversity of interpretations and ideas that art can evoke over time.
The question at hand revolves around the distinction between analogy and caricature. These two artistic forms are frequently employed to convey diverse messages and evoke various emotions. Caricatures, in particular, can be created in a distinct artistic style. This style diverges from the original. It reflects different cultural or social contexts. They possess an innovative and playful quality, often in a naive manner, making them a unique medium of expression.
Caricatures, a long-standing art form, continue to captivate and challenge viewers. While their techniques are ancient, they are constantly evolving to reflect societal changes and the times.
In art history, where can one witness something entirely novel, something not derived from art itself? Is there a realm where the boundaries blur, giving birth to new ideas from the existing?
The question of whether modern art always originates from earlier art is complex, especially considering the intricacies of art history. While itโs true that modern art often draws inspiration from the past, itโs also important to recognize its multifaceted identity. Modern art has revolutionized the medium by breaking traditional norms and exploring new forms of expression.
Modern artists have studied earlier works and drawn inspiration from various art forms, such as music, literature, and film. This cross-pollination of ideas has sparked a dynamic dialogue. It bridges the past and the present. As a result, new artistic expressions have emerged. Simultaneously, this dialogue maintains a strong connection to the roots of art historical development.
Is it truly evident that all art originates from other forms of art? There exists a captivating cycle of creativity and inspiration that continuously unfolds. Can we assert that a particular artwork has never existed in any other form? In a world where ideas frequently build upon one another, it becomes challenging to completely isolate a single piece.
The most insightful answers to these questions come from the artists themselves. Through their personal experiences and unique perspectives, they can shed light on their creative processes. What drives your purpose in creating? Where does your creative power originate, and what motivates you? What experiences and influences have shaped your artistic journey? Who has impacted you along the way, and how has that shaped your style and expression? Or is your art truly entirely unique and personal, a reflection of your own thoughts and feelings?
Conclusion
The conclusion is that all art originates from earlier art. This doesnโt imply that new art lacks originality. Instead, all creativity draws from old ideas, traditions, and expressions. The artistic process involves a dialogue between the personal and the historicalโbetween imitation, renewal, and interpretation.
Real creation does not come from nothing, but from being aware of what already exists. So, art history is not a burden. Rather, it is a foundation for development. Each artwork shows traces of its predecessors and opens new pathways for the future.
ยฉ Bjรถrn Blomqvist 2025-10-12
-
Art Analysis Techniques: From Panofsky to Alpers

How do we interpret art, and what does it truly convey? In this study, Panofskyโs emphasis on symbolism is combined with Alpersโ focus on the viewerโs experience. This approach is employed to analyze both individual artworks and entire exhibitions. The outcome is a novel method. It offers fresh perspectives. It enables a deeper comprehension of the messages conveyed in artworks and their cultural-historical context.
I continue my account of art analysis, explaining my approach. I emphasize the techniques and perspectives I find most effective. My inspiration comes from Erwin Panofsky, who often highlights the context of individual works while also pointing out profound symbolism. I primarily analyze the entirety of an art exhibition.
I analyze how various works interact and collectively convey a larger narrative or emphasize a specific theme. A thorough analysis is reserved for individual works. This in-depth review happens when the entire collection shares a common theme. It also follows a consistent pattern. This approach allows me to understand the overall experience better. I also grasp the messages the exhibition aims to communicate to its visitors.
Panofskyโs iconology provides a framework for describing, identifying, and interpreting artworks. These approaches are essential for comprehending the deeper significance of artworks and their contextual background.
My final step, sometimes omitted, involves understanding the backgrounds and intentions of the artists. This is particularly challenging for works from the past or unknown artists. Without this knowledge, interpretation becomes more difficult. However, it also opens up a more free and personal understanding of the work. This step is crucial for interpreting art. It allows one to navigate between different perspectives. It also helps to truly appreciate the artworkโs complexity and multifaceted messages.
Literature offers valuable insights into an artist’s background, personality, and historical context. This understanding is crucial for appreciating their work in depth. By analyzing the literary sources surrounding an artist, we can gain a more nuanced understanding of their sources of inspiration. We can also see how the prevailing currents of their time influenced their creation.
Iโm interested in discussing Svetlana Alpersโ analytical method, which offers a unique perspective on art. Unlike Panofskyโs more traditional approach, Alpersโ method focuses on context rather than symbols. By examining the time, place, and cultural influences surrounding an artwork, we can gain a deeper understanding of its message. This approach enhances our overall experience of the artwork. I find her four steps quite intriguing. I want to explore how they can be applied to my own analyses of art. This will undoubtedly enrich my perspective and deepen my understanding of the works I study.
- Describe the image visually.
- Describe how the image connects to modern science and culture.
- Examine how images help us learn.
- Consider the viewer’s viewpoint and the artist’s purpose.
Our approaches differ in that we focus on impressions versus expressions. We consider our personal experiences with artworks, reflecting on the impressions they leave on us. What emotions and thoughts arise when we contemplate a specific piece? What symbols and stories can we discern within it? What technical details does the artist have chosen to incorporate?
Aplerโs method centers on the expression of the image and the interaction of visual elements to convey underlying messages. It delves into what each artwork offers to viewers, examining its impact on our understanding of the world and science. Additionally, it reflects on the collective desires of contemporary society to communicate through art. By analyzing these impressions and expressions, we can cultivate a deeper appreciation for art and its profound significance.
In the initial step, I find myself at the same level as the subject matter. This unique opportunity allows me to engage deeply with what I observe. Through a carefully crafted visual description, my observational perspective (how) and representational perspective (what) become evident. Interestingly, this work is not about objective reproduction. Instead, it delves into my personal impressions and emotions evoked by the piece. It is crucial to emphasize that these experiences and insights are based solely on my own observations and interpretations. They do not reflect the artistโs subjective intentions or purpose.
The third step, which involves telling, is based on my interpretation of the image. I draw on my knowledge and personal experiences to understand its deeper meanings and symbols. Alpersโ method emphasizes that the existing knowledge in the image should guide my opinion-forming process. I should not impose my own knowledge onto the image; instead, I should rely on the information it holds.
I allow this method to guide my analysis and interpretation. By employing this approach, I can gain a more profound understanding of the artworkโs message. It aids me in comprehending its cultural context. It enriches my comprehension of both the artwork and the era in which it was created.
Thereโs an interesting interplay in step four. We delve into how our diverse approaches can enhance our comprehension of art. By considering both the viewer and the artist, we gain a more profound interpretation of the work. This opens up a wider range of perspectives. Itโs akin to poetry. I create based on my emotions, aiming to convey something unique and personal. However, the reader often perceives things that I havenโt always considered, and I can understand that. After all, each individual brings their own life experiences and perceptions to the table.
I gain a richer understanding of the image by delving deeper into the artistโs background. This allows me to capture subtle nuances. These nuances might otherwise be overlooked. This process is captivating, showcasing how art acts as a bridge between me and the viewer. However, itโs important to recognize that viewers also have their own unique reactions and emotions. I canโt control these responses, which makes every interaction with the artwork an unpredictable and personal experience.
Ultimately, I find my method to be a perfect fit for me. It provides a sense of security in my analyses, allowing me to be both observant and reflective. This approach enables me to comprehend diverse perspectives and nuances. I delve deeply into intricate issues, uncovering connections and patterns that often go unnoticed. However, other aspects of exploration can become overwhelming. Additionally, determining the accuracy of my interpretations can be challenging. Therefore, I prioritize focusing on what resonates with me personally. Through this method, I can still gain valuable insights without being overwhelmed by information or plagued by doubt.
I employ a hybrid approach that draws inspiration from Panofskyโs and Svetlana Alpersโ methodologies. My analysis encompasses both individual works and entire exhibitions, with a particular emphasis on nuanced context rather than superficial elements. This method strikes a balance between factual iconological interpretation and subjective impressions. It allows for a deeper understanding of the artistโs intentions. It also enhances the viewerโs experience. By considering the cultural context, this approach enables a more comprehensive grasp of the artworksโ significance and impact.
By incorporating diverse perspectives, the method offers a more comprehensive understanding of the artworksโ messages. It enables viewers to interpret them in various ways, creating a personal yet universal experience. The artistโs intentions are not necessarily fully known, allowing the observer to actively contribute to the interpretation. This collaborative process enriches the observerโs own experience of the artwork.
ยฉ Bjรถrn Blomqvist 2025-10-11
-
Four Steps to Effective Art Analysis
In this text, I introduce my art analysis method, which is based on observation and interpretation. The method consists of four steps that help us understand artworks on different levels.
As a word artist, Iโm also passionate about analyzing art. From a young age, Iโve always been fascinated by examining the elements of a work of art. Naturally, this interest continued after I earned my degree in art history from university.
Iโve previously discussed my method in comparison to Erwin Panofskyโs. There are many similarities between our approaches. I follow my own path, yet my method remains similar to his. My primary focus is on the overall impact of an art exhibition and individual works.
My method comprises four straightforward steps: How, What, Tell, and Who. These steps represent a significant journey: Observation, Representation, Meaning, and Background.
In the observations section (how), there are evident similarities with Panofskyโs pre-iconographic level. Initially, I focus on the technique and skill employed. Secondly, I consider the color, perspective, and movement, as well as whether the image is linear or painterly. These elements often provide insights into the construction of the artwork and the underlying meaning of its expression. Observation serves as the foundation โ to truly see before interpreting.
An example of a painting dominated by shades of a particular color uses distinct lines. These lines delineate the boundaries of various figures. These figures, or motifs, appear to hover and are depicted in motion, akin to a car navigating a bustling road. Through careful observation, one can interpret a multitude of elements within the artwork.
Example: Autumn (1912) by Mikhail Larionov at the Centre Pompidou: The bold use of color is striking. The use of blue, in particular, makes representational art stand out. Despite the lack of depth, the image conveys powerful movement through the birds and dynamic figures on the tree. The painterly style is evident in the sharp lines that define the figuresโ boundaries.

Autumn, (1912) – Mikhail Larionov
The representational aspect, as its name suggests, focuses on the subject matter of the artwork. It involves identifying the motifs, figures, and the degree of abstraction present. This step contributes to the overall impression, which is my interpretation of what I perceive in the artwork. While this aligns with Panofskyโs iconographic level, I find the concept of โrepresentationalโ more intuitive.
A house, for instance, isnโt merely a house on a blank canvas. It can be a specific house with a unique history or a symbolic motif. In such cases, questions often arise rather than definitive answers.
Or…
As depicted in the artwork below, this is not just a representation of a woman. Itโs a captivating self-portrait of Frida Kahlo, painted with her own hands. Who was she? The answer lies in the rich and layered background section, which awaits discovery and interpretation in the fourth part.

The Frame (1938) – Frida Kahlo
In the โtellโ section, I delve deeply into the artwork, which is my favorite part. I search for symbols, the meanings of colors, recurring motifs, and iconic traits. I want to comprehend the artworkโs layers of meaning. Every color, figure, or shape can hold cultural or personal significance. My goal is to uncover the deeper meaning hidden beneath the surface.
Example: The image vividly captures a significant theme that demands our attention. To fully appreciate the grandeur of Baroque art and the mastery of Caravaggioโs work, we must examine its elements. The figures in the painting are both prominent and impactful. The use of light is striking. In Caravaggioโs works, light serves a dual purpose: it illuminates the subjects and symbolizes the divine. It emanates from an unseen source beyond the boundaries of the image.

The Flagellation of Christ (1607) – Caravaggio The meaning: the moment when Christ is bound to a pillar and scourged by three executioners. The light โ the divine โ falls mercilessly upon Christโs body, almost like a spotlight. The composition is tight. The intensity is physical. All superfluous symbols or background details have been removed. The focus is entirely on the human drama.
The background section is crucial for placing the artwork in context. It delves into the creatorโs identity. It explores how the artwork fits into the artistโs broader body of work. It often presents the most challenging aspect of analysis. It is also the most rewarding. This task requires a combination of knowledge and emotional insight to grasp the artistโs intentions, development, and environment.
Ragnar Josephson (1892โ1966) was an influential art historian. He offers a valuable perspective on the creation of art in his book, The Birth of the Artwork (1940). Josephson identifies three interconnected aspects of an artistโs creation: psychological, social, and aesthetic. These aspects interact and influence each other throughout the artistic process. Initially, the artist expresses their thoughts and emotions psychologically. These psychological elements are then shaped and influenced by social factors. Finally, the artist emerges as an aesthetic whole, combining these influences to create a cohesive and meaningful artwork. This perspective helps me understand the artistโs intention more deeply. It sheds light on the creative process beyond the final product itself.
Imagine this: youโve successfully completed steps 1-3 of this artwork. You possess a profound understanding of technique, materials, and knowledge. The vivid hues of blue and yellow immediately captivate your attention. The image exudes remarkable depth and employs a classic central perspective, drawing the motifs together at a focal point. You can almost sense the dynamic movement of the waves and the boats at the quay. Thereโs so much more to discover and appreciate.

Starry Night Over the Rhรดne (1888) – Vincent van Gogh In the next step, it is unequivocally identified as a bay. This captivating evening is when the stars truly shine. This is no ordinary bay; it is a remarkable location along the Rhรดne River at the end of the 1800s. The view vividly captures the essence of the title, โStarry Night Over the Rhรดne,โ for all who observe it.
The image undoubtedly holds profound meaning and purpose. The darkness effectively represents the time of day, while the bright stars clearly indicate when the scene takes place. While there are additional symbols present, their inclusion adds depth rather than overwhelming the viewer. The colors and motifs are significant elements to consider. In the concluding section, we must acknowledge the extensive documentation of the artistโs life. The biographies provide a wealth of information that enhances our understanding of the artwork.
Summary
By first observing, I establish the foundation: the technical and material elements that form the visible structure of the artwork. Through representation, I discern what is depicted and howโseeking the connection between motif and expression. In the third step, I delve into the symbolic layers that the image conveys. Lastly, the background contextualizes the artwork within the artistโs life and surroundings, situating it within a broader cultural framework.
This approach draws inspiration from Erwin Panofskyโs iconology but embraces intuition and artistic emotions. It aligns with Ragnar Josephsonโs triad, which encompasses psychological, social, and aesthetic dimensions. Art emerges from the interplay between internal experiences and the external world.
Ultimately, my approach seeks to unveil the vitality of art. When observation intertwines with insight, the artwork communicates. This fosters a dialogue between the artist and viewer, bridging the gap between history and the present.
ยฉ Bjรถrn Blomqvist 2025-10-09
Note: I have documented the artworks through photographs I took at the galleries I visited, namely the Centre Pompidou, the Louvre, and the Musรฉe d’Orsay.
-
Jag och trรคdet
Nรคra vรคgkanten
stรฅr jag orรถrlig
Blรถt av stรคnk,
frรฅn ingenstans
รr alldeles stilla
nรคr du tittar upp
Lutar mig fram
i den lรคtta vinden
Pรฅ vintern รคr jag
alldeles naken
Pรฅ sommaren,
klรคdd i grรถnska
Blir torr i munnen
nรคr solen vรคrmer
Huden som kliar
med fรฅgelns vila
Det fรคrgade hรฅret
en klar hรถstdag
Hรฅr som faller av
nรคr frosten biter i
Nรคra vรคgkanten
tronar jag alena
Kronan som dallrar
av yxans kraftโฆ
ยฉ Bjรถrn Blomqvist 2025-10-04
-
U-turn back in time in double meaning ๏ผ Part โธ

The fourth day concludes our journey from Karlshamn to Kalmar. The road is lined with historical sites and new discoveries. We visit Ronneby Brunn, a 18th-century spa, and Kristianopel, a Danish fortress. At Kalmar Castle, we witness Swedenโs might during the Great Power Era.
Day four, and itโs time to head home. Leaving Karlshamn feels a bit sad. I wish I had spent more time reliving those cherished memories. Unlike our previous journey, this time we took the coastal road along the east coast. The route here was more inland, traversing the entire length of this vast country.
The journey home offers two exciting perspectives. Firstly, embracing the variation along the coastal road adds a refreshing twist to our travels. Secondly, it presents a wonderful opportunity to explore additional historical sites. Each site along the way is eager to share its stories. These stories promise to enrich our understanding of history. They also ignite our curiosity.
I find myself pondering several questions: What have they conveyed to us visitors? What is genuinely new, and what do we already find all too familiar? Are there any genuine historical or lived experience connections between them, or is it merely a pretense?

The historic Ronneby Brunn buildingโs facade, adorned with architectural details and surrounded by lush greenery, exudes a sense of grandeur. Ronneby Brunn
The first place we stopped at wasnโt particularly spectacular. There was a park, a beach, and a hotel with some older historical buildings, in my opinion. Butโฆ
Ronneby Brunn, a park with over 300 years of history, is one of Blekingeโs renowned landmarks. It boasts lush green spaces, ancient trees, and charming wooden structures dating back to the 19th and early 20th centuries. The parkโs significance grew further in 1705. The first health spring was discovered then. This discovery transformed it into Swedenโs largest spa resort during the 19th century.
Brunnsparken, a protected heritage site since 1996 and a cultural reserve since 2003, boasts a rich history. It once featured bathing houses, a spring hall, and a grand hotel. Although the park declined in the 20th century and spa activities ceased, it preserved many significant historical buildings. Today, Brunnsparken remains an important cultural heritage site and recreational destination.

A tranquil wooden bridge, nestled amidst the verdant greenery of Brunnsparken, a historical park in Ronneby, offers a serene escape. We had a delightful stroll through the park, surrounded by the charm of old buildings. We received an inspiring tip. Eagerly, we set off to explore the enchanting place known as Kristianopel. It is not far from our location.
Kristianopel
We decided to take a different route and bypassed the national road to Karlskrona. Instead, we opted for smaller, more challenging roads. However, we couldnโt help but wonder if we truly needed to take this detour. Now that weโve arrived in Kristianopel, we canโt help but wonder about the significance of this place. What do the so-called historians have to say about it?

An old cannon is on display in Kristianopel. It serves as a testament to the townโs historical significance as a former border stronghold. Kristianopel was established in 1600 during the reign of King Christian IV. It stands as the first Renaissance city in the Nordic region. It was designed as a border stronghold against Sweden. The city boasted a rectangular street layout. It was fortified by a wall with nine bastions. By the 1660s, its population had reached approximately 600.
The city underwent reconstruction after an incursion by troops led by Gustav II Adolf in 1611. The Treaty of Roskilde in 1658 reduced its strategic importance. As a result, the walls were dismantled during the 18th century. Throughout the 19th century, the cityโs economy thrived through fishing, trade, and various crafts. The restoration of the walls took place in the 1930s.

Kristianopel offers a tranquil view of its coastal beauty and historical significance, as reflected in the serene landscape. Hereโs what I discovered about this location. It has limited remaining structures. However, donโt be deceived into thinking thereโs nothing to explore. Delve into its history, and youโll uncover a treasure trove of hidden stories waiting to be revealed. And of course, thereโs an intriguing connection to the next historical site.
We were eagerly on our way to our next destination, our hunger fueling our anticipation. As we journeyed, we crossed a captivating historic border between Denmark and Sweden. It was incredible to contemplate Kristianopel, a city that once belonged to Denmark until the Treaty of Roskilde in 1658. Today, Kristianopel stands as a testament to the past. In contrast, Kalmar Castle proudly displayed the rich history of the Swedish side.

Kalmar Castle, a stunning example of impressive architecture and historical significance, stands as one of Swedenโs best-preserved Renaissance castles. Weโve found ourselves in Kalmar, Sweden, at one of its most well-preserved castles, dating back to the 12th century.
Kalmar Castle
Kalmar Castle, a magnificent testament to history, was constructed in the late 11th century. By the end of the 12th century, it had undergone a transformation, adorned with imposing fortifications and majestic buildings. Beyond its architectural grandeur, the castle served as a vibrant hub of Nordic political intrigue. Its pivotal role in shaping the Kalmar Union in 1397 underscores its significance in the regionโs history.

Discover the historic interiors of Kalmar Castle, where medieval architecture and rich heritage come alive. This era is filled with the fervor of the Swedish Middle Ages. It is characterized by the rise and fall of kings. The fierce brotherly bonds echo through time. Among the notable events of this period is the legendary Nykรถping Banquet held in 1317 in my beloved hometown, Nykรถping. This banquet was a true feast of history and passion, leaving an indelible mark on the annals of time.
During the 1500s and 1600s, Kalmar Castle underwent grand Renaissance renovations, adding impressive new wings and towers. This era also witnessed the rise of Kristianopel across the border. However, in the 1600s and 1700s, the castle began to deteriorate and was partially repurposed as a prison and distillery. By the mid-19th century, extensive restoration work commenced. Since then, Kalmar Castle has proudly stood as one of Swedenโs best-preserved Renaissance castles.

The dining hall of Kalmar Castle is adorned with a long table set for a grand feast. It stands as a testament to the castleโs historical significance. It was a prestigious venue for kings and dignitaries. This reflects the castleโs role as a center of power and influence. In the evenings, you can enjoy free entry, allowing you to leisurely explore the castleโs charming inner courtyard. However, all exhibitions are closed during this time. The cannon-adorned ramparts may not offer much to see. However, itโs still worth visiting the exhibitions within the castle during the day. Remember, thereโs a ticket price of 180 kr per adult (approximately 19 usd). Despite the ticket price, the enriching experiences inside truly make it worthwhile.
We paid our entrance fee and, with growling stomachs, ventured into the endless exhibitions within the castle. The exhibits were overwhelming, and the sheer number of them made it difficult to navigate. In each room, I couldnโt resist snapping photos and immersing myself in the charged historical atmosphere that lingered. Despite our efforts, we left the dining hall and kitchen feeling unsatisfied, if anything, we were left ravenous. The castle was the epicenter of power for kings and dukes. Among them, Erik XIV stood out as the most notable. We felt like mere shadows in his grand tale.

Journey home
If we were feeling tired, itโs understandable. The journey ahead is long, and more than half the distance remains. This means weโll have a few more hours in the car along the E22. A cozy nap in the bed above would be a welcome relief, but of course, that might attract some attention. Weโll have the chance to rest when we finally get home and have satisfied our hunger.
Then, we can fully recharge for all the incredible adventures that await us just around the corner! A vibrant blend of art, culture, and magnificent architecture beckons us, eager to ignite our creativity in extraordinary ways. There are numerous castles and enchanting locations. Poetic experiences are also on the horizon. This presents the ideal opportunity to immerse ourselves once more.
Iโm eager to rekindle the original essence of this blog. I embarked on this artistic journey 15 years ago, brimming with excitement to share my insights with you. While Iโve shared some fascinating content, I recognize that there are countless remarkable discoveries yet to be made. Itโs time to bring these reflections back into the limelight!
ยฉ Bjรถrn Blomqvist 2025-09-30
-
U-turn back in time in double meaning ๏ผ Part โท

The journey south culminates in Karlshamn, the city where it all began. Familiar streets and buildings evoke cherished memories. Museums narrate the cityโs rich history, from 18th-century trading houses to its peak in margarine and punch.
The primary reason for my trip to southern Sweden was to visit family and friends. Additionally, I was eager to explore the regionโs historical sites.
Another purpose of the trip was to joyfully revisit the city where I lived for a few wonderful years. Itโs where I attended high school and proudly graduated. In Karlshamn, cherished memories resurface, and the vibrant history of the city comes alive.
The questions that plagued me were: What are there to revisit? What can I share with others? What is new, or what have I overlooked?

Karlshamnโs historic town hall, with its charming architecture and enduring presence, stands as a testament to the townโs rich heritage. The square retains its original charm, with the ground, town hall, and church remaining unchanged. They seem frozen in time, like a time capsule. The kiosk in the center now boasts a stylish facade, possibly auditioning for a reality show. One end used to house a Pressbyrรฅn, where you could quickly grab a sandwich. The other end had a sausage stand, the townโs best-kept secret! Now, itโs an Espresso House. Who needs bratwurst when you can indulge in lattes? You can even attempt to decipher macchiatos from flat whites. Itโs a minor change, but it adds a touch of modernity to the square.
Everything else was just as I rememberedโlike a time capsule that had missed the memo about modernization. A church and an old Town Hall still stood, presumably unaware of the need for renovations. The school remained, like an overprotective parent. Stepping back felt like a high school reunion in the 1990s. Yes, my childhood home stood next to the emigration monument, likely rolling its eyes at all the nostalgia.

The interior of a historical grocery store exudes a nostalgic charm, reminiscent of the 18th century. Traditional pottery and kitchenware adorn the walls, creating an ambiance that transports visitors back in time. There were no significant changes to note. My anecdotes from that time reignited memories for my fellow travelers. Nothing new under the sun. This was true in many places. The police station, hospital, and dentist were all located in the same spot.
The variety of shops, restaurants, and residential areas feels refreshingly new. Even McDonaldโs has made its way here. It wasnโt here when I lived here. Itโs been 30 years since I moved away, and everything has undergone its own unique transformation. The butter factory is no longer standing, and the harbor warehouse where Motรถrhead performed in December 1993 is also gone. That was the same year I graduated.

Skottbersgska gรฅrden, a well-preserved historical shop, showcases artifacts and furniture from its trading days between 1766 and 1945. Itโs comforting to know that my partner has a deeper appreciation for the diverse cultural offerings. I can still recall my younger self in Karlshamn over 30 years ago, when museums werenโt even on my radar. I was just a wandering teenager, trying to find my place in the world.
With a single ticket, you can visit three different museums in the city. First, head to Skottbergโs Farm shop, a well-preserved general store that has been trading since 1766 until 1945. The rooms filled with furniture and furnishings transport you back in time. The general store is particularly interesting.

The museum in Karlshamn showcases a collection of vintage typewriters, highlighting the cityโs rich history in typewriter manufacturing. We had more museums to visit, of course. Another thing I missed while living in the city was that the ticket price included three museums. The second one was the city museum. Surprisingly, it looked small from the outside, but inside, the exhibitions seemed endless.
There were room after room, exhibition after exhibition, and a journey through the cityโs rich history. This city had accomplished so much throughout its long history, and I was eager to explore it all. There were a few sights I was familiar with from my stay in the city in the 1990s. But there were also things that I had no idea about, and I was excited to discover them.

This nostalgic exhibit showcases the local dairy heritage in Karlshamn through a collection of butter packaging and dairy products. Once upon a time, I was aware that typewriters were manufactured here. The factory likely succumbed to the advent of the computer era. The brand was Facit-Halda. I even owned a Facit typewriter myself. I can almost picture myself sitting at a small table with a window, overlooking a breathtaking mountainous landscape. There, I would immerse myself in writing a novel. Imagine the experience of using such an old typewriter. Feel the satisfying clatter of keys as you fill the paper with words and meaning.
They also produced butter here. Most people who have lived in modern times are aware of this. As a child, I recall hearing advertisements for Karlshamnโs margarine on TV. The two farmer brothers would utter the phrase โGott, Gotti gott gottโ in the ad. In English, it translates to โTasty, yummy, yummy.โ

Inside the historic punch museum in Karlshamn, visitors can explore artifacts and tools that reflect the cityโs rich beverage-making heritage. The commencement of granite slab production at this location marked its international debut. It played a significant role in constructing the esteemed US Marine Corps War Memorial. The memorial is located at Arlington National Cemetery in Virginia. This memorial serves as a tribute to all who have served in the Marine Corps since 1775.
Granite was supplied by AB A.K. Fernstrรถms Granitindustrier, a Swedish stone industry company based in Karlshamn. The site offered a plethora of attractions, including a museum that I vaguely recall visiting in the past. This museum, aptly named the Punch Museum, holds a special place in Karlshamnโs history. The city has long been renowned for its punch. Its origins date back to 1815.
It was a quick museum visit, just like this post. I headed back to the harbor. The area has changed with new road constructions and a slightly different appearance. Itโs not quite how I remember it from when I lived here. Reliving the city was enjoyable and refreshing. Iโll definitely return someday. The rest of the day was spent hanging out with family and having a meal at some restaurants in Sรถlvesborg.
Tomorrow, we embark on an exhilarating journey homeward, but this adventure is far from over! Along the way, weโll encounter a treasure trove of historic sites, each with its own captivating story to share. Prepare to be enthralled by the tales that lie aheadโฆ
…until we meet again.
ยฉ Bjรถrn Blomqvist 2025-09-20
-
U-turn back in time in double meaning ๏ผ Part โถ

The journey continues to Kรฅseberga, where the landscape meets the sea, and historyโs winds blow. At Ales stenar, we discover Swedenโs largest presterade ship setting, a place steeped in myth and archaeology. The trip along the coast takes us to Simrishamn. We then head to Karlshamn. In these places, memories and the scent of the sea linger in the air.
The journey continues! We spent a few hours exploring the charming cobblestone streets of Ystad. After that, we headed to Ales Stenar, a short distance away. Now, let me explain Ales Stenar in a simple and engaging manner, without boring you.

This close-up image showcases one of the standing stones at Ales stenar, Swedenโs largest preserved ship setting. Dating back to the Vendel period, this ancient monument offers a glimpse into the maritime history of the region. Ales stenar, a towering structure situated a few miles away, stands amidst hundreds of people. Several hang gliders gracefully circled above us, making it a popular destination for gliding from the cliffs.
From an overcrowded parking lot, the road to the site stretched nearly a kilometer. The narrow path was bustling with visitors jostling to reach the top, while others hurried back to their cars.
What are Ales stenar, then? Itโs a ship setting comprising 59 stones, each weighing approximately 5 tons. The formation measures approximately 67 meters in length and 19 meters in width, making it Swedenโs largest preserved ship setting. The stones date back to the Vendel period (around 540โ790 AD). They are made of granite and sandstone. At the front, there is a prominent white quartzite stone. Despite the absence of a grave, its purpose remains uncertain, but it is widely regarded as a grave monument.
It didnโt seem to end there, and I suppose we werenโt going home just yet. They claimed that a fishing harbor lies along the narrow path down from the 32-meter high cliff. There are fishing shacks, restaurants, and a dockโif you can call it that. We wandered there. I guess we decided to try the local cuisine. We especially wanted to taste the smoked fish in all its supposed forms.

The intoxicating aroma of smoked fish mingled with the invigorating scent of the sea as we strolled along the quay. Every tempting offering for tourists beckoned us, sparking our curiosity. We lost track of time at the magnificent Ales stones for two hours. Afterward, we set off in our car.
Excitement bubbled within us as we drove towards Simrishamn. Finally, we returned to Karlshamn, where I spent cherished years of my youth in high school. This journey was steeped in history. It became a profound exploration of time. It echoed my personal history and the tales of ages past.
Exciting details await in the next part!
ยฉ Bjรถrn Blomqvist 2025-09-18
-
U-turn back in time in double meaning ๏ผ Part โต

The journey traverses southern Sweden, beginning at Grรคnnaโs peppermint hills and culminating at the Brahehus ruins. It then proceeds to Ystadโs cobblestone streets and Ales stenar. This journey intricately weaves together landscapes, history, and the echoes of exploration.
Growing up in this expansive country, I embarked on countless long journeys. This time, my heart guided me south and back, embarking on a thrilling adventure. From a mapโs perspective, itโs a mesmerizing journey south, followed by a dramatic U-turn back to the north. This encapsulates the essence of exploration.
We spent five exhilarating hours in the car, the enchanting scent of peppermint candies wafting through the air in Grรคnna. The breathtaking ruin of Brahehus stood proudly, marking our journey through the captivating southern parts of Sweden.
From the charming towns of Ystad and Simrishamn, we embark on a thrilling journey to Karlshamn. Every moment beckons us onward, leading us to the picturesque east coast.

Nestled between the cityโs charming cobblestone streets, I find myself in a small square, feeling like Kurt Wallander. He joyfully strolled on the vibrant streets of Ystad. He dedicated his efforts to the cityโs busy police station. Together, these actions fostered a sense of community and connection.
The fictional criminal inspector Kurt Wallander is the protagonist of Henning Mankellโs delightful detective novels. He has enthusiastically solved murder mysteries in fiction. These mysteries unfold right here in the city. As I savor my potato salad, I eagerly chew and reminisce about the exciting books. They feature the opera enthusiast who tackles case after intriguing case.

Iโve delved into several of the books, and naturally, Iโve been captivated by the TV series inspired by them. Countless episodes have come to life right here, filling the air with intrigue and suspense.
Letโs delve back into that captivating city. It is where Inspector Kurt Wallander roamed the streets. He meticulously unraveled the intricate puzzles of murder. What precisely makes this city so extraordinary and etched in our memories?

This traditional half-timbered house in southern Sweden showcases the architectural charm of the region. The captivating style of the houses set against the sea enthralls me. Ferries conveniently transport you to Poland, Germany, and Bornholm from this picturesque location. The abundance of half-timbered houses, each a testament to timeless craftsmanship, evokes a rich history. Timber beams splinter the landscape, supporting structures filled with brick or stone. These structures weave a captivating story of beauty and resilience.
Architectural history reveals resource variations across different regions of the country during the early Middle Ages. Some areas had abundant stone, while others had more wood. Consequently, wooden houses became prevalent in Norrland, a region with extensive forests. In contrast, southern Sweden, particularly Gotland, faced limited wood availability. This scarcity necessitated the increased use of brick and stone in construction. Gotland serves as a prime example of this trend.

The historic monastery in Ystad, a well-preserved medieval site, is surrounded by charming gardens. Ystad has origins dating back to the medieval period. It boasts a remarkable monastery and garden. These are must-visit attractions. During our tour, we explored both the monastery and the garden. They are among Swedenโs finest examples of well-preserved medieval monastic establishments. The monastery was established around 1267 by Franciscan monks, known as Greyfriars. However, after the Reformation, it underwent various transformations. It was repurposed for different purposes. These purposes included serving as a hospital and a prison.
Today, it serves as a museum and cultural center. It features a renowned garden. The exhibitions showcase the cityโs rich history.
We didnโt have time for distractions like the museum or cultural center; we were completely focused on Ales stenar, a place of immense significance that wonโt be overlooked ๐
Iโm thrilled to delve deeper into the subject in the upcoming segment!
ยฉ Bjรถrn Blomqvist 2025-09-16
References
-
Uppfรถrstorat
Den dรคr lilla
mikroskopiska
hรคndelsen
en nanosekund
som ger en
gigantisk
hjรคrtklappning
sรฅ det ekar
i hela universumยฉ Bjรถrn Blomqvist 2025-09-13
-
Exploring Stora Sundby Castle: A Journey Through History

Stora Sundby castle stands like a dream from fairy tales, just an hour and a half from everyday life. Behind its walls are centuries of power and love. The castle changed from a medieval fortress to a romantic place with 365 windows. A meeting with the architecture of time.
On the menu today was Stora Sundby Castle! It is located in my county, which sparks a sense of longing for home! It’s just a drive of 1 hour and 30 minutes. I felt the anticipation grow along the way there. I was determined to absorb everything the guide had to share!
In the castle resides the fourth generation of the Klingspor family, which unfortunately makes photography within these historic walls prohibited. The castle, younger than the earlier one we visited, still carries a rich history from the 13th century. The biggest challenge during the visit was the brilliant sunshine, which created a magical atmosphere.
The castle is surrounded by a magnificent park, accompanied by endless hunting grounds. There, we lost ourselves in the flow of time, while the sun caressed our necks with its golden rays. Inside the castle’s rooms, the air was cool and filled with history, which deepened our adventure. We spent an hour inside the castle, a fantastic experience! With an engaging guide, we gained insight into the castle’s history. I look ahead to sharing the insights that emerged during the tour.

Exterior view of Stora Sundby Castle, showcasing its stunning architecture and surrounding landscape. The place has roots from the 13th century. The lake where the castle is situated, Hjรคlmaren, is Sweden’s fourth largest. It’s crazy that the lake was much larger in the 14th century than it is now! I instantly understood that there was once a struggle for power where the castle stands. It was indeed a thing during the 14th century, with kings and dukes fighting for power. Here in Nykรถping, people still talk about their power struggles (Nykรถping’s banquet in 1317).
The ramparts were located in areas where impressive fortifications were built. A defensive tower was erected in the 13th century, which is remarkable! The first castle was constructed here in the 16th century and is part of our rich history. Lars Siggeson Sparre led the construction with great skill!
The Sparre family played a crucial role in the castle’s history. Over several hundred years, they laid the foundation for a grand legacy. The castle developed in beautiful stages. In the 17th century, the Knight’s Hall was created. This part fascinates visitors today with its rich and exciting history of creation.

Beautiful park view at Stora Sundby Castle, featuring a central fountain surrounded by blooming roses and lush greenery. In the early 19th century, Carl de Geer arrived there as one of Sweden’s richest men. His daughter needed a place to settle down. A castle was planned to be built on top of the fortress. Nonetheless, Carl’s wife, Ulrika Sofia Sprengtporten, had completely different ideas.
According to the guide, Sofia glimpsed hints of enchantment. This occurred while she read Sir Walter Scott’s knight romances. She imagined a world where he lived in a romanticized castle. During the tour, an interesting question arose. This question is seldom mentioned in other sources. Did the same architect create both Stora Sundby Castle and Abbotsford?
Walter Scott’s home (Abbotsford) must have made an impression on Sofia, who stubbornly demanded a castle in the same style. Sure, Frederick Robinson was behind Stora Sundby, but no sources claim that he tailored the design for Abbotsford.

Stora Sundby Castle, a historical gem from the 13th century, featuring stunning architecture and surrounded by lush greenery. What became of this then? Stora Sundby is a magical calendar castle! With its four majestic towers, it honors the cycles of time. The towers symbolize the four seasons. The twelve small towers represent the months. It also offers 52 rooms and 365 windows, reflecting the richness of weeks and days. The architecture truly captures the essence of the year!
Now to the actual walk! It’s fascinating to think about these gentlemen and ladies. They have lived here, owned properties, and married their great loves. Their love and family stories are a wonderful tapestry of life’s riches to enjoy!
The first stop was the Knights’ Hall, a gem that symbolizes the heart and soul of this magnificent place! Stepping inside feels like traveling back to the 17th century, thanks to the incredible legacy of the Sparre family. The walls are stunningly adorned with leather tapestry paintings that beautifully bring the Battle of Carthage to life. These artworks were crafted during the remarkable de Geer era.

Stora Sundby Castle is surrounded by picturesque greenery. It is set against a dramatic sky. The castle showcases its rich history dating back to the 13th century. On one side, you canโt miss the striking painting of the first Bernadotte, King Charles XIV Johan. Curious about how a Frenchman became king in Sweden? Youโll uncover that tale on the tour or through a quick Google search! The older paintings now shine in elevated positions, seeming to pay homage to modern masterpieces. The guide shared that the hall’s ceiling was raised. This change allowed for a magnificent ceiling painting in the captivating de Geer style. And up there, the Sparre familyโs weapons radiate with pride, a stunning tribute to their enduring legacy!
We walked from one large hall to the other and ended up in the dining room. It wasnโt as spectacular, but there was plenty of charm and elegance. In one corner stands a tiled stove that radiates timeless beauty. The walls are adorned with calfskin wallpaper, and our guide spoke poetically about them. A square for each calf, as if every piece has its own story. Without electricity, the wallpaper would shimmer with a magical glow. A description that captivated us.
The smaller rooms were next, and suddenly an explosive feeling of togetherness emerged, reminiscent of a sitcom family reunion! Fascinating family stories came to light, like a viral family meme. Who married whom? For the first time, I felt like part of something larger, deeply rooted, and amazing. In the red room, I know that some scenes of the series Young Royals were filmed. I can almost hear the tones of dramatic music vibrating in the air. Unexpected twists fill me with anticipation!

The captivating exterior of Stora Sundby Castle, showcasing its unique architectural elements and historical significance. Only a few rooms were playing hide and seek! Out of the 52 royal chambers in the castle, just a handful showed up for the tour. As we shuffled through, the rooms seemed to shrink. They were as if on a diet. The air got so thin it was practically a phantom! Some clever folks fanned themselves with brochures, giving new meaning to โcooling off.โ We got the juicy gossip on the Sparre, de Geer, and Klingspor families, which outshined the worn furniture. I spotted a patchwork auditioning for wall-to-wall carpeting! The final room featured dimly lit 18th-century paintings. An Italian artist painted them. His name slipped my mindโprobably due to the ghostly vibes!
Suddenly, we found ourselves back in the courtyard. We were excitedly discussing the possibility of ghosts in the castle. It’s a question that sparks curiosity in everyone! I was eager to discover if thereโs a grand library and hidden passages. To my delight, I learned there is indeed a library. It is not large. The details about secret passages are mysterious. This adds to the charm. Looking ahead, the prospect of more parts of the castle opening for tours is thrilling, especially given its fascinating history!
ยฉ Bjรถrn Blomqvist 2025-07-23
-
Theatrical Tours at Ljungs Castle: A Unique Historical Experience

Ljungs Castle in รstergรถtland transports visitors to the 18th century, where grand halls, kitchens, and secret rooms come alive. Axel von Fersenโs love letters to Marie Antoinette feel as if theyโre still being written. Itโs a time-travel experience filled with laughter, offering an afternoon where the historic atmosphere returns.
Back in the neighboring county of รstergรถtland, there is a new attraction: Ljungs Castle. It’s just a 1-hour and 15-minute drive by car. Here is my account of everything I learned during the guided tour. The tour began in front of the castle. The guide provided a history of the castle and shared details about the estate.
The castle was constructed in 1776. It was completed in 1779 at the initiative of Field Marshal and politician Axel von Fersen the Elder. Architect Jean Eric Rehn designed the castle. It is built of stone and brick sourced from nearby quarries. This makes it a locally produced structure. The main building of the castle has three floors. One of the ground-floor rooms houses an exhibition dedicated to Jean Eric Rehnโs interior design.

Recreated kitchen scene at Ljungs Castle, showcasing 18th-century life with costumed actors. The visit is a so-called theater tour. With a guide in period clothing, we are shown into different rooms. All the members of the ensemble are from Ljungs Slotts Bevarande. On the lower level, there are the kitchen and spaces for the servants.
We stood lined up along one short side. The magnificent kitchen in front of us had a stove, pantry, and china cabinet. We were given a scene from life in the 1700s among kitchen maids and servants.
Complaints were made about the food, and there were jokes about fake rats in the kitchen. One shot, and the medicine was taken. On the lower floor, there is a cafรฉ and an exhibition about Jean Erik Rehn. Of course, there is a museum shop there as well. The walk continued to the second floor. This was the floor of the nobility. Here resided the owners of the castle, Axel von Fersen the Elder and his family.

Elegant dining room in Ljungs Castle featuring portraits of the Fersen family, showcasing 18th-century architecture and decor. The play is in the kitchen, and the entrance hall is in Rococo style. The second floor is in pure Gustavian style1.
We walked straight into the dining room. It was a large hall with dining tables. There was a tiled stove and an open fireplace at each end. Tiled stoves became common during the 17th century. On the walls hang portraits of the members of the Fersen family.
The dining room is located on the northern side of the castle, with windows facing north. This is to keep the room cooler during warm times. Here, a small play also took place before we were shown into the duke’s bedroom.

The duke’s bedroom featuring a canopied bed and tiled stove, reflecting 18th-century design at Ljungs Castle. Axel von Fersen2 was tall and handsome. But the bed was only 1.65 m long. There was a bed canopy. It was meant to protect against cold and drafts, as well as to offer privacy. Even in there, the duke took care of his needs. In the play, the maid entered the room. She took out a bowl from under the bed. This represented his (you understand).
The pot was then taken up to the attic, where it was emptied. All odors wafted upward, far from where the people were. From the bedroom, the journey continued to the most interesting room: the office of Axel von Fersen the Younger3. It was there that he wrote letters to his beloved Marie Antoinette. They wrote to each other with invisible ink. The maid dusted and polished frantically in the office. She pointed out that von Fersen and Marie Antoinette had a secret code language. This secret code language was used in their correspondence.

The elegantly appointed office of Axel von Fersen the Younger, showcasing period decor and a glimpse into 18th-century life. Today, these letters have been deciphered. One can read about them in Fรถrbindelsen – Marie-Antoinette och Axel von Fersen, which is based on letters and diaries. This book is authored by Kristina Ekero Eriksson. It was here in that Room we also heard the gossip about him and the Queen of France. There was an interesting moment of gossip about Axel von Fersen the Younger. He is also best known for his romance with the Queen of France.
The walk continued into the “fine salons,” as they say, literally into the salon. There, court was held. The gentlemen and ladies swung their shaggy legs, and music was played on the piano nearby.

The elegant interior of a room in Ljungs Castle, showcasing period furniture and artwork. I do not know what they danced to. But, the music was probably to the tones of baroque music’s sound. It also have been folk music in the spirit of the 18th century. In the next room, the governess lies slumped on the bed. She complains of a headache and nausea.
The maid then serves her a medicinal cure. She offers a glass with a concoction made from a whole array of ingredients. I didn’t manage to note these ingredients. The only thing I remember was a mixture of red and white wine, cinnamon sticks, and something else. It sounds like a rosรฉ version of mulled wine.

The makeup room in Ljungs Castle, showcasing 18th-century decor and furnishings. In the next room, appearance was everything. A makeup room and a bidet on the floor were completely open for people in the house to see. At that time, one couldn’t be ashamed of cleaning oneself “down there.” Intimacy was almost nonexistent. The guide showcased the cold clothes she wore. She talked about her attire and explained how people dressed back then. It consisted of stockings, wedges, and petticoats, with a nightgown also included beneath everything.
A beauty spot (from the French “mouche4,”meaning “fly”) was an important detail in 18th-century fashion. It merged practical needs with aesthetic and symbolic values. We learned this when the guide showed hers on her right cheek.

The exterior of Ljung Church in รstergรถtland, a historical site linked to the von Fersen family. At the End
It was there that the fun came to an end. The 1 hour and 10 minutes of guided tour, featuring elements of theater, was over. Dressed-up ladies in period-appropriate 18th-century attire and facts about both the palace and the von Fersen family had now concluded.
Back to the lower level and Rococo-style architecture, I was back in the 21st century. The museum shop and Ljung Church captured our last attention. Most of those from the Fersen family are buried there.
It was a long day in รstergรถtland County. We took a time travel back to the 18th century. The journey home to Sรถdermanland County became a journey through time.
ยฉ Bjรถrn Blomqvist 2025-07-13
- Gustavian style is a Swedish take on French neoclassicism from the time of Gustav III (around 1770โ1810). It includes light colors, straight lines, and classical elements like urns and ribbons. The furniture is graceful yet simple, typically painted in gray, white, or gray-green, suitable for Nordic light. It embodies ideals of simplicity and harmony and has aristocratic origins. Today, it stands for refined tradition in Swedish interior design. โฉ๏ธ
- Axel von Fersen the Elder (1719โ1794) was a Swedish count, military officer, and diplomat. He was the ambassador to France and a member of the Council of State. A key figure in the Hat Party, he supported a pro-French, monarchist policy. This greatly affected Sweden’s domestic and foreign affairs in the 18th century. He was the father of the more well-known Axel von Fersen the Younger. โฉ๏ธ
- Axel von Fersen the Younger (1755 โ 1810) was a nobleman and cosmopolitan. After his military training, he traveled across Europe. He mingled with French court circles. He became a close friend of Marie Antoinette. There were rumors suggesting he was her lover. He organized the royal family’s failed escape to Varennes in 1791 during the French Revolution. He served as an officer in both France and America. Later, he was promoted to major general in Sweden. In 1799, he became Marshal of the Realm. His diaries and letters give insights into Swedish politics and the French court life of the late 18th century. Today, he is remembered as a key figure linking Sweden and Europe. He is also recognized as a notable character of the Swedish Gustavian era. โฉ๏ธ
- “Mouche,” was a small piece of black fabric, often shaped like a fly. It was glued onto the face or chest. The purpose was to highlight the white, powdered skin. It also hid imperfections like scars or pimples. Most importantly, it showed that a person belonged to the higher social class that afforded makeup and accessories. โฉ๏ธ
-
I ett grepp
Min GAD har mig i sitt grepp
Allt i huvudet รคr som en storm
Jag รคr som ett sjunkande skepp
All tankeverksamhet รคr enormNรคr kommer den att spricka
Ballongen med tankar av luft
Jag vill fly, jag vill sticka
Varje gรฅng detsamma, lika tufftยฉ๏ธBjรถrn Blomqvist 2025-07-06
-
Body Language…
There are words that stab your chest
There are words that heat up your brain
There are words like a deadly testโฆ
โฆwords like endless pain
There are voices like spears in your ears
There are voices like threats in your eyes
There are voices like an engine for your tearsโฆ
โฆvoices like lies
There are sounds that make you cry
There are sounds that make you lose your head
There are sounds that make you runโฆ
โฆsounds as if you were dead
ยฉ Bjรถrn Blomqvist 2025-06-20
-
A Night Sky
The soft blanket of the sea,
a cradle for a sleepy sun.
The lines of the horizon can be
a limit to the fun.
The dull colors of the sky,
a palette of chosen things.
The light sleeps like a fly
without eyes and wings.
The day goes to sleep,
the light will come soon.
The night is dead,
resting on the moon.ยฉ Bjรถrn Blomqvist 2025-03-21
-
A Day Trip to Vreta Abbey and Cloetta Factory

Through รstergรถtland between monasteries and chocolate. From Vreta Monastery to Cloetta in Ljungsbro, where Kexchoklad is made. We indulged in temptation and then continued to IKEA in Linkรถping. A day with contrasts between the sacred and the worldly.
The other day, it was time for a new excursion through the history of culture, art, religion, and entrepreneurship. Not far from here โ more precisely, in the neighboring county of รstergรถtland. There is much to see and explore there. For us, it was an easy journey of about an hour. Filled with anticipation and curiosity, we set off on the road.

Entrance to the Cloetta chocolate factory in Ljungsbro, Sweden, where a variety of sweets are produced. The main destination of the day was, of course, IKEA in Linkรถping. We had a somewhat tight budget. Yet, we decided to spend. We set aside 4000 kronor (371 USD) for this purpose. But before that, we wanted to explore some historical gems in the county. Castles and churches adorn the landscape there, just as in our own county.
รstergรถtland offers a fascinating mix of attractions. There is a golf ball museum. A candy factory1 (Cloetta) and one of Sweden’s oldest monasteries add to the charm. It is a nunnery dating back to the 12th century. I have been losing weight and training diligently for some time. My goal is to improve my health. So, a stop at the candy factory felt like a temptation I should avoid.

Vreta Abbey, one of Sweden’s oldest monastic sites, showcasing historic architecture from the 12th century. But fate had other plans โ we stopped at the Cloetta chocolate factory anyway, which is also part of Malaco. Here, everything from Swedish Fish to gummy candy and Kexchoklad is produced; itโs an irresistible place for a sweet tooth. We made a brief stop at Vreta Abbey before reaching the factory. This was just before the small town of Ljungsbro, where the chocolate factory is located.
What did we learn about the abbey? Unfortunately, we couldn’t go inside, as a funeral was taking place. But we took a peaceful walk around the monastery ruins, where informative signs told their history.

The serene grounds of Vreta Abbey, one of Sweden’s oldest monastic sites, featuring historical ruins and a central cross. Vreta Abbey is one of Sweden’s oldest monastic sites, with a history dating back to the 12th century. It was Sweden’s first nunnery and belonged to the Cistercian Order. Here, noblewomen were educated at a time when education for women was rare. The abbey was an important spiritual and intellectual center and had strong ties to the Swedish royal family.
Bishop Bengt Birgersson (c. 1254โ1291), brother of King Magnus Ladulรฅs, reopened the abbey in 1289 in the king’s presence. Bengt was a typical medieval church prince, where politics and religion went hand in hand. His career illustrates how the monarchy used the church to strengthen its position in the 13th century.

The serene entrance of Vreta Abbey, one of Sweden’s oldest monastic sites, featuring moss-covered pathways and lush greenery. Gustav Vasaโs Reformation in the 16th century led to the dissolution of monasteries in Sweden. Despite this, Vreta Abbey continued to serve as a residence for the last nuns until the end of the century. An old legend tells of a secret underground passage. It leads from the abbey to Bergโs locks at the Gรถta Canal. The ruins are said to be haunted. Several visitors have reported strange lights. Shadows move in the darkness.
After our historical visit, it was time for something less ascetic โ the Cloetta chocolate factory. We filled a large bag with various sweets and left the store with a mix of joy and guilt. But we consoled ourselves with the thought that something even more enjoyable awaited โ an ending at IKEA, of course.
ยฉ Bjรถrn Blomqvist 2025-03-02
- Cloetta https://www.cloetta.com/en โฉ๏ธ
-
๐ Exploring Madeira: A Journey Through Nature and Culture โ Day 5
On track through water
From exploring the island on four wheels, bouncing around in a jeep, it was on foot that mattered this day. Newly acquired hiking shoes and a journey ahead on our own two feet would be a day of relief.
Heavy clouds loomed over us. Despite the weather gods working against us, we would still defy the weather. We played our way along the water-filled paths at Parque Florestal das Queimadas, Madeira Natural Park, Santana.

Traditional Madeiran house nestled in lush greenery, showcasing local architecture amidst a cloudy backdrop in Parque Florestal das Queimadas. Along waterfalls and steep cliffs, we walked in a group with others and a guide who was constantly braking. What was there to say about everything, really?
You had to get ahead on your own. Be careful not to hit your head on branches and hold on tightly to the railing. Where there was a railing, so to speak.
Brand new shoes with a water guarantee and marked with Gore-Tex, I could feel safe. During the entire hike, which was 11 km, no water got into my shoes.
A stunning waterfall cascading through lush greenery in Madeira’s Parque Florestal das Queimadas. My socks were dry at the rest area. I took a little time to recover. I also checked everything in my golf watch. Now, it’s time to continue hiking. This time, a much shorter distanceโonly 3 km. The earlier one was measured at 8 km.

Stunning cliffs overlooking the ocean at Madeira’s Parque Florestal das Queimadas, perfect for hiking and exploration. That was the only adventurous thing that happened that day. We knew that it would be even more demanding the next day. A new hike, a new place, and new opportunities. No guide, and only according to our own needs. More about that in the next blog post. Guess where?
The clue is in the picture below?
Summary
The dayโs adventure shifted from exploring by jeep to hiking on foot in Madeiraโs Parque Florestal das Queimadas. Despite looming clouds, the trek continued along waterfalls and steep cliffs with a guide and a group. Navigating wet paths, avoiding low branches, and relying on Gore-Tex shoes kept the hiker dry and comfortable. The total hike covered 11 km, followed by a shorter 3 km stretch. With a Garmin watch tracking progress, the day ended with anticipation for an even more challenging hike the next day.
๐ฌ See you tomorrow
ยฉ Bjรถrn Blomqvist 2025-01-29
-
Livet fรถre pusslet
Sรฅgens tรคnder lรคngs ryggraden
och sandpapprets knottriga hud.
Livet i en ask av kartongbitar
och ett blekt ansikte utan djup.Verktygslรฅdans tomma ord
och den rostiga knivens รฅdror.
Livets bitar i en oformad kropp
och opolerade knรคskรฅlar.ยฉ Bjรถrn Blomqvist 2024-12-12
-
๐ Exploring Madeira: A Journey Through Nature and Culture โ Day 4
On the roads
The adventure was booked and ready. We quickly transitioned into Day 4, igniting a sense of anticipation that buzzed in the air like electricity. On Day 3, we thoroughly explored Funchal to recharge and prepare for the excitement ahead. We wandered the streets, squares and visited local markets. At the hotel’s driveway, we eagerly awaited the colorful jeep that would take us across the island.
Six enthusiastic participants and a driver, who was even more enthusiastic, got into the vehicle. We were ready to start an adventure. One charismatic individual was our guide, driver, and tour guide all at once. This provided a unique perspective that made the experience even more special. The multi-talented host knew everything about the island. He also shared tales of the area’s history and culture.

Colorful 4×4 jeep vehicles from Green Devil waiting to take adventurers across Madeira. Two of the party rubbed their bottoms against hard benches on the jeep’s flatbed benches. Still, no one complained; the excitement of the adventure outweighed any discomfort we felt. It wasn’t just water around the island and its shores. It was a living fabric of nature. We visited and swept past these shores. We saw waterfall after waterfall, each cascading with an ethereal grace that made it hard to believe it was real.
That day it is windy. At places where you can normally swim, we were advised not to take a dip. There was possibility at a well enclosed bay where the strong wind did not reach. It was cold, but a dip up to the knees was much needed.

Fog envelops the mystical landscape of Fanal Forest, featuring ancient trees that create an enchanting atmosphere. The asphalt ran out. Gravel roads and steep hills took over. We knew we were close to Fanal Forest (Fanal Witch Tree). Once there, the fog was so dense that visibility was short. The Jeep handled the steep hills gallantly. Whether it would handle hard bumps in potholes was more uncertain, but it did. All sharp boulders stood no chance against the jeep’s tires. The tires held, after all.
On foot
Thank goodness we got to stretch our legs several times. Imagine sitting there on the hard bench. We would have been in the back of the car from early morning to late afternoon. But it wasn’t like that.
We stopped several times. These stops brought blood back to our feet. They also provided warmth in our legs and a hot drink in our stomachs (coffee). What was the view if you didn’t stand and look at it out of the car?

A stunning coastal view showcasing rugged rock formations and powerful waves crashing against the shore. We made a stop at a cafe. Then we went to a restaurant for food. After that, we visited the place we had been looking ahead to: Fanal Forest. The fog was dense, with cows and bulls grazing and people searching for where they were going.
A wedding photographer captured a bride and groom in the fog. It was difficult to avoid being in the middle of the shot. The mist caressed the camera lens as we strode along the trees to find where we were going.

Mystical view of Fanal Forest shrouded in fog, capturing the serene beauty of nature. The fog was there, and the cows were mooing in a landscape. It seemed to come from a painting by Caspar David Friedrich.1 This experience was magical. For 20 minutes, we enjoyed the quietness and the fog. We had the opportunity to daydream about the world of art and fantasy.
The next stop was in the sign of water. In a place where you can swim in better weather, we walked down a long staircase. The waterfalls along the way were seen, studied, and photographed on foot. A long day on almost impassable roads ended late in the afternoon. We also walked in misty mountains and beautiful coastal gems. The same way we came, the same way we left.
Summary
The adventure through Madeira blended excitement, natural beauty, and moments of serene magic. The journey extended from exploring Funchal to navigating rugged roads. We traveled through misty mountains in Porto Moniz โ Madeira Natural Park. The journey was filled with breathtaking sights, cascading waterfalls, and immersive experiences. The cold winds and bumpy roads presented challenges. Yet, the day was unforgettable. It offered a harmonious mix of exploration, tranquility, and anticipation for new adventures ahead.
โฌ ๏ธ Tomorrow is a day too, filled with endless possibilities and opportunities for exploration. A new adventure awaits. New expeditions follow in the footsteps of the hiker. The hiker (me) is ready to uncover hidden trails and breathtaking landscapes. We will feel the wild spirit of nature surrounding us. With every step (on wet, muddy hiking trails), we’ll create memories that linger long after our journey ends. See you then, as we prepare to embrace the call of the wild together.
๐ฌ See you tomorrow
ยฉ Bjรถrn Blomqvist 2024-11-28
- Caspar David Friedrich (1774โ1840) was a German Romantic painter famous for his landscapes that show natureโs beauty and depth. Iconic paintings are Wanderer above the Sea of Fog (1818) andย The Abbey in the Oakwood (1809-10). He established his legacy as a landscape painting master. โฉ๏ธ
-
Motgรฅngar
Tvรฅ vรคgar fram, tillbaka รคr en evighet lรฅng Genvรคg eller senvรคg, tillbaka รคr en oรคndlig uppfรถrsbackeย Gasa eller bromsa, tillbaka รคr en obefintlig bromsstrรคckaย ยฉ๏ธ Bjรถrn Blomqvist 2024-11-25
-
Understanding Synesthesia: The Mind’s Palette

My Colorful Ability
Everyday life is not just black or white. It is a color palette that captures impressions and the mind in all the colors of the rainbow. Synesthesia is a concept rather than an impression.
If I ask what your name is and you answer โEricโ, then you are green. I am blue; Bjรถrn is a blue name, b as blue. If your name is Anna, you are red. Patrick is brown. Sofie is white. Johanna and Laura is red burgundy. Names and colors blend together. This highlights the fascinating connections I form through name and color. It’s obviously synesthesia!
If my name (Bjรถrn) is blue and sounds like an icy wind โ what colors do you put on words?
Synesthesia
Synesthesia is a neurological phenomenon where senses are interconnected. Grapheme-color synesthesia, the most common form, involves automatic and consistent associations between letters or numbers and specific colors. These connections are often one-way and develop in early childhood. Synesthesia can manifest in other forms. For example, it link time units to colors. It can also connect music to visual experiences. There are about 70 types identified. While rare (0.001โ4.4% of the population), it seems to run in families, suggesting a genetic basis. Experiences be projected (seen externally) or associative (internally perceived or “felt”). Wikipedia
Research
According to research from the Karolinska Institute, synesthesia is briefly defined as a unique ability. In this condition, sensory impressions or thoughts are connected in unusual ways. For example, letters may be linked to colors, or sounds may trigger shapes.
Approximately four percent of the population has some form of synesthesia, which varies among individuals and is partially hereditary. Researchers believe that synesthesia is often triggered by concepts rather than direct sensory intake. This condition may help the brain make abstract ideas more concrete. Synesthetes sometimes have improved memory and are often creative, which explains the link to artistic professions.
There are theories about connections between synesthesia and autism1. These theories also link synesthesia to obsessive-compulsive disorder2. This is due to similar patterns in brain connectivity and attention to detail. Ongoing research is exploring these connections through twin studies and brain imaging.
Synesthesia is not a disability. It is often perceived positively. It enriches individual experiences and showcases the unique ways people interpret the world. Karolinska Institutet – A medical university
How – in what way
What does the color red sound like? Only someone with synesthesia can tell. One person hears a trumpet and sees triangles, another thinks of basketball and tastes waffles. A third perceives the number nine as a unique shade of pink. Synesthesia means “simultaneous perception.” Current research suggests that often the concept or idea of something triggers the synesthetic experience. Karolinska Institutet – A medical university
My colorful everyday life
I became familiar with the term Synesthesia not too long ago. I was not aware of it from the beginning. When Synesthesia was described, it felt like my whole life was included in the expression. For years, I have seen words, numbers, dates, times, and letters in colors. It started when I was young.

A visual representation of synesthesia, showcasing months of the year and their associated colors as perceived by the author. This is how I see the year and how it is organized in my mind. Each month has a color. The days around Christmas and up to New Year’s Eve cover the entire upper line. Christmas weekend in the first part and in between comes the intervening days and finally the new year. That is the entire upper line covers a week, unlike the lower line which covers most of the year.
You can see how my synesthesia behaves. In the figure below, all the days of the week, a choice of names, and finally letters and numbers. What color associations do the words have with letters and numbers linked to dates, e.g., presented below.

A colorful representation of days of the week and associated names, illustrating the concept of synesthesia. Images – repetitive moments
Every time I shave, I get the same image of a specific person from my past. Another person from my past shapes my mind as I brush my teeth. The same goes for other recurring repetitive moments in everyday life.
I have other pictures and colors at other points. When I peel garlic, images of a specific person from my past come to mind. There are many more occasions when the same images come up during the same regular task.
Numbers
Three dates stood out. Each was marked with an important to-do on my calendar. They were like milestones of creativity waiting to be explored. In the same month but on three different dates, I experienced a vision of colors in front of me. It felt as if a painter had splashed vibrant tones across an endless canvas.
The 3rd is green ๐ฉ. The 4th is black โฌ๏ธ. It is a deep contrast that evokes mystery and depth. I have an appointment with the doctor then. The 5th is yellow ๐จ. It is a bright and cheerful shade that radiates warmth and optimism. It inspires me to embrace joy in every moment. Then it’s Christmas dinner with work colleagues.
Each of these colors carries its own unique energy. They send signals to my brain to memorize upcoming events. This process acts like a visual memory bank.
They fill my days with creativity and emotion. They are intertwined with my experiences. This is a choice from my everyday life and how it can take shape in my mind. The same is true when I experience certain moments.
Conclusion
My conclusion relies on names and words connecting to the color of their first letter. E is green, as is Eric, reflecting nature and renewal, seen in last names like Ek (oak). D is brown, mirrored by names like Donovan and Duncan. Many names starting with A are red, like Andersson and Anna.
This imagery can influence my perceptions, as the first letter can signify deeper meanings. I often worry about potential “what if” scenarios. Instead of annotating appointments, I visualize them in color slots on my calendar. New colors and times can mix; 17:00 is red and 19:00 is light blue. If the colors blend, confusion arises, heightening my worries about timing and place.
Summary
Synesthesia is a condition where senses mix together, like connecting colors with names, letters, or numbers. For example, I see the name โEricโ as green and โAnnaโ as red. I also picture specific colors for days of the week and months.
Having synesthesia can boost creativity and memory, but it can sometimes lead to confusion when colors mix. About 4% of people experience synesthesia, which is inherited and is often linked to creativity and enhanced sensory experiences. Research looks into its ties to autism and OCD because of similar brain patterns.
In my daily life, synesthesia shapes how I see things, as everyday tasks bring up clear memories, colors, and images. For instance, certain dates remind me of green, black, or yellow, helping me to organize events in my mind.
ยฉ Bjรถrn Blomqvist 2024-11-24
- Autism, is a developmental condition that affects social interaction, communication, and causes repetitive behaviors. Symptoms can vary greatly, and while the exact causes are unknown, both genetics and the environment contribute. Early diagnosis and treatment can help improve the lives of those with autism. โฉ๏ธ
- OCD (Obsessive-Compulsive Disorder) is a mental disorder characterized by intrusive thoughts (obsessions) and repetitive behaviors (compulsions) performed to reduce anxiety. Common themes include fear of contamination, a need for symmetry, or fear of harming others. Treatment often involves CBT (Cognitive Behavioral Therapy) with exposure and response prevention, sometimes combined with medication. โฉ๏ธ
-
Exploring Modernist Architecture: A Case Study

A building can captivate through its character, highlighted by its pointed roof and glass facade that embody modernism and brutalism. Raw concrete highlights the blend of purpose and form. It creates a space to think about time and materials.
There are buildings with conscious architectural design for various reasons; this particular one interests me. It is the part of the building that can be seen in the picture, which I somehow think is spectacular. Not because it is unique. There are probably other buildings that have a similar shape and style. As I say, “Literally, it stands out.”
This building, which I pass by occasionally, has long captured my attention with its fascinating architecture. Modern architecture fascinates me, as it stands out and captures oneโs gaze. I can linger in front of such a structure, pondering what it conveys from an architectural perspective
I have to say, from a little distance while looking at it, I don’t think it’s a particularly nice building. In fact, it’s quite the opposite. Still, when I stand in front of the entrance and the protruding roof is above me, I feel modernist vibes. The building also shows a brutalist charm. Personally, I think it resembles a mix of a tweed cap with the earflaps down. It also looks like a shark with a long, pointed forehead.

A modern building showcasing a pointed, protruding roof and a glazed facade, emphasizing its unique architectural style. Every time I see it, I am fascinated by the glazed facade and the protruding concrete roof. It is the handicraft house, built in 1964. I haven’t found anything about the history of the house or the architect behind it. What I want to find out is how it relates to the different styles of architecture.
I have spent some time searching in my knowledge bank and in books about architecture in my own library. Analytically, based on the year of construction, material, and form, I would say that it is modernism. The design shows asymmetry in the lower part of the building (left in the picture) compared to other sections. The pointed projecting roof and its uneven shapes resonate with modernist architecture1.
The choice of materialsโbrick, glass, and concreteโis common in modernist architecture. This creates an industrial feel. It emphasizes minimalism and clean lines without decorative details. These aspects show that the building embodies functionalism, characterized by function, form, process, and industrial design. It caters to people’s needs. The building contains various activities. These include a car workshop, medical center, post terminal, and advertising agency. The building effectively meets the community’s needs. This is a hallmark of functionalism.2
Another style stemming from modernism is Brutalism, characterized by its choice of simple, untreated materials like concrete. This architecture stands outside tradition and conventional aesthetics, achieving effect through raw forms and material honesty. Two central buildings in Brutalism3 are Hunstanton School, Norfolk and La Tourette Abbey, France. (…isms, Understanding Architecture โ Jeremy Melvin โ Swedish edition 2010.)
I notice similarities between this building and the Norfolk School. The yellow brickwork and large windows in the facade stand out particularly.
My analysis leads to these two architectural styles (within modernism), but of course, there is nothing definite about it. I am looking for the influences. My own fascination with this particular building has led me to analyze and search for meaning and style.
ยฉ๏ธ Bjรถrn Blomqvist 2024-11-20
- Modernist architectureย is the architectural style that dominated the Western world between the 1930s and 1960s. It is characterized by an analytical and functional approach to building design. Buildings in the style are often defined by flat roofs, open floor plans, curtain windows, and minimal ornamentation.ย (For example, Le Corbusier, Villa Savoye, Poissy, France). โฉ๏ธ
- Functionalism is a modernist branch that emerged in the 1920s. Architects focused on building design based on function. This resulted in smooth, undecorated faรงades with flat roofs and simple geometric shapes. โฉ๏ธ
- Brutalist architectureย flourished in the 1950s and 1960s. It was driven by a quest for functionality. There was also an emphasis on honesty in the use of materials. It is characterized by raw concrete surfaces, exposed structural elements, and often enormous scales. Brutalism’s charm is covered by a lack of embellishment. โฉ๏ธ
-
๐ Exploring Madeira: A Journey Through Nature and Culture – Day 2
An early morning dawns, but not too late. I know they’re waiting for us, all these flowers. The gray weather shall be deafened by all its colors. The plants have become our shelter from the rain.

New day on an island, far out in the Atlantic Ocean. The hotel breakfast was approved. The hotel was full of people in their upper middle age and older. We had chosen the hotel for the best possible peace. The hotel was child-free. It was full of English and Nordic guests.
Every night, there was live music in the hotel bar. The performances ranged from classic rock and pop to Spanish tunes. Troubadours of all genres entertained us. It was close to the beach and located in the middle of the old part of the city, very near to the cable car station, soโฆ

…is there one way up, or two? There are roads, of course, as steep as the depth of admiration for the island’s fantastic nature. The above-ground route did not attract us. Fear of heights and mixed thoughts took us up along the mountain in a bus. A bus as wide as the roads and constantly facing oncoming traffic. Who goes first? The biggest goes first was the mantra along the narrow and steep uphills. Finally, we arrived at what was the first destination of the day: Madeira Botanical Garden.
The Madeira Botanical Garden1 was proposed as early as the 17th century and opened in 1960. It spans about eight hectares, with five hectares dedicated to landscaped areas featuring various trees and ornamental shrubs. You can explore sections with orchids, lawns, and scenic viewpoints over Madeira’s capital, along with an amphitheater.

The garden is home to over 2,000 exotic plants from around the world. To tackle global biodiversity loss, it includes a research and conservation area focused on preserving these species.
In the end, we both arrived at the heights I didn’t want to look down from. Every downward glance became a squint. Narrow paths took us around the gigantic garden. Plants and flowers in all their shapes and colors were waiting for the rain. However, we didnโt, but we knew it would come, sooner or later.

Gray clouds and narrow paths circled around. We hiked, took photos, and sought shelter from the rain that fell. The path circled like the cutting of the bushes in the main image of the post. Slim but still with all plants. Carefully, we moved between fountains and swimming turtles. We encountered terrifying cacti with thorns as long as my fingers. I hid my fingers in my pockets.
The rain fell as we prepared for the next destination. It would take us even further upwards. Vertigo would be on the agenda. First, a bite to eat, a little to drink ๐ฅค, and getting caught in the tourist trap. A golf shirt, of course. A hobby golfer like me can proudly play a round of golf here at home. I can wear a shirt that says Madeira Golf on it.

For further travel upwards, it was, of course, the cable car that applied. Pretty much the whole time on the way up to Jardim Monte Palace, I closed my eyes. My heart was in the pit of my throat. I kept thinking that the cart would break loose and fall into the depths of the mountain valley.
The Monte Palace Madeira Garden has a prime hilltop location. It offers panoramic views over Funchal’s bay. This garden is one of the most unique places on the island of Madeira. It is marked by its exotic flora and the art that surrounds it.

The history of Jardim Monte Palace2 dates back to the 18th century. Charles Murray, an English consul, bought the property south of Monte Church. In 1897, Alfredo Guilherme Rodrigues purchased it and built a grand residence, which later became the ‘Monte Palace Hotel.’
The Monte Palace Madeira Garden now showcases about 100,000 plant species from around the world. This includes ancient cycads, known as living fossils. There are several Buddhist sculptures and lanterns. There is also an impressive collection of tiles from the 15th to 20th centuries. The garden is home to diverse wildlife, including swans, peacocks, and Asian koi fish.

What else could we expect? To my delight, I got to take part in art and photographs. Along the paths that surround the giant garden, we could see images and motifs with a historical connection. Many of them were both restored and copies of motifs from the 16th century.
With a Pina Colada in hand and tired legs, we watch a group of pelicans resting, standing on one leg. I have two and have a hard time getting them to carry me. We have hiked, ridden the cable car, and hiked some more. The 1,000-year-old olive tree at the entrance to the last stop is the last thing we admire.

A long day among plants, high up in the mountains, was over. The way back was as scary as the way up. The closer we got to the station, the more I could breathe out. The carriage remained hanging. My fear disappeared with the deep sigh I gave as we stepped out of the cable car.
Back to the hotel (Porto Santa Maria)3. Recharge our batteries and ourselves and a glass of the island’s namesake. ๐ท Relaxing in preparation for the next adventure โ a jeep safari in the mountains…
๐ฌ See you not tomorrow, the day after tomorrow
ยฉ Bjรถrn Blomqvist 2024-10-30
- https://visitmadeira.com/en/what-to-do/culture-passionates/gardens/monte-palace-madeira-garden/ โฉ๏ธ
- https://visitmadeira.com/en/what-to-do/culture-passionates/gardens/monte-palace-madeira-garden/ โฉ๏ธ
- https://www.portobay.com/en/hotels/madeira-hotels/porto-santa-maria/ โฉ๏ธ
-
๐ Exploring Madeira: A Journey Through Nature and Culture – Day 1
The cold lingers like the afterword in a film when the Swedish winter enters its second phase. It is the end of February, and the cold feels like the freezer in the kitchen.

At Arlanda Airport, winter clothes should be put away, and more lightly dressed adventurers should head to warmer regions. Time passed quickly, and we almost missed the plane. There was a lot to check out in the duty-free shop at the airport. But we managed. With breaths caught in our throats and drops of sweat on our foreheads, we sat there on the plane, anyway. If we had missed the plane, it would have been a disaster. From now on, we must always be on time. You don’t make the same mistake twice, do you? Orโฆ?
We exchanged the Swedish winter for warmth and a snow-free landscape. Not at all unusual when you live in the cold north. This time, we have chosen to focus on nature experiences, wilderness, and adventure instead of art. Hiking among mountains, forests, and gardens, as well as Madeira’s food culture, has become our priority. A new pair of hiking boots was purchased for all of the week’s adventures. Of course, we had clothes and equipment for long hikes in the mountains, gardens, and forests with us.

The flight was long in contrast to the distance to the seat in front. There were closely placed airplane seats with short legroom. My knees scraped against the backrest in front of me. It ached in all parts of my knees and down to my feet.
An Airbus A319 received landing clearance five hours later on one of the world’s shortest runways. The landing was as calm as a dip in the pool and a quick taxi ride to Funchal. Once at the hotel, we had to recharge both our own batteries and those in our iPhones.

The small island group far out in the Atlantic Ocean still has great opportunities for a rich life of adventure. The longing for everything was like a dog’s drool along the corners of our mouths. The island attracts those who thirst for wilderness and natural experiences, but also those who just want to enjoy it. ๐ท
Madeira is an island group in the Atlantic Ocean, 400 kilometers north of the Canary Islands. It belongs to Portugal but is politically self-governing. It consists of the main island of Madeira, the island of Porto Santo, as well as some uninhabited islands.

The capital is Funchal. In the harbor stands one of the world’s best soccer players, but only in muscles and clothes of bronze. Madeira-born Cristiano Ronaldo is in all his glory, but the protagonist of this journey is once again a soon-to-be 50-year-old. Besides him, there are, of course, boats of all sizes. Sailboats and giant cruise ships mingle with a replica of Christopher Columbus‘ flagship, the carrack Santa Maria. It was with this ship that he accidentally reached America in 1492. A new continent was discovered, but we know that the Vikings landed there 500 years before him. For those who are keen, you can travel around the bay with her.
The distance from the hotel to the beach was as short as Ronaldo’s free kicks. After fully charged batteries and with a dribble signed by Ronaldo, our bellies were empty, but expectations were high. On the first day, it was, of course, the first attempt to taste Madeira’s local specialties. With the smell of the sea and the aroma of fish restaurants, we filled our hungry bellies.

After that, the ground will be trampled, nature experienced, and mountains climbed. Tomorrow, plants will meet us with their beauty. The Madeira Botanical Garden and Jardim Monte Palace, high up in the mountains, will welcome us with their charm.
๐ฌ See you tomorrow
ยฉ Bjรถrn Blomqvist 2024-10-17
-
Det innersta av konstenย
Pรฅ ett galleri av
hรถgt och lรฅgt
ur ett hjรคrtaย
med svรคngdรถrrar,
kรถr lusten saktaย
pรฅ รฅdrornas motorvรคg.ยPรฅ vรคggarna hรคngerย
humรถret i trรฅdarย
nรคr fรคrgen avย
en kรคnslostorm
just torkat tillย
en klump i halsen.รgon som sรถker
med ostadiga pupiller
stillar blodflรถdet
som grรคver diken,
djupa som tankarnasย
fรคrg pรฅ havsbottnen.ยฉ Bjรถrn Blomqvist 2024-10-06
-
๐ณ An Art Journey in the City of Love โ Sculptures’ and Monuments’ Day

Last day of the week in the city of love made an entrance. It is a day that, to a large extent, goes in the form and sign of the hard material. The sun casts a warm glow over the cobblestone streets. The bustling energy of the city takes on a new rhythm.
Everything from sculptures and architectural monuments to a slightly lighter adventure awaited us as we stepped into the museum. The haunting stillness of Auguste Rodin’s monuments surrounded us. Their pale, imposing figures seemed to come to life in the dim light.

As we made our way through the museum, we felt a profound connection to the artist. His timeless masterpieces captivated us. For a moment, it felt as if we were stepping into a slightly lighter adventure. This journey beautifully intertwined history, art, and the boundless potential of human creativity.
Cogito, ergo sum. The thinker in his own form stands in the middle of the garden where many of Rodin’s creations stand. As the thinker contemplates existence, the sculptures around him seem to come to life. Each sculpture tells its own story through the frozen movement captured by Rodin’s skilled hands.
In the house where the museum is housed, I was surprised by the works of other artists exhibited there. Some van Gogh and works from Munch, of course. As I wandered through the halls, I also came across breathtaking pieces by Monet, Renoir, and Picasso.

I was pleasantly surprised and overwhelmed with joy when I stepped into the museum. I laid my eyes on the exquisite paintings by the renowned artists Van Gogh and Munch. There were also works by other artists.
A lunch among all the stiff figures would give us more energy. It would be as if we ourselves stepped out of our marble costume we put on during the week. Taking the time to enjoy a leisurely meal with colleagues can offer a needed break from the daily grind. It allows for lively conversations. It provides the opportunity to recharge our mental batteries.
A short visit to the Place de la Concorde with neither blood spatter nor trace of royalty. We continued to the Arc de Triumph in the center of the Champs-รlysรฉes. The Place de la Concorde stands as a symbol of French history. Its impressive Egyptian obelisk and ornate fountains epitomize grandeur.

As we strolled through the square, echoes of the past reverberated through the air. They reminded us of the historical events that have taken place on this hallowed ground.
We walked around it and under it. We marveled at the intricate details of the architecture. The sunlight played beautifully with the shadows.
A little later, we ended up at La Dรฉfense, the modern business district with its towering skyscrapers and bustling streets. It was a gigantic contrast to everything we experienced during the week.
From history, to more modern history and now, perhaps the most modern part of the city. Modern architecture and tall buildings, far from brick, marble, and concrete. The skyline of this bustling city is now dominated by sleek glass skyscrapers. Each skyscraper is a testament to human ingenuity. These buildings represent technological advancement.

The historical wing beats seemed to have flown away. They left behind a serene atmosphere. This atmosphere whispered tales of the past. The ancient walls echoed with the memories of generations long gone. The place’s energy felt vibrant and alive.
The people we met there were anything but historical. Young people, who have a future ahead of them, filled the air with excitement. Their ambition painted a vivid contrast against the backdrop of antiquity.
All the places, all the historical visits, and the hunt for French cuisine were now over. Tomorrow the flight goes home, and everything points to the fact that I will come back to Paris. I am convinced of that โ but when, that is a mystery?
The next time we meet here on the blog, I will have moved to a small Portuguese island. It is far out in the Atlantic. The island is known for its stunning cliffs, picturesque beaches, and rich maritime history.
From traditional seafood dishes to colorful festivals, there is so much to discover and experience on this beautiful island. I can’t wait to share my adventures with you in the upcoming blog posts.
The next trip and adventure will be in February 2024, spending a week in Madeira. There will be a report about this on the blog later. The theme will be focused on plants and nature, including mountain safaris and hikes in forests and mountains. We explored the beautiful landscapes of Madeira and visited botanical gardens.
…to be continued
ยฉ Bjรถrn Blomqvist 2024-08-29
-
๐ An Art Journey in the City of Love โ Contemporary Art’s Day

Finally, another museum visit, close to the hotel and conveniently scheduled during our stay. The 20th-century art lines the walls of the Center Pompidou1, showcasing everything I like.
The classic facade was in front of us. The red parts were on the long escalator. The queue below was all the shorter. Just a fraction of the one we stood in at the Louvre.
Maybe it was something else that attracted, what do I know? Short queues and a reasonable ticket price and large areas for fewer visitors were a big advantage during the visit.
My excitement went from my chest to my pupils the closer we got to the exhibit. The large entrance hall with shops on either side was what I so eagerly expected. Books at one and souvenirs at the other. Let the adventure begin.
It was the master of contemporary art I was looking for. Kahlo, Mondrian, Mirรณ, Kandinsky, and others. Everyone was there, so to speak. Even Picasso, Warhol, and Jackson Pollock had found their way there.

I could next feel myself floating along the room, as if floating on clouds. Everyone was there. The ones I wanted to see and meet.
It was as if I walked in there with one of my favorite books from university in my hand. I could almost feel a weight in my arms from the heavy book. H.H. Arnason – History of Modern Art (Fifth edition 2003)
I myself floated forward, upright, not upside down like New York City2, I guess. If not this one too, has been hanging upside down for years. That in view of the discovery that New York City I (1941) has been hanging upside down for years.
More and more of the masters of contemporary art lined up like a panorama in front of me. It was she I was looking for, exactly her.
Like a ferret in search of food, I searched for what made my day. The Mexican contemporary art queen was there. With her back to the wall and a determined gaze, she stares at us with her thick, interlocking eyebrows. (The Frame 1938)3.

The hunt for the masters continued. The adventure in the jungle of contemporary art was not over. This was despite finding what I was looking for. My gut feeling sailed on the ocean of art science. It navigated us onward. There were plenty of goodies in the gigantic museum.
From nowhere along the corridor’s long wall, hang artworks by Picasso, Pollock, and Warhol. Everyone wants to be seen. The tired visitor mostly wants to find the elevator down to the entrance. But not me.

Picasso’s provocative painting ‘La Pisseuse’ (1965), featuring a seated figure against a vibrant blue background. I wanted more, I didn’t want it to end. I knew Marie was waiting for us. She wanted to be freed before being taken away to the Place de la Concorde. We know from history what happened there during the French Revolution (1789-1799).
After a quick look at Pollock’s abstract lines and Warhol’s classic celebrity faces, we noticed more eroticism. This time it was from Picasso (La Pisseuse 1965)4. Afterward, we would visit Marie Antoinette at the Palais de Justice.
Maybe it would be like coming back to where we started the journey. Marie Antoinette existed as a royal apparition at Versailles and later this day as an imprisoned one.
It was with sadness that I left the Centre Pompidou and immediately wanted to return. I’m going there again, that’s for sure. The gallery I would like to work at – but my French isn’t that good ๐
In summary, it was a street race through its large exhibition halls. I got to see many of my favorite artists’ creations. I saw works by Frida Kahlo, Piet Mondrian, as well as Jackson Pollock and Joan Mirรณ.
The mobile camera drained the battery. Ideally, I wanted to go there again the next day. I didn’t buy anything in the souvenir shop. Well, nothing actually.
The next day, more of what stands out, or rather up in the sky in different formats, materials, and shapes.
ยฉ๏ธ Bjรถrn Blomqvist 2024-06-30
- National museum of contemporary art, located in the 4th arrondissement of Paris. The museum opened in 1977 on the initiative of French President Georges Pompidou. Art from the 20th century onwards is displayed here. In addition to the permanent exhibition, a number of temporary exhibitions of modern and contemporary art are offered. โฉ๏ธ
- oil-on-canvas painting by Piet Mondrian, completed in 1942 โฉ๏ธ
- The Frameย Kahlo’s self-portrait in oil on a sheet of aluminum framed in glass which she purchased from a market in Oaxaca, Mexico 1938 โฉ๏ธ
- Oil-on-canvas painting by Pablo Picasso – april 1965 โฉ๏ธ
-
Exploring Julita Manor: An Immersive Historical Experience
Julita Manor dates back to the 12th century and reflects Swedish cultural history. Its past includes medieval monasteries and 20th-century manor life. Guided tours reveal its secrets and tell stories from Arthur Bรคckstrรถm’s era, covering salons, workshops, and the church. These tales help explain the interaction between history, people, and the environment in this cultural heritage.
The wind was blowing from the west. The waves at รljaren were as high as my expectations for a full day trip to Julita manor. The place where the manor is now located dates back to the end of the 12th century.
It is an important historical place in the county where we live. It is just a 1 hour and 20-minute drive away, too close to miss. Julita Manor is now part of the Nordiska Museet, where it was donated by its last owner, Lieutenant Arthur Bรคckstrรถm.

The beautiful exterior of Julita Manor, showcasing its 18th-century classicist architecture surrounded by well-manicured gardens. I will reproduce everything here as best I can. It includes what my eyes and ears caught during and after the guided tour and stored in my memory.
The house, known as the big house, is significantly younger than the area. The main building was constructed in the 17th century but burnt down in the mid-18th century. A new house in the classicist style was built on the site sometime in the 18th century.
Arthur Bรคckstrรถm’s parents bought the manor at auction in 1892 after the Palbitzki family. The house was completely empty at the time of purchase. The Bรคckstrรถm family put their own stamp on the house. They customized its exterior and associated buildings. They also personalized everything I got to see inside the house.
The house has been owned by Arthur Bรคckstrรถm since 1902, when he inherited it from his father, Johan Bรคckstrรถm. He leased the farm until his death in 1941.

A picturesque view of Julita Manor, showcasing its historic architecture against a vibrant blue sky and lush greenery. The tour guide was able to explain a lot to me, just to me, in an engaging way. Dressed in period clothing, the guide started the performance. A coachman’s residence was one of the buildings added during Arthur’s time on the farm. A stable was also added. In addition, a carriage wing was constructed.
We did the guided tour in shifts. We had our dog with us, which is okay in the area. You just need to keep the dog on a leash.
Speaking of dogs, it was dogs that were dear to Arthur Bรคckstrรถm’s heart. They were his children. Since he didn’t have any kids of his own, the dogs were part of his family. It is also said that the dogs are buried where he himself is buried.

Inscription stone from Julita Manor referencing historical events. At the end of the 12th century, specifically in 1180, I learned that King Knut Eriksson donated the farm Sรคby. This farm corresponded to most of Julita parish. It was given to the Cistercian order. A monastery was built where the manor stands today.
The monks built vaults where the south wing now stands. You can go down under it and look to see what the vault, which the monks built, looks like. Even the dog was welcome down. In the wing, there is a large kitchen for cooking for everyone in the mansion. There was another kitchen in the north wing. It was used to cook food for guests and passers-by. It also served as a soup kitchen for vagrants who often came by.
During one and the same year in Arthur’s time. If I remember correctly, the guide said there were 1600 hobo visits in a year, which is documented. It makes me think that maybe Arthur cared about everyone. He wanted to help the poor and hungry. He also wanted to make sure everyone who worked on the estate was fine.

The interior of a historic room at Julita Manor. It showcases remnants of medieval architecture. The room features arched ceilings and rustic stone walls. Lake รljaren is to the west. The manor house is to the east. There is one thing to remember, but I’ll get to that a little later ๐งญ.
As we know from history, it was the Reformation in the 16th century under the rule of king Gustav Vasa. All the monasteries were looted and disappeared, and Sweden became Lutheran. Julita then became a royal farm.
I already knew that Gustav Vasa died in 1560. I have worked at the county museum. I lectured about him and his children. I mainly focused on his youngest son, Duke Karl (later King Karl IX). However, I was unaware that Gustav Vasa stayed at Julita for two weeks due to illness just before his death. The guide said that the king had a retinue with him and that included 200 horses. Horses that would last two weeks on the estate.

Historic carriages preserved inside the stable at Julita Manor, reflecting transportation from the past. If the illness that the king contracted during his journey would cause his death, the guide could not answer. The guide showed a detailed description of who owned the farm first. The guide did this by pointing to the portrait paintings hanging on the hall wall of the house. I have now forgotten who they were.
The first floor of the house was Arthur’s private floor. The well-read and committed guide talked about how important his dogs were. He loved to drink rhubarb juice in the morning when he woke up. He pointed to the pitcher on a small table next to Arthur’s bed. Perhaps it was a bit of curiosity from the viewing. Or maybe it was because I asked a lot. I was as interested as the guide himself.

Portrait of Arthur Bรคckstrรถm, the last owner of Julita Manor, painted by Bernhard รstergren in 1935. Arthur’s own breakfast room is at one end, and his private bedroom is at the other. Imagine if you had that for yourself. In between, there is a room where he and other higher dignitaries sat. They smoked and played cards. They probably also discussed business and politics. Opposite is a room that serves as a study, with a desk and associated accessories.
It is the common area that meets us on the next floor: the lounge and dining room. A room with porcelain from Rรถrstrand and shelves filled with glass, glass with Arthur’s seal on it. My question was, of course, if the glasses come from Rejmyre glass factory, perhaps. The glass factory is not too far from here and was founded in 1810. The guide could not answer that question, so others will have to find out. On the website there may be answers or not?
In the room with all the crockery, there is a food elevator. The food came from the warming room below. There, the cooked food was transported from the kitchen in the south wing. In the so-called Julita room, there is a large painting of Julita piecework. The guide told us that leather cannons were made there. Making the cannons easier to move on the battlefield seemed to be the intent. However, it turned out to be a fiasco. The gunpowder mixture was not always correct, and so the cannon blew up and fell apart.

An intricately designed piece of furniture featuring detailed carvings and many drawers, showcasing exquisite craftsmanship. The painting on the wall is a copy, the guide said. The original can be found at the National Museum in Amsterdam. I was there myself, in the spring of 2023. I certainly saw the original. I did not reflect on it at the time.
On the top floor, there is a library, guest rooms, and a large drawing room. I found out the professor and his wife were staying as guests. They were in one of the guest rooms in the northern part of the salon. The large library of over 5000 volumes, I imagine, satisfied the professor on his visit.
Large trunks lined the entrance to the guest rooms. They were a sign that someone traveled far. The traveler intended to stay there for a long time.
It wasn’t just visitors, tramps, and long-distance guests who enjoyed Artur’s company. Even the employees are said to enjoy it there. Most of the 150 employees lived in the area. A large part of them were crofters and lived in the 80 crofts on the manor.
One who was mentioned often and many times was the farm carpenter Forsman. Henning Forsman was his full name. I was told that the majority of the furniture in the mansion was made by him. In his carpentry workshop, which is located on the outskirts, there was no electricity. Everything was done by hand and with mechanical machines.

A scenic view of traditional Swedish red cottages with grassy roofs, located near the historical Julita Manor. There was electricity in the manor house. The guide enthusiastically pointed out the lamps in the ceiling. They did not have lampshades. This was to show that they had electric light in the house.
Forsman’s mission was to manufacture furniture for the nobility in various historical styles. Most of the furniture in the house is made by him. The guide showed me chairs in the Empire style, and sure enough, I could see it. As an art historian, I immediately recognize the style. It includes traditional lion’s paws. There are also tassels as decoration, mainly on the chair legs.
I was able to leave the mansion behind me after an hour of guiding. The gigantic garden was in front of me. At the end of it, a gazebo, which, according to the guide, is a replica. The original can be found at Skansen.
Many impressions and a lot in my historical backpack, we continued to explore the area. Orangery, museum, and a church are just a few buildings to visit. There is more, and a cafรฉ of course. The coffee was almost more expensive than the entrance fee, but the nice cafรฉ staff was a big plus. Water for the dog and coffee for us.

Interior view of Julita Manor, showcasing traditional wooden architecture and historical artifacts. Adjacent to the church, there is a Julita Skans folk museum. There, Arthur Bรคckstrรถm displayed items from his private collection. Today, when I came in, there was also a smaller art exhibition. “Finally,” I thought. “There is a bit of modern art. I found it when I got up to the exhibition, which is upstairs in the museum’s entrance.”

A wooden bell tower designed according to Arthur Bรคckstrรถm’s ideas is located near Julita Manor. It showcases intricate architecture against a clear blue sky. It is an ongoing exhibition of works from local artists. They operate in Katrineholm municipality – which includes Julita manor. The exhibition is organized by the non-profit association KIKK (Konstnรคrer i Katrineholms Kommun). There were some works I liked. Mainly the abstract works with strong colors.
The museum building is connected to the church on the farm. There is a small courtyard serving as a link between them. The church gate, as is the case in most instances, is in the west. That’s what I intended to convey, as I mentioned earlier, the matter concerning the weather lines.

Interior view of the chapel at Julita Manor, showcasing wooden benches and a decorative ceiling. The big house is to the east, as is the church’s altar. It is a walk from the gate in the west, from รljaren’s location in relation to the farm. Traditionally, churches have always been built so that the altar is in the east and the entrance in the west. The congregation must therefore look towards the east. This is the direction which is the origin of light. It is where the sun rises.
The church then? Or rather a chapel. Built in wood according to Arthur’s own ideas. Wooden benches and an altar at the front in the east. A seemingly small religious building with a free-standing bell tower – a so-called campanile.
The day trip continued. We visited the orangery and the nearby brickworks. Some flowers were bought before there was a short visit inside the museum shop.
ยฉ Bjรถrn Blomqvist 2024-06-22
-
๐ฑ An Art Journey in the City of Love โ Montmartre’s Day

A new day in a new part of the city. We crossed to the other side of the river. We gained a new perspective on a new hotel. We set off on an exploration of the boulevards of the 9th arrondissement. Without the key to the lock, we headed for new heights.

A collection of love locks attached to a railing, symbolizing promises and memories in the vibrant cityscape of Montmartre. Expectations were, of course, high, but we had to wait a while. It was Amelie’s place that had to push us out of the hotel room. Mile after mile, we have walked, and there would be many more to walk. Out of bed and up the slopes, our next destination was Moulin Rouge1.
Light steps, filled with expectations, we made our way up the slopes. Hundreds of tourists and hundreds of smartphones in the air caught the view with the classic facade. The red windmill and its surroundings, didn’t disappoint us.

Panoramic view of Paris from a viewpoint, featuring the skyline and the Tour Maine-Montparnasse in the distance. Of course, it didn’t end there. More to see, more to discover. Along the narrow streets, artists sat with their easels. They were around the closely spaced cafes. The artists at Place du Tertre2 waited for the object.
Some wanted to be painted, and some could smell the food from nearby restaurants. We didn’t find Amelie3 either, but we didn’t expect that. She probably had other things to do that day ;)With new information and discoveries, we continued to move upwards. Nothing without the lock, as the key to where we were going.

Along the railings on the grand staircase at the great cathedral, everything goes into a lock. The Basilica of Sacrรฉ-Cลur de Montmartre stands behind us as a silhouette. We move our eyes along the view of the city. High up, we stand, and on the horizon, the 210-metre (689 ft) Tour Maine-Montparnasse rises high from the landscape.
Perhaps we stood at the highest point of the 18th arrondissement. We looked at the road, searching for traces of where we had just walked. That was how we got to this place. But that was just a parenthesis in the whole thing.
There was not much left to see and discover that day. Back in the 9th arrondissement, we walked along boulevards. After enjoying a late dinner at a standard restaurant, we landed on the hotel balcony. We caught the night lights of the city.
ยฉ Bjรถrn Blomqvist 2024-06-16
- Moulin Rouge is an entertainment establishment at Place Blanche in Montmartre in Paris โฉ๏ธ
- A square in theย 18th arrondissement, a few streets away fromย Basilica of the Sacrรฉ Cลur. From the end of the 18th century until World War One, the whole Montmartre Boheme could be seen here: painters, songwriters and poets. โฉ๏ธ
- Refers to the classic film Amelie from Montmartre (Le Fabuleux Destin d’Amรฉlie Poulain) – 2001 โฉ๏ธ
-
๐ฐ An Art Journey in the City of Love โ Mona Lisa’s Day

La Joconde was still waiting for me to visit her. Me and thousands of other people too. Sadly, I couldn’t visit her until later in the day. I was like a child on Christmas Eve, waiting for Santa Claus. My time will come, that say.
Earlier that day, we explored the city a bit more. An excursion with new eyes after hunting for new glasses. At the 3rd arrondissement, we found what we were looking for.ย New frames, not for me but…

…suddenly they added color to everyday life.ย Color on streets along the end of the rainbow. The treasure was there somewhere. The holy grail perhaps? ๐
With new spectacle frames procured, I prepared for my date with La Gioconda and others in the Louvre1. My expectations were like a fragrant cloud in my art historical mind. The colors of the rainbow were vivid in my memory. A line stretched outside the pyramid’s entrance, as long as the Great Wall of China.

The iconic Mona Lisa, captured within the Louvre’s walls, showcases her enigmatic smile. I could almost smell the 400-year-old tempera. Without a map or compass, we still knew where to go first. With brisk steps along the picture-covered walls of the labyrinth we barely made it through.
My date with Mona Lisa2 had begun. But not just for me. Hundreds of other people dated her. Her mysterious smile kept us at bay. Imprisoned behind tempered glass and guards everywhere – she hadn’t time for a chat.
One step forward, one back and some steps to the side. Same procedure for a while. Hands in the air and flashes everywhere. I needed a stair. Poetic lines, yes it is, but ten minutes later, the visit continued.

In room after room, painting after painting, and I could look at some of my favorite artist’s paintings. Masterpieces by: Leonardo, David, Caravaggio, Gentileschi, Titian, Rafael and many more.

Like a Formula 1 race through the history. I raced around sarcophaguses, sphinxes, Egyptian sculptures and ancient objects, everywhere. The time was running out. We reached the finish line just after the white lady in marble (Venus of Milo3) said to us, “welcome back”.
– Yes of course, I’ll be back, soon. One day wasn’t enough. We needed more time! The 4th day in the city of love culminated in a date with Mona Lisa. It ended in the Carousel Garden. The next day had more to offer. I promise!
…to be continued
ยฉ Bjรถrn Blomqvist 2024-04-29
- The largest national museum in France. Founded in 1793 and located in the 1st arrondissement of Paris. โฉ๏ธ
- Mona Lisa (1503 – oil on panel) is the Renaissance artist Leonardo da Vinci’s most famous portrait of, according to tradition, the Florentine Lisa Gherardini, above all known for her mysterious smile. Louvre (since 1797). โฉ๏ธ
- Anย ancient Greekย marble sculpture that was created during theย Hellenisticย period. Between 160 and 110 BC. โฉ๏ธ
-
๐ฏ An Art Journey in the City of Love – Impressions Day

Fifty years plus one day – An early morning filled with excitement, all the way to the top. The day after and the day to see them. All artworks I’ve watched in books and read about, but not seen in real life – wow.
After a French, well-tasted breakfast at the hotel, we entered the metro, just outside the hotel. Through stations to an old station! After a couple of stations, we were home. Home of the impressionists’ house of artworks – Musรฉe d’Orsay.
Musรฉe d’Orsay is an art museum, inaugurated in 1886. Located in the 7th arrondissement. It’s a former railway station named Gare d’Orsay. The station was built in Beaux-Arts architecture between 1898 and 1900.

Jean-Franรงois Millet’s ‘The Gleaners’ (1857), showcasing peasant women gathering leftover grains in a rural landscape. The queue of expectant visitors wound like a long train outside the station. Rising impressions like braking locomotives. Inside the walls, my expectations would be answered by oil on canvas and impressionists in a row on the walls.
Blocks had colored sections from red to green and grey. They resembled the colored room we entered in Versailles the day before. These sections were filled with artworks by the most famous artists in the mid-17th century. They featured these artworks instead of furniture from the baroque era.
To me, I felt like a child in a candy store. My favorite artists made my day. Artists like Van Gogh, Rodin, Gauguin, Renoir, Monet, and Jean-Franรงois Millet’s The Gleaners (1857) brought me joy.

Vincent van Gogh’s ‘The Bedroom’ (1889) is a vibrant depiction of the artist’s personal sanctuary. It showcases his unique use of color and form. From side to side, we walked and looked closer at every painting. We turned around a Rodin after a Rodin. Some of his artworks (statues) were like rounding marks to the next section. Sad maybe but I’ll get to him later – another day.
More than one hour on floor one, and hungry for more – heading for The main course. Up two floors, by stairs on heavy feet to the most important part of the museum. The Impressionists – worth seeing. One painting caught our attention even more, but not only ours attention.
A large gathering of people in front of a painting we all know. With tears in my eyes, tears of happiness, I finally got to see it. Van Gogh’s – The Bedroom (1889). There were many more artworks from him. There was another artwork from one of my favorite artists. It was Pierre-Auguste Renoir’s Bal du moulin de la Galette (1876) ๐.

Entrance to the Jardin des Plantes, a historic botanical garden and zoo in Paris. After four hours at The Musรฉe d’Orsay, we were so satisfied that the visit could be done once more. I had a hard time leaving Vincent behind me. I remember how long time I spent writing a script for a lecture about him at the university. It was around 2006, I think. 17 years ago “wow”.
From Monet’s garden on canvas, the day was changed to a walk in a real garden. Good food and French wine turned into a visit to the Jardin des Plantes. It’s a zoo and a botanical garden, founded in 1587. Since 1794, it belongs to France’s National Museum of Natural History.
More art, lots of art and lots of history there would be. Day 3 ended. Tired but satisfied with most things, full. The next day had to come faster, as the trains at the Gare d’Orsay station did once. Tickets were booked long ago for what was coming the next day. Guess what?
…Mona Lisa’s day
ยฉ Bjรถrn Blomqvist 2024-04-03
-
๐ฎ An Art Journey in the City of Love – Birthday!
The 5th of August 2023. A new day in the city of love. A new morning and new discoveries to be made. With pre-booked tickets and a reserved table at a restaurant, we were ready for today’s explorations. It was the day I turned fifty. It felt like I had just started to walk through all the pages in all the art books. I felt like I was exploring the history books I studied at the university.
Of course, yesterday’s exploration of the City of Love heightened the excitement. It was like walking among cathedrals and tracing in the footsteps of writers. The level of excitement was eleven on a scale of ten. The pages in the books were like the uplifting air under my feet. A journey among art, history, and French cuisine continued.

Paris is illuminated at dusk. This stunning view showcases the beauty of the City of Love. The Seine reflects this enchanting scene. I took a slow walk through the books in my head. I was like a hungry animal hunting for the best the city can give. Versailles and Le Nรดtre’s gardens, I blogged about twelve years ago (in Swedish). Trรคdgรฅrdskonst och tvรฅ kungliga slott, was the first historical and archaeological stop on my 50th birthday. What else I wish for on my birthday?
First of all, there were so many rooms to pass. There were different colors on the walls for different rooms in a row. It felt like walking in and out of a paint box. Then it was nice to wander indoors while the rain fell outside The Palace of Versailles1. And there would be more.

The stunning exterior of the Palace of Versailles surrounded by beautifully manicured gardens, showcasing the grandeur of French architecture. We go through room after room and decoration after decoration. This journey leads us to the most important place in the castle: The Hall of Mirrors. Hundreds of people and the double if I’m counting the reflections in the mirrors. The Hall of Mirrors was built in 1678. At that time, the castle was the king’s residence. It is mentioned in Marie Antoinette’s diary.

The exquisite interior of the Hall of Mirrors in the Palace of Versailles, showcasing its stunning architecture and ornate chandeliers. Andrรฉ Le Nรดtre, Louis XIV, Napoleon, Marie Antoinette and among others, lingered like an invisible smoke around the visitors.
Hungry, of course, but now for food. We had already reserved a table at ORE Ducasse at the Palace of Versailles. What did French cuisine have to offer? Fish dishes with white wine from the Loire Valley would satisfy our appetites. Grilled salmon and vegetables with bรฉarnaise sauceโan unusual combination. But the wine was good.

The beautifully manicured gardens of Versailles, showcasing intricate landscaping under a cloudy sky. Unlike the Italian restaurant yesterday, with nice staff and good service, it was more confusing when we got to ORE. The restaurant is in the name of Alain Ducasse, which holds three stars in the Michelin Guide. I had higher expectations. But something else uncorked that day: the sky. The rain fell like poured wine almost all day.
If there has to be a sun, it’s the sunshine from the Sun Kingโs aura. We took a long walk in the gardens. We listened to the sound of the rain. The falling water wasnโt for us. It was above and in the garden lakes for the gardens of Versailles that day.

The illuminated Eiffel Tower at night, a symbol of romance in the City of Love. A castle is filled with hundreds of rooms. It also has a garden that never ends. It was replaced by another spectacular monument later that day. It lefts all the historical characters behind us. A trip by train back to Montparnasse and then the metro to 7th arrondissement.
The Eiffel Tower2, of course. The goal was a glass of champagne, 330 meters (1,083 ft) in the air. However, the weather gods wanted something else. The top floor has to be closed for safety reasons. To travel in a packed elevator up to the second floor was high enough for me. I couldnโt look down without getting a little dizzy. But instead, I had someoneโs eyes to stare deeply into. Itโs the City of Love – remember!
One tower, two perspectives. My 50th birthday came to its end in the moment of darkness. There was no rain but it was a windy night. We looked out in the name of love. We looked up and tried to look down in all directions.

A captivating view from beneath the Eiffel Tower, showcasing its intricate ironwork against a blue sky. A tired tower never sleeps, even as the heavy wind tried to lull it to sleep. For 4 minutes every hour, the tower flashed as a welcome beacon.โ Welcome to the City of Loveโ. What if or how it could have happened, must the best place to be at, be just under the tower? Only look up. Itโs a rectangular piece of metal and thousands of pieces of iron.
With hungry stomachs and weary feet, we made our way back to the hotel. It was too late to eat and too late to have fun. The hotel, located near Boulevard Saint-Germain in the 5th arrondissement (the Latin Quarter), became our savior.
The next day brought new adventures and an even greater hunger for exploration in the City of Love.
To be continuedโฆ
ยฉ Bjรถrn Blomqvist 2023-10-31
- The Palace of Versailles was a royal palace from 1682 to 1789. It had a significant impact on French architecture, art, and also on Europe as a whole. So I got my battery of history and architecture charged โฉ๏ธ
- The Tower is named after the engineer Gustave Eiffel, whose company designed and built the tower from 1887 to 1889. The local nickname of the tower is โLa dame de ferโ (French for โIron Ladyโ) โฉ๏ธ
-
๐ญ An Art Journey in the City of Love – Writers’ Day
The 4th of August – on a plane. It was a red and white Boeing 737-800 from Norwegian. My excitement rose as high as the plane took off. I spent two expectant hours in the air between Stockholm and Paris. The landing at Charles de Gaulle Airport was calm and soft. My feet touched the ground in France for the 5th time. I have visited Languedoc, Provence-Alpes-Cรดte d’Azur twice. I also visited Normandy before. This time, the day before my 50th birthday, I was in the City of Love. A week to remember!

A welcoming mural saying ‘Paris Vous Aime’ captures the essence of love and excitement upon arriving in Paris. Who loves me? Of course, the city loves me “Paris Vous Aime”? The train station is near the airport. This is akin to Stockholm Arlanda Airport. You reach the airport from Central station by Arlanda Express. The 50 minute-trip had to come. Already at the airport, I could smell the scent of Paris. It was the scent of love and flavors from French cuisine. Exactly what I’ve expected and I was ready for more.
From 30 000 feet in the air to the underground, the train stopped at one of the metro stations. We was lucky that the train could stop on one of metro’s stations close to where we would be staying.

A view of the iconic Notre Dame Cathedral. It is currently under renovation. The cathedral showcases its stunning architecture against a blue sky in Paris. Time to ascend to ground level again. With heavy bags and by easy steps up to the street. And… look what I’ve found. A well-recognized cathedral. I dropped the bag and with a hunchback and a slanting gaze, I saw it straight away – Notre Dame1. Unfortunately, the cathedral was not open for visits, as it is still being renovated after the fire in 2019.
From having studied the cathedral’s architecture through university literature, it was an uplifting moment to see it in real life. I remember the difficult exam I was given on what characterizes different styles of architecture. I now experienced and felt my love for architecture, art, and everything French. This experience showed its impact for the rest of the week.

Aerial view showcasing the ongoing restoration works at Notre Dame Cathedral, Paris, summer 2021. Maybe somewhere up in the tower, he stands – the one who will ring the bells. Quasimodo, where are you? The character from “The Hunchback of Notre-Dame,” you know. Maybe he wasn’t there that time. Couldn’t hear any sounds from the bells. An inner voice instead shouted “Esmeralda! Esmeralda, where are you!” Better to seek out the author behind the story. He must be somewhere in the city?
We ate pizza at an Italian restaurant on Rue de Pontoise before we landed at the hotel. We were two out-of-town tourists in one of the world’s most beautiful cities. It was good food, and both the staff and service were very nice! Near the restaurant, on Bd Saint-Germain, we found our hotel – ready for new adventures in the City of Love.

The Panthรฉon in Paris, showcasing its stunning neoclassical architecture and iconic columns. Yes, I was ready to hunt for art, architecture, and many cultural experiences. The first day seemed to be a walk in the footsteps of the churches and cathedrals. He who wrote The Hunchback of Notre-Dame, as I mentioned earlier – we found him. In the Panthรฉon, we found him and many other famous people.
The Panthรฉon2 with its neoclassical architecture is easy to see. Columns, a dome, and classical Corinthian capitals with an ancient look. Among all the buried writers in the Panthรฉon, Rousseau himself stands as a statue outside the building.

Statue of J.J. Rousseau, a renowned philosopher and writer, located in a vibrant Parisian square. The journey continued on foot. Further cathedrals and churches were in focus, but mainly in the tracks of the authors. This time, a contemporary writer – Dan Brown. In 1646, the Roman Catholic Church of Saint-Sulpice was founded. The church is perhaps best known from the book The Da Vinci Code by Dan Brown. Robert Langdon was there, and now so am I.
My research areas from university are in the same field as the character Professor Robert Langdon. My master’s thesis is an in-depth study of heraldry and club badges. Likewise, my bachelor’s thesis is on church architecture and religious symbols.
On this particular day, there was a service, so we had to sneak in and look around in silence. I hope the beggar was happy. He was sitting on the steps of the church. He got a few euros from us.

The Church of Saint-Sulpice, known for its neoclassical architecture and connections to literature, captured in the heart of Paris. A long first day in the city of love gave me many impressions. I felt as if I were walking through the world of books and felt close to the authors. In the next episode of the journey in the City of Love, the architecture will continue to be important. This is mainly from a historical perspective and also for birthday celebrations.
Finally, a walk to the hotel on Bd Saint-Germain – same street and close to Cafรฉ de Flore…
To be continuedโฆ
ยฉ Bjรถrn Blomqvist 2023-10-28
- Built between 1163 and 1345 and designed by Maurice de Sully. A magnificent example of French Gothic architecture (1140-1500) โฉ๏ธ
- The Panthรฉon was built in 1758 according to Jacques-Germain Soufflotโs designs. It was originally a church dedicated to Saint Genevieve of Paris. Since the French Revolution, it has been used as a mausoleum. Many prominent French citizens, including Voltaire, Jean-Jacques Rousseau, Emile Zola, Victor Hugo, Jean Moulin, and Marie Curie, are buried there โฉ๏ธ
-
From Flower to Canvas – A Colorful Journey of Poetry
Heading down to the ground
in a city full of art
Look what I found
when I followed the heartBoats, side by side,
day and night
Perhaps, nothing to hide
until it’s lightThe Amstel’s town,
a nobel royal place
a man with a crown
on his head some daysClose to the royal square
I lived and walked
Beautiful houses everywhere
I went and talkedA new day, many things
to explore and smell
Tulips and other kings
have something to tellIn a garden, on the wall
painted, grown in yellow
The master hasn’t to fall
in pieces like a fellowยฉ Bjรถrn Blomqvist 2023-06-18
-
The Path toโฆ

Cold as the night’s breeze
when the heart has a choice
Two ways through the trees
cuts the emotional voice
Snowy, white and clear
and a path, so smartโฆ
โฆat last
A walk out of the fear
by the echo of the heartยฉ๏ธ Bjรถrn Blomqvist 2023-03-28
-
Hรฅlla tillbaka
Skalet pรฅ frukten
รคr vad du ser och
doften du andasFรคrgen pรฅ skalet
รคr vad du ser och
intrycket du fรฅrSaften av mognad
รคr vad du tror och
frestelsen jag gerKraften i smaken
รคr vad du vet och
tuggan jag tarยฉ๏ธBjรถrn Blomqvist 2023-03-22
-
Sรถmnlรถs
Jag skulle skriva dikt idag
och skriva pรฅ min bok,
men vaknade mitt i natten
som ett socialt vrak pรฅ
botten av en uttorkad sjรถ
Jag skulle fรฅnga dagen
och njuta av stunden,
men vaknade mitt i natten
som ett vissnande lรถv i
det djupaste mรถrker av tomhetยฉ Bjรถrn Blomqvist 2023-02-06
-
Rumourโs Game
A vacuum, equally hollow like the rumours I hear Be calm but don't follow like the greatest fear On my knees, I'm standing until the truth is revealed Soon, it comes to a landing until my lips are sealed ยฉ Bjรถrn Blomqvist 2022-12-09
-
Ensamheten
En ensam fรฅgel
i den starkaste vind
som biter i din kind
En ensam plats
i ett avfolkat land
som i รถknens sand
En ensam kรคnsla
i ett bultande brรถst
som en lรคngtans trรถst
En ensam grubblare
i ett bottenlรถst grepp
som ett sjunket skepp
ยฉ Bjรถrn Blomqvist 2022-12-03
-
Mood Status
A sensitive soul
in a fragile body
A house of cards
falls with the jokers
through the mound
who cries at nightยฉ Bjรถrn Blomqvist 2022-11-24
-
Shards…
The cracks of the mirror
in the clearest waters,
travel with the speed of
the waves from an invisible
storm, straight through
my shaky bodyThe veins on the surface,
are splashing at the rocks
in my eyes when the
sun’s rays shine against
the delicate layers
of my thin skinยฉ Bjรถrn Blomqvist 2022-11-14
-
Temptation’s Curiosity
A pinch of questions
lies in a pot when the heat
rests, deep in the
freezer's box of answers.
Ingredients fall to the floor,
such as love, frustration
and a spicy mix, made by
temptation'sย curiosity.ยฉ Bjรถrn Blomqvist 2022-10-22
-
Shaped Emotionsโฆ
On a spot in the shadow, I’m standing
alone, empty and filled of silence
Behind the flames by fears, I’m landing
untouched, humbled and out of violenceยฉ Bjรถrn Blomqvist 2022-10-11
-
Sail by Love
The ocean, a place of love
that flows on the emotional wavesYour heart opens up to sail
in a boat through all loving windsThe sea water splashes around
on you, to cold the sexual heatMy coast, is in the arms
of everything you sailed forโฆโฆin the end of an armada of love
ยฉ Bjรถrn Blomqvist 2022-08-28
-
Eyes to the Ceiling
A surface, white as the sheets,
dry and high above your wet body,
reflecting the softness in your skin.
Two heads on a pillow and
shiny eyes to the ceiling,
brings the blanket to the floor.
An act of love without audience,
in a room filled of emotions,
opens the window to an eternity.
ยฉ Bjรถrn Blomqvist 2022-08-01
-
Unstoppable
At night, in sleep, on a sheet
Hiding, beyond the dark
In a row, huge like a fleet,
carved, deep in the barqueChimaeras sleep at night
Real ghosts aren’t dead
At day, they have a fight,
mostly here, in my headยฉ Bjรถrn Blomqvist 2022-06-12
-
The Mirror in my Pocket
Two sides in a reflection of
pictures to delete
You and I, or both of us,
but only pieces of meDeep in my pocket,
broken and not complete
Who am I, what can I see,
or who could it beMy eyes dance alone
on the mirror’s frame
in slow motions to the
melody of broken glassLost in a cracked surface,
life picture isn’t the same
In between lies the hope,
leaved in the pile of massยฉ Bjรถrn Blomqvist 2022-05-21
-
Sound of a Sunset
Evening sparrows fill the night
with tones, played on the leafs
Calm winds give bubbles
in aย tiny puddle on the ground
The shadows sleep on the clouds
in a dream of a snoring sunยฉ Bjรถrn Blomqvist 2022-05-01
-
Maybe…
...there're days by the field, from morning to the night It's a hard work to do,ย heavy duty without a fight There're sweat and tears,ย from the sun to the moon Early start, nothing to say, only an hour to the noon Thereโre lives underground,ย from the plant to the grape Cold water fills the throat,ย to shine, live and get in shape ยฉ Bjรถrn Blomqvist 2022-03-30
-
Too much
๐ผ
Grabbing a glass of beer,
to the sound of a country song
Singing alone my dear,
for being your love, all night longFills my life by the barrel tap,
when the body turns to dry
Starts my engine after a nap,
when it lives and don’t dieHoping to find what I hear,
in a life from bar to bar
Dancing alone my dear,
for being gone, not too farFills my life by the barrel tap,
when the body turns to dry
Starts my engine after a nap,
when it lives and don’t dieShaking the hips and the bone,
to the sound from the strings
Changes words on every tone,
for playing to it springsFills my life by the barrel tap,
when the body turns to dry
Starts my engine after a nap,
when it lives and don’t die๐ผ
ยฉ Bjรถrn Blomqvist 2022-03-26
-
Cat a strophe
In the mood as a disasterย
Lies my will on the floorย
Untouched among catsย
Miles from the outer doorAlone in the rocking chair
Rests my lust under the rails
Sanded to gravel ofย stone
When worries cuts the nailsยฉ Bjรถrn Blomqvist 2022-03-14
-
No no no…
Every night I’m squeezing
my pillow, hard and harder,
until I fall asleep, heavilyEvery hours of sleep,
at night, is the nightmare
still alive, still besideEvery morning I wake up,
sad, scared and alive, but
lives next to a nightmareSweet dreams needs to
fill my pillow every day
and every moment……please
ยฉ Bjรถrn Blomqvist 2022-03-03
-
Trust
In this place,
on this earth,
there is a meaning,
at least mineI try to explore my
inner with tools
I don’t have or
which one to useWhat’s in my toolbox?
To trust my choices
and opportunities,
places the horizon
ever further awayI can’t see it but
I can feel it when
I’m resting my brain
on my invisible pillowยฉ Bjรถrn Blomqvist 2022-02-22
-
Through the Eyes

Kindness in the speed of the light
gets through the gaze of the dark
Emptiness in the need of the night
gets through the face of the larkยฉ Bjรถrn Blomqvist 2022-02-09
-
Under the Stars
Somewhere, high above
shines a star on my half-
hearted mission of being
the best version of meIn between, rests a destiny,
heavy on the clouds under
the stars, to lay my star,
softly and warm in my handBelow, under my feet
shakes the ground in time
with my heartbeats, loudly
so you can hear me singยฉ Bjรถrn Blomqvist 2022-02-02
-
Shared Momentsย
I just borrowed the sun
that shines in your eyes,
to dry my lonely tearsI walked by the path
you have in your heart,
to share my momentsI sailed by the wind
in your broken mind,
to lighten my anchorI caught the sky
you sent down to me,
to open my soulยฉ Bjรถrn Blomqvist 2022-01-16
-
Speakableโฆ
On a bench, a painted word
drops down on a leaf
By a leaf, a silent touch
lifts an eye above the head
Inside a head, a good thought
spinning to slips aside
One step aside, a bad
feeling bouncing in the chest
Deep inside the chest, a new word
waiting to paint a heart
Stuck in a heart, a painted letter
still rest on a benchยฉ๏ธ Bjรถrn Blomqvist 2022-01-09
-
In Bloom…
๐ฅ The Flower like Me ๐ป
From a crack in the street, grew a flower with the aim of eternal life.
The asphalt that covered playgrounds and cycling paths was surrounded
by concrete houses. He grew up beyond all the fine flower arrangements and
the road was never straight. The road that led him onward was crooked
and lined with obstacles and resistance.The acquisition, which was governed by inheritance and obligation, was
the predetermined course. Nothing went as wrong as the credible thesis
– a theory failed. With death as a close visitor, the life got a second chance.
The plant, once an asphalt flower, became a victim after a deadly journey under a vehicle. Yet, it rose against all odds.From a course change to discourse in the academic flower box, new seeds
where spread. Nectar that has always been there, was suffocated due to
uncertainty. The survivor of the working-class society became a conqueror of
dual bachelor’s degree. The conquest is unique in the collection of familiar
flowers.Dramatized acting on stage became plant nutrient to the root. The strength
of memorizing the words in the script, became the flower’s power on the stage.
Predisposition for artistic analysis is the strength that strengthens the stem.
Water and sun are mixed with culture that breathes over the leaves.The pot of poetry
will be filled to the brim
with hungry poems
to feed a starving poet.Words and emotions
are fed with stanzas
and verses from the
middle of the soul.The damaged flower
survived a serious
car accident, this day
41 years ago……and he is still in bloom.
ยฉ Bjรถrn Blomqvist 2022-01-07
-
Fighting the truth
The uncertainty in my eyes
hides the knowledge I have
My mind is in control of the
words you hear but not feelThe speech in my voice
is another bite on my lips
An incision along my tongue is
a choice to swallow my prideBeside us in another direction
boils the letters to a new
reality you own when you talk
but I’m only listen to myselfIn between faces of altercation
grows all we don’t see but
only hear it as bouncing eco
from hearts to a fight of the truthยฉ Bjรถrn Blomqvist 2022-01-02
-
A Path to Something New?

I have been there before, near an open end when all choices are hidden in the trees. I followed the same path firmly in the opposite direction, when a line was drawn under the ground of eternity. Beyond the light, far from all coincidences, a wisdom grew deep beneath the heap. I dug a ditch to finding a hope instead of plow forward in the right direction. In the end, I was on the same spot to look up, to stare down and be dazzled by the light in the front – out of conclusions.
ยฉ Bjรถrn Blomqvist 2022-01-01
-
Complexity
It’s a complex world,
full of bubbles in a bubble
One wants out, the other
still making trouble
All feelings in a dense
forest, waiting for the rain
The sun shines when the lust
is in the moss to feel the pain
Down the mountain goes
a lucky road from the top
From a hope to a jump out
shakes the ground without a stop
ยฉ๏ธ Bjรถrn Blomqvist 2021-12-30
-
Uncomfortable
Am I too nice
to be hard
when the world
turns upside down?
Am I too afraid
to show my sensitivity
when other spins
the earth backwards?
Am I too weak
to be strong
in a weightless universe,
empty of content?
to be a number
Am I too difficult
when my genius
sleeps on the moon?
ยฉ๏ธ Bjรถrn Blomqvist 2021-12-27
-
Often, too Often, I Thinkโฆ?
What if, What if
The voice in my head
Unwanted, out of controlI sink, I sink
I’m don’t act, I reactWhat if, What if
It lives in my head
Often, out of reachI fall, I fall
Down, often downยฉ๏ธ Bjรถrn Blomqvist 2021-12-27
-
Window Mode
Since 2012, I have written 299 poems, and this will be the 300th. Whatโs out there and whatโs in here is an interpretation of my poetry. It has constantly moved from my inner feelings to beautiful and enlightening things I have seen outside and around me. It has and will be a journey between the light and the darkness. But in between, there’s a force so strong. In the best moments, it can move the mountains. These mountains are a part of the roller coaster in my life.
So this is my 300th poem
A tiny light, surrounds
by the darkness, I feel
Crushed life that sounds
when emotions are real
Rays of the sun, walks
in a motion, so bright
Color of sensitive talks
paints my hope, by night
A feeling of calm, plays
alone when you can't see
An inner fight in days,
a personal war for me
All bricks in the wall, sings
a capella for deaf ears
Dare to look, touch things,
doing it, without fears
ยฉ Bjรถrn Blomqvist 2021-12-20
-
Between Grief and Grapes
Barrels full of tears in a sad patrol, rest to store fears in rows, surrounded by it’s enemies in oak uniforms. Red wine in the color of spilled blood, survived the battle between the grief and the grapes. In frontline with shields, thin like the shells of the grapes, a bloodline is the line behind the enemy. The infantry still standing on the feet of the wine glasses, ready to fight for what they crying for. Deep down in a wine cellar, far from the sunlight, lies a grief, alone and missed by the survivors who refusing to leave them for the next harvest.
ยฉ Bjรถrn Blomqvist 2021-12-15
-
Along the Road
Step by step on a forgiving road, ย
a walk alone
Heavy rain falls from the fog,ย
a day to rememberย
Going back for a moment,ย
a memory on a stoneย
Lights in the night on a shining mind,ย
a day in novemberย
Tone after tone of a surviving song, ย
a mystery voiceย
Heavy clouds push me down,ย
an emotional fight
Climbs up through the haze,ย
havenโt a choice
Strength in the body on a rising soul,ย
to catch whatโs rightย
ยฉ Bjรถrn Blomqvist 2021-12-12
-
Thoughts in the Snow

Being alone in a quiet place,ย
by winter’s time in the bay.ย
Seeing snow far from space,ย
near home, a beautiful day.Finding a sound of a wave,ย
to come and cover a stone.ย ย
Looking for moments to save,ย
when wordsย are being alone.
ย ย
ยฉ Bjรถrn Blomqvist 2021-12-04
-
Untouched Dots…
I don’t know, but I think Iโฆ
feel that, the worst, but Iโฆ
donโt know if itโs true, if Iโฆ
can’t haveย a clue, when I…
think on it, untouched…ยฉ Bjรถrn Blomqvist 2021-12-03
-
In the land of Anxiety
In the land of anxiety,ย
at a port in tears
rest the ships,ย
close to the cranesย
In the land of anxiety,ย
on a airport of fears
sits the worries,ย
inside the planesIn the land of anxiety,ย
on a lake of scars,
dies the pain,
fixed on the hook
In the land of anxiety,
under the stars,
stands the anger,
to get a lookยยฉ Bjรถrn Blomqvist 2021-10-14
-
To hold back
A moment to explode or,
an accidental piece of shyness,
can't get it in bloom, all you want,
the will, the most lovable feeling,
inside a bubble that you can't crack,
because the fear is a thick skin on
an equally thick layer of shyness...
...why?
ยฉ Bjรถrn Blomqvuรญst 2021-09-20
-
Captured
Inside, like air of a balloon
by thin shelter of thoughtfulness
stands a man in a comfort zone,
sad with lack of happiness.
Stuck, as flies in the spider’s net
lies a hug all alone, miles away,
captured by thoughts to regret,
now or later, mostly yesterday.ยฉ Bjรถrn Blomqvist 2021-09-15
-
Silver Roses
Color doesn’t matterย
by the end of the rainbow
when roses grow,ย by love,
but dieย by the waterfall,
in meanwhile all the
golden flowers buildย
a road along a silver field,
full of roses to walk on,
for you, only for you…ยยฉ Bjรถrn Blomqvist 2021-08-31
-
Unstoppable
Filled by fire,ย
a monster of a kind,ย
what happened,ย
what is it to find.ยTo feed, to grow,ย
like a big worry,
what is it, what
makes me sorry?Bad thoughts,ย
an anxiety to fight,
what happened,ย
there’s no light.To feed, to growย
like a big ball,
what is it, whatย
makes me fall?ยฉ Bjรถrn Blomqvist 2021-08-14
-
Body boiling pressure
Uncut thoughts are filled to the top
all the way down through my body
Unresolved issues run non stop,
to pump my veins, hard and bloody
Unwanted information, in a war room
between my chest and my brain
Unpolished madness on moon
a monster to makes me insane
Unidentified emotions are still left
when the pressure begins to rise
Undesirable reactions are a theft
full of explosive hatred as the prize
ยฉ Bjรถrn Blomqvist 2021-06-22
-
The life longย battle – Part 2
Sometimes a small light in a tunnel, a winterโs day. Twenty four hours by eighteen with darkness. Only a memory flashes by. A moment as a traveler in a wheelchair along dark culverts – heading for the goal. Searching for the light and a new step for a life at home again.
What happened before and after is a mystery? A detective work. His journey was close to death. The ruler reduced the distance between the car and the ground to just one centimeter. The one who separated life from death.
To be home was a start to win it back, the lost moments he doesn’t have or not to remembered. Only he could felt the presence of the guardian angels, that moment. As an echo in the block, all rumors of his death, was more fake as death of the civilization. It lives, and he too.
The specific relevant content for this demand, if necessary, delimited with characters: Short steps ahead became a fight. Thoughts and decisions from people dictated the path. They had more to say about the boy’s future. Wounded both on the inside and physically on the outside, all obstacles became higher and all roads even longer.
The corrected content, still delimited with the existing Markdown syntax, looks like this:
He is back on his feet. He is not interested in jumping faster ahead. His eyesight is a minor obstacle. Could the future be blind? He has full sight in one eye. He only has ten percent vision in the other due to scars from the accident. This made all shortcuts in life seem far away.What could he do later and why did he have to start over the third grade, again? Did he have enough power to start over? Could he build a future with what it takes to succeed as a human?
ยฉ Bjรถrn “Blomman” Blomqvist 2021-06-20
-
Fragile II
Today, my existence,
words on a stone
Tomorrow, my voice,
a tool in your hand
Yesterday, my future,
was written in the sand
Someday, my destiny,
leaves me alone
ยฉ๏ธ Bjรถrn Blomqvist 2021-06-03
-
Stop thinking – Start living?

What if
It happens
Now or later
What if
It’s going to happen
Then or tomorrow
What if
I’m crazy
Orโฆยฉ Bjรถrn Blomqvist 2021-05-21
-
Words to picture
One word, one person, a frame
Two words, two colors, a contour
More words, many motifs, one picture
One voice, one listener, one opinion
Two voices, two people, one talk
A lot of repeats, huge mistakes, one chance
โฆwho am I, to judge? No answer
ยฉ Bjรถrn Blomqvist 2021-05-17
-
The life long battle
A winterโs day in January 1981. One place, boys and a lot of guardian angels. Ice-cold snow by the road, as walls in a war. A road covered by ice, smooth like a mirror. Thereโs a line between the goal and the destiny. The mission, a journey between joy and an adventure made for children.
When an icy road has a duty to deliver, he didnโt make his task in the playable battle. It could have been his last moment. The guardian angels were on duty that day. They saved the boy’s life.
A car, fast as a shark, swallows him in one bite. Invisible friction between ice and tires hadn’t a chance. It could even be the last day to dance. In a moment, he was gone, gone everywhere. In his head and visually down the road. No snow banks couldn’t stop it, no brakes, and an impossible task missed to do what it has to do.
The distance was half of a ruler. Down under a car, the boy was dragged. This continued until the vehicle stopped. How long, they didnโt know, but in the end, the boy was out of consciousness. All rumors were many, but the guardian angels had the upper hand that day.
Was he dead? Where’s he now? Why did the boy end up under the car? Why wasn’t he thrown aside by the incredible force the car had to get rid of? Who is he? There were questions all over. The guardian angels couldn’t answer them. The boy, half dead, flew side by side with the angels. They traveled across the clouds to land softly on the roof of the capital city’s biggest hospital.
Lucky to be alive, the boy came home after a while. The look in others’ eyes surprised him. With the help of the guardian angels, he won the war. It was the battle of death and the future. With scars deep inside and visible ones on the outside, he still trusts the future and always trusts his angels.
The last thing he does now is to end this short episode. He hopes to win a new battle every day. The fight against anxiety and the war against his low self-esteem. Obstacles along the way have always been there.
Soon a new obstacle to be defeated.
โฆto be continued
Based on a true story
ยฉ Bjรถrn Blomqvist 2021-05-14
-
Nรคr det blir felโฆ
โฆvill fรถrsvinna fรถr en stund
eller bara fรฅ vara osynligย
pรฅ obegrรคnsad tid i rymden
eller dรคr ingen letar, ditย
ingen kommer, dรคr karta
och kompass inte finnsโฆย
ยฉ๏ธ Bjรถrn Blomqvist 2021-05-14ย
-
Inner War
In a selfmade war, I’m standing
when my anxiety’s bombs are landingย
and smashes me in piecesย
that never will be foundย
when my thoughts in my headย
goes around and aroundย
to struggle and fightย
when my emotions fall apartย
by night, in the duvet’s entrenchmentย
and I mediate for peaceย
in my brain, captured by sense,
tied in a chain…ยฉ Bjรถrn Blomqvist 2021-05-09
-
Tvรคra kast
Som fรฅglar runt hjรคrnboetย
landar kรคnslorna mjuktย
i brรถstet nรคr allt omkringย
รคr osynligt,ย men nรคraย
som om det inte fanns, igรฅr.Som en vind frรฅn ingenstansย
virvlar tankarna som enย
getingsvรคrm i hjรคrnboetย
tills allt faller till marken,ย
hรฅrt, dagen efter.ยฉ Bjรถrn Blomqvist 2021-04-29
-
Traffic light life ๐ฆ
behind the glass, under the surface,
colored in red, green and yellow
lives emotions, in heavy traffic of
love and passion, together
in the youth of the nature, resting
under the golden light of the sun
ยฉ Bjรถrn Blomqvist 2021-04-14
-
Obscure Spring Poem
The warmest star in our solar system
is awake longer and longer,
as far as the distance between
my thoughts and the darkness
down my soul, to catch
a moment to touch
when nothing exists in the blood
under the skin in my veins,
when flowers grow fast
above land to drink water
from my body of dry emotions
and drunken leaves full
of anger on a highway to
the sun and backโฆ
ยฉ Bjรถrn Blomqvist 2021-04-01
-
Contrasts
When the earthย
spins aroundย
in circles
You are the sunย
Iโm the moon
When the worldย
turns over
upside down
You are the God
I’m the devil
When universe
stays strong
to surviveย
You are the stars
I’m the chaos
When the rainbow
ends somewhereย
close to us
You are wise
Iโm the searcher
ยฉ Bjรถrn Blomqvist 2021-03-30โฉโฉ
-
The Motif ๐จ
A moment,
a walk on the clouds
when all stars
captures your emotionsA moment,
a life within the framework
when all colors
stays in your mindA moment,
a life inside the painting
when all artists
paints your happinessA moment,
a walk on the sun
when all paintbrushes
creates your beautyยฉ Bjรถrn Blomqvist 2021-03-11
-
Shadow by Truth
Who cries by your side,ย when lies are what you hide Who walks on your mind,ย when talks stays behindย
Who fights in your head,ย when the lights is dead Who fears what you say, when tears fills the day
Who wins in your game,ย when twins looks the same Who trust your story,ย when you must be sorry
ยฉ Bjรถrn Blomqvist 2021-02-24
-
Better mood
Lightness lifts my soul from the ground when an invisible force keeps my mind alive
A silent moment spinns my body around when the good mood don’t want to dive
ยฉ Bjรถrn Blomqvist 2021-02-14
-
Wrong sense
By train, full of emotions
on a railway, made of thoughts,
vibrates my fears
from side to side
By air, loss of lifes,
in a sky, made of mistakes,
falls my mind
from the cloud to the ground
By boat, empty of happiness
on a sea, made of tears,
sinking my destiny
to the bottonยฉ๏ธ Bjรถrn Blomqvist 2021-02-13
-
Surface II
On water, by the sea of waves Surfs my anxiety through the net Unwelcome thoughts are not the saves It will cost my temper and all I bet
In days, by the pandemic with fears Swims my worries, deep down Under surface, there’re hidden tears As long as it stays, my mind will drown
Two thoughts, by a single brain Floats apart and drifts away Every day, a struggle of strain To find a healing soul to stay
Along the coast, by a broken heart Flying my torpedoes under the skin In my veins, thereโs a bloody start At a moment, the anxiety sets to spin
ยฉ Bjรถrn Blomqvist 2021-02-04
-
Pรฅ flykt…
I en vรคrld, upp och ned,
nรคr jorden รคr platt, pรฅ
kanten mot universum,
stรฅr jag och balanserar.I ett steg, snavande nรคra,
ligger det svarta hรฅlet,
framfรถr mina fรถtter, som
vรคgen bort frรฅn mig sjรคlv.ยฉ๏ธBjรถrn Blomqvist 2021-01-03
-
Why Poetry…
Somewhere in universe,
to a forgotten place.
Somewhere but close
to the outer space.There is a poetry box,
locked but filled of words,
lines and united letters,
ready to fly with the birdsDown from a dark sky,
to bounce on the stars,
comes all emotions to a poem,
landing softly on my scars.ยฉ Bjรถrn Blomqvist 2021-01-02
-
Ensamma trรคdet

Ett ensamt trรคd,
det ingen ser,
vajar i vinden,
skrattar och lerEtt ensamt trรคd,
med รคrr i barken,
ett lรถvfall i vinden,
sakta mot markenEtt ensamt trรคd,
det ingen saknar,
kรคmpar i vinden,
nรคr fรฅglar vaknarEtt ensamt trรคd,
pรฅ egna fรถtter,
dansar i vinden,
genom alla rรถtterยฉ Bjรถrn Blomqvist 2020-12-25
-
Hit by a carโฆ
My guardian angels of 1981,
were on duty to make it done.
My playful life the day before,
wasn’t ready to live anymore.My guardian angels that night,
were on duty to make it bright.
My scars the invisible tears,
weren’t ready to live on fears.My guardian angels in strife,
were on duty to save my life.
My sight the wounded head,
weren’t ready to be dead.ยฉ Bjรถrn Blomqvist 2020-12-09
-
โฎโนโถ๏ธโธโญ Corona
As the sound of a
dance song, spins
days by the fear of
a soundless virus,
played by Corona.On stage behind
chorus line, waiting
the virus to dance
through your body,
down to the floorโฆยฉ๏ธ Bjรถrn Blomqvist 2020-11-19
-
Autumn night’s love echo
Leaves are falling down to the ground
as quietly as the wind in your hair when
tears are falling down on my cheek
as hard as the rain in your hands
Stars are fighting the darkness
as easy as the love in your eyes when
words of love are written up in the sky
as the signs for heavenly loveยฉ Bjรถrn Blomqvist 2020-10-28
-
Corona’s poem
Distance is theย new normal
and my lips are sealed
in protection as formal,
when I’ve enter people’s fieldLoneliness, night and day
in our souls and hearts
when the end is far away they say,
if nothing ends before it startsClosed world open the mind
and learn what went wrong
when you searching to find
answers, weak or strongGiving up or fight, the choice
to struggle or running away
to write a poem as my voice
when nothing is left one dayยฉ Bjรถrn Blomqvist 2020-10-01
-
Droppen som…

Jag รคr droppenย
som hรคnger kvarย
i vattenkranenย
nรคr allt dras รฅtJag รคr droppenย
som faller nedย
pรฅ kanten av
orons bottenpluggJag รคr droppenย
som ligger kvarย
med tankarย
som aldrig torkarJag รคr droppenย
som vill fรถrsvinnaย
till att alltid
komma tillbakaยยฉ๏ธBjรถrn Blomqvist 2020-07-31
-
Pรฅ/Av-knappen
Jag ser den inte Jag nรฅr den inte Lรฅngt borta Lรฅngt hรคrifrรฅn En strรถm av kรคnslor En strรถmlรถs plats Dรคr finns ett slut Dรคr slutar allt som finns
ยฉ๏ธBjรถrn Blomqvist 2020-07-20
-
Unfocused
It came as a seed
to ruin my mind,
suddenly a need
to search and findIt’s back tomorrow
as a scar in my past,
dressed like a sorrow
and grows too fastItย bangs alone
still inside my head,
heavy like a stone
to hang in a threadIt’s now or never
to catch and release,
push it down forever
piece by pieceยฉ Bjรถrn Blomqvist 2020-05-30
-
Heavy
The gravitation of uncleared stuff inside my head, pulls down whole my soul to the ground, step by step.
Like a forgotten piece of paper, with unreadable notes, lies my body on the street, facing up as a worryingย kind.
A heavy truck, missing of brakes, filled with tons of dark minds too fast too late to…
…react
ยฉ๏ธ Bjรถrn Blomqvist 2020-04-29
-
OCDโs sky
An obsessive lightning,
a flash in my chest,
gathers clouds
of compulsive
darkness,
all of them
in my head,
to make thunder
during a heavyโฆยฉ๏ธ Bjรถrn Blomqvist 2020-03-18
-
Find the way
Friday afternoon โthe cleaning projectโ. Heavy rain over a worrying mind, starts to look for unsolved things to find. Lost in the world and a an empty head, awake, asleep and hundred years to be dead.
Nothing rise like the sun, an early day, when the moon of all thoughts has only dark words to say. Different ways to solve and clean, throws back the good thoughts when nothing is what it has to been.
One day Iโve to catch, look and feel the light, when the darkness is gone, easy without a fight.
ยฉ Bjรถrn Blomqvist 2019-10-25
-
Som sagt
Vet inte vart det bรคr,
en lรถs tanke
pรฅ kanten av ett molnDรคr sitter dom,
alla de hopplรถsa grodor,
min mun spottat utI kรถ, pรฅ rad att falla ned med regnet,
gnager solen
ett hรฅl i mitt brรถstDen virvelvind jag kรคnner,
en katapult av kรคnslor,
fyller oceaner……som inte finns
ยฉ๏ธBjรถrn Blomqvist 2019-08-08
-
Out of order
Empty thoughts
in the speed
of the light,struggling
out of control
in the command
of the brainBig things
are blinded
in the dark
of the night,kicking
the ghosts
in the front
of the trainยฉ Bjรถrn Blomqvist 2019-05-14
-
The Wrestler
I'm dressed, blue or red, to the struggle in my head Steps in circles, side to side, for a brainless stride Be alone, now or later, when the pain will be greater Tomorrow, day or night, to a mindful fight... ...in the darkness, out of sight
ยฉ Bjรถrn Blomqvist 2019-03-06
-
Lost in… II
Deep, deep through my soul,
the sound of a falling stone
There is a big empty hole,
around and always aloneOn and inside my boiling head,
the heat of a burning mind
Capture thoughts, alive or dead,
don’t know and what should I findยฉ Bjรถrn Blomqvist 2018-12-18
-
Sjรถrike
En strimma ljus, en sol i รถgonen
En fรคrd framรฅt, en vind i ryggen
En hjรคlpande hand, en vรฅg i aktern
En drivande kraft, en รฅra i vattnet
En bildskรถn vik, en horrisont i fjรคrran
En svalkande vind, en bรฅt i rรถrelse
En avskild plats, en brygga i sikte
ยฉ Bjรถrn Blomqvist 2018-07-29
-
Viken
Skummet yr kring den sten
jag dรถpte en sommar
Viken ligger รถppen
som den famn jag dig gav
Vรฅgorna gรถr mossan mjuk,
lika mjuk som ditt namn
En lรคtt bris bryter tystnaden,
sรฅ tyst som du var dรฅ
Regn genom solstrรฅlarna dina,
pรฅ en yta i regnbรฅgens kulรถrยฉ Bjรถrn Blomqvist 2018-02-26
-
That moment
Thereโs a poem in the air,
a poem to write by night
Letter after letter, a line,
to see, to feel and to fear
Thereโre words on the paper,
words to catch by the light,
Day after day, a house of cards,
to see, to feel and to tearยฉ Bjรถrn Blomqvist 2018-01-31
-
Fredagslabyrinten
I en labyrint vandrar mรถrkret steget fรถre
mot den utvรคg som inte finns, inte hรคr
inte dรคr heller, blรคndad av ljuset – รถverallt
Myrsteg framรฅt, eller bakรฅt? Snurra runt
Yr i bollen, ett platt fall, himlen รคr stjรคrnklar
Marken รคr vรฅt, grรคset hรถgt och ansiktet ned
Jorden snurrar och marken skakar min kropp,
fylld av halta druvor och promillesoldater
i ett (full)skaligt krig med fรถrnuft och kรคnsla
ยฉ Bjรถrn Blomqvist 2018-01-08ย
-
A nightmare world
Somewhere in my inner soul
there is a force, an unwelcome one,
whose purpose is to throw me away
from the present and put me in the future
A time shaped by all the mistakes
I have done in the course of historyยฉ Bjรถrn Blomqvist 2017-12-14
-
…an eternity journey
Now I’m standing here again,
in center of the floor, alone
Far away from the corners,
far from a helping hand – I fall
The downward speed is twice
as fast as in oposite direction
The force that pulls down the cube
is stronger than the unaviable help
It’s not me who decides,ย that’s her elevator, ย
Anxietyโs lift
In the dark, far down in the
basement among caves
Is the road to the top…
…an eternity journey
ยฉ Bjรถrn Blomqvist 2017-12-14
-
Nattens blomma ๐น
Lidelse genom dagen
som vissna blad
En blommas arma knopp,
nรคr natten gรถr en glad
ยฉ Bjรถrn Blomqvist 2017
-
Nothing of nothing
An empty space
consists of nothing
Divided in two parts
The eyes are blind
by the black surface……Hindered by hearts
One world of hope
dreams of everything
Gathered on one place
Our Globe is blind
by the darkest clouds……It still an empty space
ยฉ Bjรถrn Blomqvist 2017-11-23
-
what ends?
The end,
end of something,
something that ends
in this moment,
ends up
soon…
in a living soul,
lost of hope,
hopes to end
that moment by
something…ยฉ Bjรถrn Blomqvist 2017-11-14
-
Den som inga byxor har…
ย Himlen i en ljus nyans, ett tyg ett hav
blรฅare รคn mรถnstret om sรถmmens nav
Skuggans mรถrka kant, en fรฅll ett stygn
starkare รคn solkustens alla dygnSvetten kring midjan, en รฅtsittande hรคr
varmare รคn hjรคrtats eldiga atmosfรคr
Gylfens tajta band, en dragning i sรคnder
svagare รคn vรคrmen frรฅn dina hรคnderGrรคset mot tyget, en grรถnska sรฅ stor
grรถnare รคn den avundsjuka som gror
Ytan i ett solblekt material, en hetta
obehagligare รคn den is som lรคttarOceaner av bara ben, ett byxlรถst land
stรถrre รคn de jeans som sytts fรถr hand
Tyget sรฅ raspigt kรคnns, flรคckat av slem
mjukare รคn lรคdret om spรคnnet i en lemยฉ Bjรถrn Blomqvist 2017-08-30
-
Me versus Erwin Panofsky
In this essay, I explore my art analysis method shaped by my studies and experiences, similar to Erwin Panofsky’s approach. I connect Panofskyโs interpretation levels with my modern view on art. This text is a personal reflection and a comparison of methods, blending intuition, symbolism, and perspective.
The point is that my method is remarkably similar to Erwin Panofskyโs (1892-1968) approach to analyzing art. Today, Iโm more familiar with his theory, so I can identify similarities and some minor differences. In his method, the first step or level, which he calls โpre-iconographic,โ involves observing what you see in the picture.
My analysis method is consistent, but I add some elements. I analyze colors, lines, forms, objects, surfaces, directions, and people, as well as movements and dimensions. I focus on depth, especially with 3D. I enjoy exploring 3D, particularly in Leonardo da Vinci’s central perspective style. I also look at the texture, techniques, and materials used in the artwork.
Another task that differs from Panofsky is how I analyze exhibitions. I focus on the entire exhibition instead of individual artworks. I spend less time on each piece. I allocate more time to researching the artist.
Background research is important for the second level of Panofskyโs method, which is iconographic. This level takes more time than I have available. However, there are times when I find enough information about the artist in the gallery folder. In these cases, I do a brief background check.
Furthermore, in level 2, a key part of my analyses is finding symbols. It’s also important to understand what different elements in the artwork mean symbolically. This includes icons too. I especially like discovering hidden or misunderstood icons and symbols. My bachelorโs thesis focused on symbols and icons, while my masterโs thesis studied their significance in various artistic contexts.
In my final analysis, I’ve reached Panofsky’s third level of interpretation, which is iconological. I share my understanding of the paintingโs message and discuss my feelings and thoughts about it. This creates a complete overview of my experience.
My main focus is on how I perceive the painting. I look at what it communicates and the feelings it stirs in me. I also notice the sounds and sensations related to the artwork. Ultimately, everything is subjective and personal. Even the artist may not fully understand my interpretation and feelings at that time. The artist’s goal is to evoke a reaction or specific emotion from the viewer.
The conclusion explores my artistic analysis and how it compares to Erwin Panofskyโs method. While Panofsky’s analysis includes many elements, my approach is more spontaneous, based on hopes and discoveries made during exhibitions. I aim to highlight the similarities between our methods, even before I learned about Panofsky’s approach.
There are other art historians and techniques to consider, including Svetlana Alpers and Heinrich Wรถlfflin. I aim to compare my approach to analyzing art with Panofsky’s method.
ยฉ Bjรถrn Blomqvist 2017-08-27
-
Tillbaka…
Jag รคr tillbaka,
likt solen som saknas
en dyster dag
i ett fallande
kรคnsloregnJag skriver igen,
likt poeten och orden
en klarblรฅ dag
i ett uppklarnades
รถgonblickJag kรคnner efter,
likt vรคrmen under handflatan
en len afton
och ett upphรคllt
glas vinJag kommer hit,
likt en hungrig skribent
en sensommarmorgon
i ett klรคckfรคrdigt
skalยฉ Bjรถrn Blomqvist 2017-08-20
-
When or since?
Big but thin, in a bubble, I live
for the moment, yesterday, just now
Empty but alone, in my mind, I hope
for now, tomorrow, the day before
Invisible but alive, in other’s heads
for a week, or days, in a moment
ยฉ Bjรถrn Blomqvist 2017-06-17
-
Livstrรคdgรฅrden
Livet, en solnedgรฅng
i en konstbevattnad
รฅngesttrรคdgรฅrd
Blommor vรคxer,
blommor vissnar
Livet grรคvs upp
livet planteras…
…omยฉ Bjรถrn Blomqvist 2017-06-08
-
A Poem about my surname
Surname: Blomqvist
The name consists of two words in one name: (Blom) and (Qvist). Blom is the same as โBlommaโ; Flower (in English). It can also signify: โStรฅ i blomโ; Bloom or Blossom (in English). The other word is โQvistโ, kvist with a Q. Kvist is Twig (in English).
The poem will thus be about Flowers, in bloom, blossom and a Twig. – or more like a Twig with Flowers or a Flower’s Twig – or other flowering words that make me smile ๐
๐ฅ
Spring opened sun,
an early summer day,
in a flower’s nest,
in the end of mayTwigs in bloom,
in a flower bed,
in blossom color,
and roses in redA summer night,
the frozen flower,
in bloom at time,
in every sunny hourA flowering tree,
hides in the dark,
Me: the Flower*,
deep in the bark
๐ฅ*The Flower: โBlommanโ (in Swedish).
ยฉ Bjรถrn Blomqvist 2017-05-06
-
Uncontrolled
When and why
it stopped
my body function
Then and how
it started
my bloody anxietyWhen and if
it had
my great thoughts
When and where
it left
my fate aloneยฉ Bjรถrn Blomqvist 2017-05-03
-
Heavenly love…
A borderless love,
a lonely butterfly,
has…
gotten color to rise
in a blue sunny sky
An eternal romance,
an empty place,
has…
gotten hearts heat
blue eyes and a sunny
smile โค๏ธ
ยฉ Bjรถrn Blomqvist 2017-04-16
-
Sรฅ lite det behรถvs…
Ett ord, bara ett enda ord
maler glas till glaskross
i ett vakuum av tomma tankar
Ord av ondo, ord som fรถrgรถr
sรฅgar stammen till sรฅgspรฅn
i ett kalhygge efter fรคllda tรฅrarยฉ Bjรถrn Blomqvist 2017-03-21
-
Djupa mรคrken
En trรคkniv, sakta karvadย
djupt borrad i min sjรคlย
Naggar i kanten om mittย
hjรคrtas inramningย
En lรฅngsam, motsols vridningย
sรถndrar alla mina tankar,ย
gรคnga fรถr gรคngaโฆยยฉ Bjรถrn Blomqvist 2017-02-27
-
Struggle II
It’s a thought,
a word
who doesn’t
exists
A travel
through my mind,
what it
resists
I wonder if it
gets out
of my
crashed life
Anย unwelcome
reminder
to end a strifeยฉ Bjรถrn Blomqvist ย 2017-02-04
-
Statusjakt
Varfรถr delaย
min bildย
pรฅ nรคtetย
Den bildย
jag nyss togยBara jag harย
den kรคnslanย
dรคr, just dรฅย
รฅ den tankenย
pรฅ den platsenยDet รคr bildenย
och intrycketย
DU inte ser,ย
kรคnner ellerย
vet finns dรคrยยฉ Bjรถrn Blomqvist 2017-01-21
-
Again against angst
With or
without it,
it’s heavy
to carry,
or to have
in my headIn or out
that’s easy
to catch,
when it is
there all
the timeUp or down
it goes
when it
climbs on
every day
with the sunยฉ Bjรถrn Blomqvist 2017-01-10
-
Autumn house
Trace's walks along the walls
Hidden places, none open door
Seasons comes, autumn's calls
As the leaves, inside, a yellow floor
Colorfulness stands by a tree
Under the sky, heaven in grey
Mirroring outside, a cup of tea
As the memories all night and day
ยฉ Bjรถrn Blomqvist 2016-11-21
-
Misunderstanding
Iโll do it my way, only one way
I feel thoughts, only my thoughts
You don’t know, when nobody knows
You are blind, when all other are blind
We can’t feel the same, what I feel
We all have wrong, what I say,
…is wrongยฉ Bjรถrn Blomqvist 2016-11-16
-
ร … vilken kรคnsla :(
Dag fรถr dag, en dag i sรคnder
nรคtter av svรคrta, i nattens hรคnder
Igรฅr, idag oron som rรคnner
inombords kluster jag kรคnnerBakom skalet, under hudens yta
blod och tรฅrar, i รฅdrorna flyta
Kastar sten, fรฅngar grus genom lins
berget i magen, det enda som finnsBorta i tid, tidens lรคkande kur
klockor ringa, visarna vet inte hur
Dag till natt, mรถrker utan motgift
รฅngestens resa, objuden pรฅ viftยฉ Bjรถrn Blomqvist 2016-10-23
-
Daily struggle
โ
Unstoppable feelings by flies
surround my body and head
Open graves never think twice
on thier behalf, they’re deadWrong sense leaves the earth
cold and frozen of emptiness
Two fighters – one singel birth
loose all struggles – in progressSilent hopes for better days
crash the life on a living soul
Loud thoughts hear and says
what’s left in my lifelong bowlโ
ยฉ Bjรถrn Blomqvist 2016-10-22
-
A fire fight…
Unstoppable fire when it rains,
steals my heart and veins
Big thoughts in a minimal bowl
are destroying my soul
Invisible wounds by a wooden knife
are representing my empty life
Nothing of everything I find
are exploding in my mindยฉ Bjรถrn Blomqvist 2016-10-18
-
Knutpunktย
Jag dansar barfota pรฅ glรถden, i otakt
Repet med รฅngestknutar drar
brรถstet tillbaka, i obalans
Jag hรฅller andan lรคnge
under vattenytan, i halsgropen
Nรคtet med รฅngestmaskorna gรฅr
sรถnder och samman, i ovishetยฉ Bjรถrn Blomqvist 2016-10-17
-
At the lake
Thread, an invisible feeling
over head under reeling
Reflection, a visible look
to a reaktion by the hookStorm, to strong and thin
like a worm under my skin
To dive, a try to disappear
counts to five, only a tearTrees, two lines in the lake
the soulยดs breeze of break
Leaves, lighter than a mind
of beliefs, or love we findFishes, a shoal in my life
takes my wishes in a strife
What now, a moment later
and how, feed the alligatorยฉ Bjรถrn Blomqvist 2016-09-14
-
Glaskross
Han satte vinet
i vrรฅngstrupen,
lika kรคrvt som
PanamakanalenSom slussar
kastades vinet
genom luckorna
mot hans
torra lรคpparDet var orden
orden hon sa,
orden han hรถrde
som fick floden
att kasta sig
ut รถver falletPรฅ botten,
under stenarna
dรคr jorden tรคcker
det fรถrdolda,
ligger nu ett krossat
vinglas…ยฉ Bjรถrn Blomqvist 2016-09-02
-
Overheating
I did it again,
swallowed my mind
of controlto get…
Nothing of itIn this moment
I hate
myself…ยฉ Bjรถrn Blomqvist 2016-09-02
-
Det mรถrka
Jag svรคvar inte
bland molnen
Jag รคr molnet,
det mรถrka
Molnet ni ser
pรฅ avstรฅnd
frรฅn ett fรถnster
Jag grรฅter dรคr
solen lyser
Nรคra regnbรฅgens
vackra fรคrger…ยฉ Bjรถrn Blomqvist 2016-08-10
-
Det som kom, kommer igen. (En enkel snabb – pรฅ svenska).
Det som var bortaย
i fรถrfluten tid, fรถrintat,ย
avklippt och kasseratย
รฅteruppstod,ย
nu i detta nuย
Murar faller, skรถldarย
som sprickerยDet som fรถrsvann,ย
det som inte lรคngre fannsย
Vandrar frรฅn huvudetย
genom brรถstet i enย
kokande kittel i maggropenย
Jag sรฅg det, jag kรคnde det,ย
komma igenยฉ Bjรถrn Blomqvist 2016-08-03
-
Fragile IIย
Life wide
like a field
lifts borders
from a red sky
to a green carpet
when dead things
in a black night
crashes a vaseย
on the skin,
carved
throught my veins
ยฉ Bjรถrn Blomqvist 2016-07-31
-
Vad finns kvar?
Pรฅ ett sluttande plan delas mitt inre som tvรฅ halvor av en vattenmelon. Mina jag glider isรคr, studsandes รถver kanten sรฅ kรถttsaften yr รถver den soldrรคnkta platรฅn. Det bubblar i kroppen som stekta melonhalvor pรฅ grillen. Lรคngre bort i skuggan av mitt vรคrde splittras livet nรคr melonskalet giljotineras mot det karga stenblocket ingen velat flytta pรฅ. I bitar av det รคtbara, blandat med allt som ska bort finns bara kรคrnorna kvar. Utspottad pรฅ bordet som uttjรคnta uranstavar ligger jag i kรคrnhรถgen och funderar pรฅ nรคr det รคr dags att gรฅ under jordenโฆ
ยฉ Bjรถrn Blomqvist 2016-07-26
-
Devil’s stop
One singel thread
on devil’s horns
I’m walking barefoot
through the heat
on devil’s headOne open skyย
on my way to hell
I’m looking straight
through a firefight
in devil’s eyeOne missing track
on devil’s map
I’m traveling alone
easy, and soundless
along devil’s backยฉ Bjรถrn Blomqvist 2016-07-25
-
Not another love poem – …again ๐
Like a rose by night,
youโre colourless
But on inside,
as the rose, a red
loving vibeLike a rose in the wind,
you fall through
But I’m behind to receive,
when you fall for
the wind, to believe…in love
ยฉ Bjรถrn Blomqvist 2016-06-21
-
Love in rhyme
From nowhere,
something smart
When words
are bouncing
on my heartThrough eyes,
and open ears
Your whisperings
are drying
my tearsIn one moment,
a fearless time
two souls and
our love,
isn’t a crimeยฉ Bjรถrn Blomqvist 2016-06-10
-
Black Rose
Deep in thoughts
along inner darkness
a road over a bunch
of roses
One thorn one step
hurt soul, hurts
to scratch
the moonlightยฉ Bjรถrn Blomqvist 2016-05-26
-
A short poem about the spring but a poem with a long title so far…
Fields of flowers,
birds in the sky
Early morning song,
birds saying Hi!The sun and I,
shines like a star
season two comes,
shines where you are
ยฉ Bjรถrn Blomqvist 2016-05-08
-
Tracking…
...Like a stone
Without a letterย
far away and backย
nothing isn’t better
to hiding a trackยFrom one side to
another in my head
hunting for you
I thought were deadThe anguished feelingย
without a nameย
comes by healing
allways the same…Leave me alone
ยฉ Bjรถrn Blomqvist 2016-05-05
-
Wrong sense
Every star that night
walked on my back
as a sleepless tour
headed for a fightEarly morning sun
jumped on my chest
in a moment later
stopped me to runHeavy rain by storm
bounced on my face
as shivery skin layer
slimy like a wormยฉ Bjรถrn Blomqvist 2016-04-27
-
At last – a minor report
Hiย there!ย
Today, at last, I started to write on my second crime novel. This time I’m gonna make it. I have big plans and everything has to be perfect before I’m sending the manuscript to the publishing company. Of course, I’ve no big expectations but big dreams. It’s the dreams that help me to fly over the obstacles.
Environments, era, and characters will be the same, but of course, a new murder mystery. My goal this time is to be finished with the draft at the end of the year. If I fail, kick me in the ass – very hard! ๐
ยฉ Bjรถrn Blomqvist 2016-04-26
-
En ofrรฅnkomlig kรคnsla av misstag
Trasig i ett skal nรคr lรถv fallerย
pรฅ stenen sรฅ tung av min svaghetย
Grenar vissnar nรคr mina rรถtterย
gjuts fast ovan stilla rรถtterยSmรคrtsamt i mig nรคr tankar gรฅrย
pรฅ knรคna sรฅ tunga av min oroย
Mรถrkret kommer nรคr mina farorย
etsas fast som utlagda snarorยAvstannad i ett skede nรคr jag serย
pรฅ รฅngesten sรฅ tung i mitt sinneย
Utvรคgen stรคngd nรคr mina tankarย
svetsas fast dรฅ hjรคrtat bankarยTrasig, smรคrtsam och avstannad,ย
och fast mellan sten och rotย
ligger livet tungt pรฅ mitt brรถst,ย
ensamt och utelรคmnat av trรถstยยฉ Bjรถrn Blomqvist 2016-04-15
-
Mr Confused, Mr Clumsy and I
I didโt again, one name,
a confused thought
Same name two persons,
my angst they broughtI didโt again, Iโm sorry
a misstake will start
Same thing, two times,
blood to my heartI didโt again, why me,
a dysfunctional dude
Same week, two moments,
thatโs too rudeI didโt again, I hate it,
a recurring error
Same body, two souls,
canโt stop the terrorยฉ Bjรถrn Blomqvist 2016-04-15
-
Lost soul…
My mind,
a small society
to control
a bigger task
My life,
a lost loyalty
to wear
an existing maskยฉ Bjรถrn Blomqvist 2016-04-07
-
Famla efterโฆ
Inuti finnas,
vakna och vรคxa
Frรฅn ingenstans,
nu och sedan
Vredens iver,
sรถka och leta
Baklรคnges fรคrdas,
ett platt fall
Uppfรถr kรคmpa,
motsol streta
Ljud i mรถrkret,
ett ekots skallยฉ Bjรถrn Blomqvist 2016-04-04
-
It’s in the air…
When the truth
doesn’t hurts,
an open sky of
empty clouds
and two souls
in a puzzle,
goes a love-filled
river over
my sweaty bodyWhen the love
doesn’t hurts,
a sunny sky of
shiny talks
and bright light
in your eyes,
walks a heavy
heart-beat over
your wet bodyยฉ Bjรถrn Blomqvist 2016-04-02
-
Closed Door
Height of the door a question through forms of answers Color of the door a guessing game of dark mysteries Behind closed door a blind soul raises unknown expectations
ยฉ Bjรถrn Blomqvist 2016-03-29
-
dlroW nwoD edispU yM
Have to spinn
my world around
my broken shaft
Must stop
my wheel inside
my empty chest
Need to destroy
my earth in
my bleeding hands
Want to put
my heart back to
my dignityยฉ Bjรถrn Blomqvist 2016-03-26
-
Till the end
When all truth is bleeding
behind the shield of wounds,
walks a lie down by my back
When fresh tears are falling
upon the cheek of damages,
blows a dream away from me
When my destiny ends up
beside the crack in my heart,
goes a shadow over my bodyยฉ Bjรถrn Blomqvist 2016-03-14
-
Tvรฅ snabba om kรคrlek
Here are two short poems (in Swedish) I wrote on the bus on my way home from work. It took about 20 minutes to write them, but I haven’t a clue what I’m saying with them or what the message is. Normally it takes a longer time for me to write a poem.

-
The Seeker…
Soundless steps in my
heart that fill my
soul of sweetness
want to hunt my destiny
to places of happiness
I try to find, somewhereHigh volumes of voices
in my head, play drums
to push my thoughts
on a risky trip to Mars
and forgotten places
I try to find, somewhereยฉ Bjรถrn Blomqvist 2016-03-07
-
Hรถgupplรถst…
Afton pรฅ lรคtta moln
dansar barfota fram
i panorama vidvinkel
lรฅngt frรฅn verklighetenFรคrgstarka fasader
fรฅngar fรถrtjusningen
i en blick, i en kontur
av dina รถgons fรคrgEn tilldragelse sรถka
vy av objektivt mรฅtt
med en blixt frรฅn en
klar himmels rรถda รถgonLins pรฅ bruna kuddar
mรถter en strimma ljus
dรคr mรถrka hemligheter
vilar pรฅ molnetโฆยฉ Bjรถrn Blomqvist 2016-03-06
-
Sleepless thoughts
Endless wheels
an act of circus
around my bed
and how it feels
inside my headMindless fears
an art of living
inside my mind
and fall of tears
sees what I findยฉ Bjรถrn Blomqvist 2016-03-03
-
รmtรฅligย
Sรฅ skรถr som tunt glas
i skugga vila,
en sprucken sjรคlPรฅ halv fot balansera
blint i mรถrkret,
ett eldklots sinneFyllt till kanten gunga
fort, รคnnu fortare,
en kรคnslostorm vinaYta i tusen bitar yra
รถver eld och blod,
ett hjรคrtas infernoยฉ Bjรถrn Blomqvist 2016-03-01
-
Explore life
Deep inner trip as
the never ending hunt
An invisible map, empty
upside down in my forehead
When I lose pace, the brain
runs too fast on walkways
In future moments through
past darkness no present time
In the end of the rainbow,
the end of all, no maps
no meaningยฉ Bjรถrn Blomqvist 2016-02-26
-
Om hon visste
Jag talar till henneย
dรฅ och dรฅย
utan att hon vetย
Tyst fรถr mig sjรคlvย
bara i mitt huvudย
allt om henneย
Fรถr dรถva รถron talaย
om henneย
till migย
Smicker flรถdarย
runt runt hรคr innanfรถrย
utan ljud utan svarยยฉ Bjรถrn Blomqvist 2016-02-19
-
Love mirror
Down by the rocks looking straight in a mirror by the lake Black surface catches your smile, eye color the same The sun sweeps the light, hitting hands through water Love inย the waves shapes hearts by silent leaf ยฉ Bjรถrn Blomqvist 2016-02-16
-
Tvรฅ sidor du…
Korslagda brรคdor i en linjeย
En uppdelning, tvรฅ tankeytorย
Det mรถrka, det ljusa, en taggtrรฅdย
Grรคnsen kastar skugga รฅt hรถgerย
Solen kastar ljuset till vรคnsterย
รgon รถver staketet, nรคslinje gรฅย
Markens yta dรคmpar den tunga luftenย
Foten i grรคset och handen i grusetย
Falla ned, drรถmma, falla pรฅ eget greppยยฉ Bjรถrn Blomqvist 2016-02-15
-
Loneliness
Slice of kindness
in a box, shaken
not stirred
Destiny of birth
by shadows, seek
and find
Unselfish sounds
like screams, only
the lonely…ยฉ Bjรถrn Blomqvist 2016-02-11
-
Devil’s week
Who to guide
through darkness
What day, seven days
by evil tours
First impression
nightmares
Last expression
insomniaยยฉ Bjรถrn Blomqvist 2016-02-06
-
Kรคrlekshimmel
Pรฅ ett brรคde balansera,
orden som fanns, orden du sa
I himlen pรฅ moln svรคva,
tankar om dig, tankar jag har
Under en sol figurera,
รถgon tindra, รถgon som ser
รver natthimmel vandra,
nรคrhetskรคnslor, i nรคrheten av…ยฉ Bjรถrn Blomqvist 2016-02-02
-
The Night’s tears
In the arms
of the moonlight
a trembling body
to rest the mind
dark as the night skyMilky Way and invisible
stars, passing by
close to the moonย
far from the sightย
dark as my eyesโฆof visual tears
ยฉ Bjรถrn Blomqvist 2016-01-30
-
Eye Contact

I landed in your eyes,
to help and dry your tears
Eyes dark as the night,
to close your inner fears
I tried to find the light,
to help and being nice@ Bjรถrn Blomqvist 2016-01-21
-
Tillsammans
๐๐๐๐๐๐๐๐๐๐
Vind genom trรคdet knaka
en fura รถver vรคgen falla
Kyss frรฅn kรคrlekens kaka
ett hjรคrtas kรคnslor kallaStorm under himmel vina
pรฅ gren i kronan gunga
Leende ansikte, รถgon fina
den rรถda kรคrlekens tungaLรคttan bris i soluppgรฅng
sรฅ stilla vilandes nรคra
Kรคrleksord ljuda iย sรฅng
ett รคlskande par sรฅ kรคraHorisont i gryningens ram
ett panorama landskap ser
Omfamning i morgonens kram
en akt av kรคnslor som ler๐๐๐๐๐๐๐๐๐๐
ยฉ Bjรถrn Blomqvist 2015-12-25
-
I tomma mรถrkret
Jag slรคngde in en dikt pรฅ Poeter.se – en dikt jag skrev ihop snabbt. Hรคr nedan ser ni resultatet. ๐
Blunda inte,
blunda inte,
sa han
stirrandes in i
mรถrkret
med blicken inรฅt,
och han log
med huvudet
alldeles tomt
Sรถk inte,
sรถk inte,
tรคnkte han
helt inne i
bubblan
med taggarna utรฅt,
och han slog
med orden
alldeles tommaยฉ Bjรถrn Blomqvist 2015-12-10
-
Devil’s time
Who to walk
in my soul
when the time
of freedom
is surrounded
by Devilโs steps
in high heelsยฉ Bjรถrn Blomqvist 2015-12-06
-
Veckoanalys frรฅn en bergochdalbana…
Frรฅgor pรฅ det?ย
Veckan som gรฅtt รคr
veckan som slutar,
och nedรฅt det lutarSakta start uppรฅt
pรฅ mรฅndag att bรถrja
veckoslut av sรถrjaJobb med skola som
rullar i samma fart
klokt rรคtt och smartNya uppdrag komma,
dagar fyra och fem
men idag, bara hemSnabba kast i veckan
inget som lรถstes idag
sรถndag, arg och svagEn loop i egna vagnen,
upp och ned den hรคnga,
nu ett psyke att stรคngaยฉ Bjรถrn Blomqvist 2015-11-22
-
Contrasts and Zorn
The opening of the exhibition titled โKontraster.โ
Being inside an art gallery is a great choice, especially when the weather outside is gloomy and rainy.

Promotional poster for the ‘Kontraster’ exhibition at Galleri Sjรถhรคsten, showcasing a mix of graphic art and modern styles. First, letโs talk about the graphic art by Lennart Jirlow, Olle Bรฆrtling, and Theo Tobiasse. They often featured motifs of King Solomon and other artworks with French themes. The compositions typically centered around common people and the artist himself, Lennart Jirlow. Today, I discovered the color โJirlow-blue,โ named after Lennart Jirlow and his work or visit to a printing house in Paris. This color can be seen on the artistโs clothes in some of his artworks. Besides Jirlow-blue, his compositions are known for their vibrant colors.
Other artworks at the exhibition exhibit a more abstract style. Olle Bรฆrtling predominantly employs vibrant colors, with turquoise serving as a base. I find these pieces captivating. There are also artworks by Theo Tobiasse, which share a common theme. The motifs in these artworks include King Solomon and masks (created by Kent Wahlbeck). The style is modern, incorporating a subtle influence of fauvism.
Subsequently, a grand exhibition showcasing the works of one of Swedenโs most renowned artists, Anders Zorn (1860-1920), is being held. In collaboration with Mollbrinks Art in Uppsala, approximately 50 etchings by the master himself are displayed, covering the gallery walls. These etchings span from the late 19th century to the early 20th century, providing a comprehensive glimpse into Zornโs artistic journey.
Today, I had a lot to learn. My research interests in art history include symbolic art from the seventeenth century, chiaroscuro (baroque art), and the exploration of symbols in modern heraldic art and modern architecture. To delve deeper into Anders Zornโs work, I highly recommend visiting both this exhibition and the Zorn museum.
ยฉ Bjรถrn Blomqvist 2015-11-07
-
Instรคngd
Det inuti huvudet gnaga
Det flyende stanna kvar
Det onda leva och behaga
Det okรคnda รคro utan svarDen ringa tanken storma
Den minsta i stรถrre skala
Den gnaga rusa och gorma
Den bygger rede รฅt svalaEn pรฅfรฅgels vida fjรคdrar
En vรคxande oro i tanken
En trรคngande hinna hรคgrar
En oren kil i minnesbankenMed tidens gรฅng i vรคntan
Med felbeslut i bagaget
Med solljuset mot glรคntan
Med tiden ut ur i garagetยฉ Bjรถrn Blomqvist 2015-10-27
-
Hรถstdepp
Bland hรถstens starka fรคrger doppas huvudet i hรถstdepp. Grรฅtt pรฅ grรคnsen till svart inuti med รถgonen mot det gulgrรถna naturlandskapet. Solen genom trรคdens kronor trรคffar mark och klippa men missar dig. Inget ljus innanfรถr hjรคssan trรคnger in. Hรถststormen trรคnger bort lรถvtรคcket nรคr en sjรคlv ligger i sรคngen, kvar under det egna tรคcket. Suddiga vyer och suddiga tankar sรคtter griller i huvudet. Tiden stรคlls tillbaka i en tid nรคr alla dรฅliga beslut inte kan dras tillbaka – inte ens en timme. Bortom klippan ligger grottan, dit ens tankar vill vara. I grottan,ย nedgrรคvd i en bunker som skydd mot utomstรฅende inpulser studsandeย mot bergvรคggen. Vikens vรฅgor skรถljer vassen som mรถrka tankar skรถljer hjรคrnan inifrรฅn. I snรฅrlandskapet, barrande nรคra dras rullgardinen ned. Under tรคcke ligga kvar sรฅ som bara du kan. Olรคslig pรฅ utsidan som en hel bibel av inre profetior i mรถrkaste mening.
ยฉ Bjรถrn Blomqvist 2015-10-25
-
Thoughts II
Inner wounds being
cureless
when the time to cure
stands stillLooking back instead of
present time
starts the engines of
bad thoughtsIn bad condition of
inner thoughts,
old happenings revealing
states of mindand…
barricading future moments
in lifeยฉ Bjรถrn Blomqvist 2015-10-24
-
Through my body
Soundless fear by
heavy footsteps
A huge thrill
in the chest
boils the anxiety
from belly to headยฉ Bjรถrn Blomqvist 2015-10-21
-
Den kom, den sรฅg, den stannade
Nu kom den igen, tanke pรฅ det hemska
Fรถrst nonsens, sen i en orkanstyrka
Gรถr rรคtt, gรถr nรฅgot som dรคmpar
I en vรคrld, en kontrollerad sรฅdan
inifrรฅn och ut genom huvud och sjรคlAlltid รคr det nรฅt, litet som stort
Tiden som lรคker, ett periodiskt vakuum
Stanna eller gรฅ, lรฅt tiden ha sin gรฅng
Pรฅ flykt ifrรฅn, flyende undan en sjรคlv
en enkel biljett mot nedersta bottenยฉ Bjรถrn Blomqvist 2015-10-21
-
Fall in place…
Piece by pieceย
the typhoon
drifting away
Piece by pieceย
to rebuild
my destiny
Like a hurricane
all pieces
coming back
Like a windย
an atmosphere
of open doorsยฉ Bjรถrn Blomqvist 2015-10-03
-
Oil by knife
Today, I visited another art gallery, Galleri Fiskhuset, and the closest I could get to a fish was a bowl of liquorice fish on the table. The exhibition featured Mary Ahl Ljungstrรถmโs work, primarily oil paintings created with a palette knife. There were also some acrylic and pastel pieces. I observed a range of techniques and color palettes, but they didnโt quite match the quality of the opening on Saturday.
There were both linear and scenic motifs in the paintings. Many compositions featured a typical 3D perspective with the central point in the middle. However, I only liked two paintings because they were painted in oil with a brush. For instance, the artwork โ11. Skuggaโ (oil on canvas) has a soft texture and light colors. The tree is facing the sunlight, casting a shadow on the wall.
Autumn hues in the motifs from โ29. Central Parkโ illuminate a single wall in the gallery. In the painting โSolnedgรฅng Manhattan,โ the artist employs a split screen technique. The sunlight divides the motif, with the Empire State Building positioned to the right and other tall buildings to the left. This composition draws attention to individual buildings.
In “13. Blรฅsvรคder”, the artist paints a movement. She shows how trees move in the storm. In the background, she amplifies the movement by waves hitting the coast. The difference in techniques and style doesn’t interest my curiosity. Since the last exhibition pรฅ Galleri Sjรถhรคsten, it’s difficult to find equally good art.
The specific relevant content for this demand, if necessary, can be delimited with characters. Painting a forest fire once is sufficient for me. I donโt require it to be done again. Doing it more than once is unnecessary, and doing it three times is excessive. Using three different sets of colors further complicates the task. Itโs perfectly acceptable to use just one set. I didnโt imply that itโs bad or not high-quality art. However, I do prefer strong colors, cubism or abstract paintings, and surrealistic art.
ยฉ Bjรถrn Blomqvist 2015-09-22
-
Colorfulness through the eyes
My first proposal was to visit more than one opening today, but… At the Galleri Sjรถhรคsten, there where so many impressions and good stories from the artist, so I decided to stay. It’s the first exhibition by Karima Ben Otman in Sweden. My first impression consist of powerful and warm colours with its own expression and an individual style.

Vibrant artworks by Karima Ben Otman displayed in a well-lit gallery, showcasing a blend of powerful colors and unique expressions. I stood between me and one of the colourful artwork. Suddenly, the artist came over. They asked me what I thought about the artworks. My answer was the first impression of colourful art work and a cheerful artist and it became even better. It felt like everyone had an eye on me. Both the artist and all the art works. An eye contact between me and the motifs on the wall through the hall. It’s always nice to engage in discussions about art. It’s rewarding to know more than what you merely see on the walls. I appreciate that.
I started to read the article about the artist and her work, technics and life. So to know more about it, I recommend you to read the article in the newspaper. My focus here, is how about I appreciated the exhibition, the encounter and the works of art.
First I wondered were the inspiration came from? Maybe Picasso, Matisse or the Egyptian art. Through our talk, I perceived her art works as an expression of herself. The art was by the artist and no one else. Every composition express a feeling. There were colourful art works of motifs with one or two eyes. They featured linear contours. Additionally, there were many faces. The collection also included fishes. Some of her paintings became directly my favourites. For example (see photos below).
Colorful artwork by Karima Ben Otman at her first exhibition in Sweden, showcasing expressive faces and unique motifs. 
A vibrant art display features colorful trees and abstract motifs. It showcases the unique style of artist Karima Ben Otman. This is her first exhibition in Sweden. As usual, I’m searching for movements, lines, depth and symbols in the composition. The 3D perspective is not in the motif. Rather in the materials and technics. Thick layers of material form shadows in the mold and creating the depth in the image. Movements in the pictures are the results of our imagination, the viewer’s. A talk happens between two motives. A shy conversation follows. Both are movements in the eyes and a current feeling, “42. Be my Friend”.
I had an interesting discussion with the artist. She is a cheerful artist. I wrote down some notes. I learned that the paint on texture is acryl. The material consists of newspaper and special paper to get the right texture. I can say that there are many good artists and good art. This exhibition will be in my memory for a long time. All the impressions and expressions from her works of art are unforgettable.
A short note about the symbolic meaning of an eye and the fish. According to the dictionary, the eye represents God’s almighty power. For the second, the right eye of Horus represents the sun. The left eye represents the moon. Horus was the ancient Egyptian national patron. He was usually depicted as a falcon-headed god. Both eyes together in picture, symbolises the Universe. The fish for example, can symbolise Ichthys.
ยฉ Bjรถrn Blomqvist 2015-09-19
-
Hรถst 3.0
En sommarsol en gรฅng fanns
Upphettad rygg, svetten som rann
Svepet av mรถrkaste himmel
Vilande vindar, hitรฅt vandraDiken fylls av regndroppars dans
Fuktiga gator, vatten i spann
Semestrande solstrรฅlar i ett vimmel
Vรคderkaos fรถlja, ingen att klandraHรถsten kommer i en andra chans
Virveldansen, med stegen vi kan
Hรถstfรคrger mot barbacka skimmel
I mรถrka stunder, i en tid fรถr varandraยฉ Bjรถrn Blomqvist 2015-09-15
-
External Silence
Let the anxiety
silent the mouth
The roar of an echo
ย from calls
of my inner
voicesยฉ Bjรถrn Blomqvist 2015-09-13
-
Svรคngomย
Dansande kรคnslostorm
รถver golvet
en snurr, en svรคngom iย parken
Valsande tankepar
under himmel
tvรฅ steg fram, ett steg pรฅย markenSwingande rotation
runt mitten
ett kast, ett hopp i vรคdret
Kokande kรคnslor
studsande nรคra
tvรฅ steg bakรฅt, ett steg pรฅ lรคdretยฉ Bjรถrn Blomqvist 2015-09-10
-
Livet bortom friheten
Plรถtsligt var de slut. De som inte kunde, eller inte fick ta slut. Dagarna som bara var 300 till antalet, var till รคnda. Det skedde fรถr lรคnge sedan. Det var pรฅ en knapp de tryckteย och vips sรฅ fanns en extern aktรถr att tillgรฅ. Vem eller vilken, visste ingen innan. Det var slumpgeneratorn som bestรคmde det.
“รr allting bara en slump?”ย
Hens vistelsen blev kortvarig. Ett samtal fรถrรคndrade mycket. Tre รฅr รคr en lรฅng tid men 300 dagar betydligt kortare. I tre รฅr var hen pรฅ arbetsplatsen som blev rรคddaren i nรถden, och som sen var platsen dรคr hen ville stanna.
Nรถden uteblev dock. Tillbaka i trรคsket skulle bรถdlarna fรฅ sitt. Trots det kom nรคsta rรคddningsplanka. Trehundra nya dagar att hรฅlla sig ovanfรถr vattenytan med.
Plรถtsligt var de slut – och rรคddningsplankan alldeles fรถr kort. Tillbaka i samma lรคge var det bara att trycka pรฅ knappen igen. Denna gรฅng ย aktรถr nr. 2. ร terigen via slumpen.
Pรฅ ny plats och ny mark att plรถja, kรคnde hen sig slagen under bรคltet. Pรฅ vissa omrรฅden, nรฅgot nedvรคrderad. Inget nytt under solen sรฅ att sรคga.
Hur ska detta sluta? Fyra mรฅnader gick innan nรคsta rรคddare i nรถden kom till undsรคttning. I en till synes lika lรฅng period, fick hen vara ifrรฅn arbetslรถshetens bojor.
“Fyra mรฅnaders frihet!”ย
Det gรฅr inte mรฅnga dagar innan det var dags igen. Hen ska till coachen, hen ska denna gรฅng fรฅ vรคlja!
“Vilken befrielse!”
Plรถtsligt har det hรคnt nรฅt. Det har infรถrts LOV (lagen om valfrihet). Hen gรฅr pรฅ seminarie, hen funderar och till slut gรถr sitt val. Aktรถr nr. 3 stรฅr pรฅ tur. Inte dรคr heller blir vistelsen lรฅngvarig. Inte pรฅ grund av permision ute i det fria arbetslivet, utan av resursbrist.
Hen mรฅste vรคlja igen. Hen gรถr sitt val. Hos nummer 4 trodde hen att det skulle bli bรคttre men…
..fortsรคttning fรถljerย
ยฉ Bjรถrn Blomqvist 2015-09-10
-
Bakom det okรคnda
Som kudden ovanfรถr mitt ansikte, hรฅrt hรฅllen, รคr den gnagande tanken lika kvรคvd som det dรฅliga samvetet. Orden tystnar med uteblivna argument till varfรถr allt kokar ihop i en och samma gryta. En soppa vars slev aldrig slutar รถsa. Sen urminnes tider har blockaden legat som ett lock som aldrig lyfts. Kolossala klossar som vilar pรฅ ens axlar med huvudet under kudden รคr att kรถra huvudet i sanden. Nรคr ska det slรคppa, nรคr muckar den? Bakom egna galler i isolerat tillstรฅnd รคr den fรฅnge inom mig. Hen vet varken ut eller in, hen har bara funnits dรคr, lika tystlรฅten som tjuven om natten.
ยฉ Bjรถrn Blomqvist 2015-09-02
-
Frรฅn det ena till det andra!
Efter lรถrdagens konstrunda och massor av intryck, var det dags fรถr nรคsta utstรคllning, dagen efter. Denna gรฅng en annorlunda utstรคllning. En utstรคllning som emellanรฅt flyttade och rรถrde pรฅ sig. Tillsammans med massor av folk och mรฅnga รคldre mรคn i keps, var det flygfarkosterna som skulle bli sedda och utstรคllda. Det var inte fรถrsta gรฅngen, vare sig fรถr mig eller arrangรถren. F 11 Museum brukar anordna en Flyg & Motordag pรฅ Stockholm Skavsta Airport varje รฅr. Jag har flera gรฅngerย varit dรคr. I รฅr var det dags igen. Egentligen inget nytt under solen.Fรถrutom korv med brรถd ochย korv med brรถd eller varfรถr inteย korv med brรถd รถverallt, gick jag runt i folkmassan fรถr att bese de uppstรคllda flygplanen, titta pรฅ modellplan och blรคddra i gamla flygtidningar. Inte fรถr att jag รคr nรฅn entusiast numera, utanย snarare fรถr att det blir en sorts utstรคllning nรคr planen stรฅr dรคr, uppradade. Med flygplanย i luften varย det svรฅrtย att fota (med en iPhone 6), men intressant att se dem gรถra konster i luften. Det varย bara flygplan av รคldre modell detta รฅr. Fรถrr var det merย modernare stridsflygplan med (Jas 39 Gripen m.fl), men inte i รฅr. Vad sรคgs om en ย DH 100ย Vampire, enย Sk 16 ellerย Saab 91 Safirย (i grupp) och enย Spitfireย sรฅklart. ย

Efter nรฅgra korvarย med brรถd och lรคsk, traskade jag vidare fรถr att se det alla andra tittade pรฅ. Bland mรคnniskor med blickarna i skyn, sรฅg jag allt frรฅn ovan nรคmnda flygplan, till ย mer spektakulรคr luftakrobatik. Ett konstflygningsplanย med vingar lika korta som bordsskivor, svischade fรถrbi i hรถg fart. Rรถk kom ut dรคr bak och loop efter loop flรถg den enligt ett vรคl inrepeterat program. Efter en lรฅng dag bland flygmaskiner, kromade bilar och รคldre mรคn i keps, hade jag sett det mesta. En DC3:a en Yak-52:aย och andra gamla flygplan jag inte vet namnen pรฅ. ย Den enda plats jag inte besรถkte, var sjรคlva utstรคllningshallen inne i museet. Nu undrar ni kanske varfรถr jag inte var dรคr? ย Svaret รคr det att jag har varit inne i hallen ett antal gรฅnger fรถrr. Jag har รคven flugit Viggen-simulatorn dรคr inne. Det som รคr mest fascinerande, รคr att under all uppstรฅndelse, pรฅgรฅr den reguljรคra trafikflygningen som vanligt. Fรถr ovanlighetens skull, finns bara en landningsbana att anvรคnda. Den lรคngreย av de tvรฅ, รคr under omasfaltering. Sรฅ medan gamla och specialbyggda flygplan gรถr konster i luften, kommer sรฅ plรถtsligt enย Boeing 737-800 frรฅn Ryanair ellerย enย Airbus A320-200 frรฅn WizzAir frรฅn ingenstans och landar eller lyfter mot varmare breddgraderย โ


Sista maskinen som varย uppe i luften varย Blรฉriot, men dรฅ var vi redan pรฅ vรคg dรคrifrรฅn. En lรฅng dag hade satt sina spรฅr i gamla leder. Jag hoppas kunna se planet i luften vid nรคsta uppvisning. Kanske redan nรคsta รฅr, vad vet jag? Annars var det mycket asfalt och mycket grรคs att slita skorna pรฅ. Som vanligt eller snarare som fรถrra och fรถrrfรถrra รฅret, inte sรฅ mycket nytt under solen.ย ยฉ Bjรถrn Blomqvist 2015-09-01
-
Frรฅn bรถrjan, inte som jag tรคnkt mig. Menโฆ
Pรฅ galleri Sjรถhรคsten, โ2xFRANKโ, dรคr starka fรคrger omedelbart fรฅngade min uppmรคrksamhet. En korg med fyrkantiga รคpplen, kallad โkubistisk skรถrdโ, vรคckte min nyfikenhet. Jag funderade รถver dess djup, mรฅleriska kvalitet och rรถrelse, och mina frรฅgor besvarades direkt.
Jag granskade nรคsta mรคsterverk, โBlomlรฅdorโ. Blomlรฅda? Buketten stรฅr ju i en hink! Jag kisade, lutade mig fram, och dรฅ slog det mig. Hela grejen รคr byggd av fyrkantiga lรฅdor med bilder pรฅ. Staplade pรฅ varandra, bildar de en blombukett i en plรฅthink. Dรฅ fรถrstod jag konstnรคrens vision och insรฅg att ribban lรฅgโฆ hรถgt. Mycket hรถgt. Sรฅ jag valde trappan och fortsatte min konstnรคrliga expedition.
Utstรคllningen bjuder pรฅ en blandning av surrealistiska mรฅlningar och skulpturer. Rastafarifรคrgade djรคvlar och snablar stirrar pรฅ mig. Bakom soffan hรคnger en mรฅlning med titeln โKustbandetโ, som fรถrestรคller just det โ ett band upphรคngt pรฅ en tvรคttlina, prytt med kustmotiv. Denna lekfullhet genomsyrar hela utstรคllningen och speglar min egen humor. Trots de underfundiga titlarna รคr alla mรฅlningar av hรถgsta klass.
Efter att ha valt ut nรฅgra favoriter, var det dags fรถr nรคsta varv, helt รคgnat รฅt skulpturkonsten. Den knallblรฅ divan pรฅ bortre vรคggen, mellan fรถnstren och bredvid โGreen fashionโ, รคr ett iรถgonfallande inslag. Trots att den saknar belysning, รคr dess nรคrvaro obestridlig. Jag stod lรคnge och betraktade den innan konstnรคren sjรคlv kom fram fรถr att hรถra mina tankar.
De intensivt blรฅmรฅlade stengodsen fรคngslade mig, men det var konceptet med skulpturer fรถrestรคllande klรคdesplagg pรฅ galgar som verkligen fรฅngade mitt intresse. Jag uppskattade denna logiska placering. Tรคnk er en mindre trรคgalge med en dress/torso, รคven den i unikt stengods och med betydande vikt.
Lรคngre in i utstรคllningen รฅterkommer motivet i olika material och utfรถranden. Den sammetslena ytan รคr resultatet av mรฅnga lager fรคrg, vilket skapar en รถverraskande mjukhet i ett sรฅ hรฅrt material.
Fรถrutom den blรฅ divanen var mรฅlningen i mรฅlningen en favorit. Den var en oljemรฅlning med guldram, och den hรคngde som ett blรถtt tygskynke pรฅ ett rep tvรคrs รถver vรคgen. En pensel med rรถd fรคrg pรฅ tork hรคngde bredvid.
Huvudobjektet รคr placerat centralt i framkant, medan bilkรถer pรฅ bรฅda sidor om vรคgen skapar ett centralperspektiv och ger bilden djup. Ljuset som reflekteras mot bilarnas lack รคr en frรถjd fรถr รถgat, och samma effekt รฅterfinns i mรฅlningen โFrukt och grรถntโ, dรคr ljuset reflekteras i de grรถna bladen till vรคnster. En annan favorit รคr โRubba nรฅgons cirklarโ, som skildrar en kvinna vars cirklar rubbas.
Jag gillade mรฅnga alster, bland annat โIhopkokโ, โBoxvinโ, โOperatรถrenโ och โAvecโ. Rekommenderar utstรคllningen varmt. Passa pรฅ innan 12 september! Mitt korta besรถk pรฅ galleri Fiskhuset senare ska jag berรคtta om.
ยฉ Bjรถrn Blomqvist 2015-08-30
-
ImagOn?
Jag har utfรถrt en grundlรคggande undersรถkning av metoden genom att sรถka efter relevanta beskrivningar online. Jag erhรถll viss information frรฅn konsttidskriften Volym samt webbplatsen http://www.polymetaal.nl.
Denna kortfattade beskrivning kommer att utgรถra en sammanfattning av artikeln โImagOn โ grafisk teknik med mรถjligheterโ publicerad i tidskriften Volym. Artikeln รคr fรถrfattad av Margareta Klingberg, och jag avser att anvรคnda den som referens fรถr att utveckla mina resonemang.
Rubriken framhรคver potentialen hos denna grafiska teknik, vilket jag instรคmmer i. Det รคr bildkonst vi talar om, men jag anser att den lika gรคrna skulle kunna klassas som fotokonst. Vid fรถrsta anblicken under mitt konstmรถte uppfattade jag det dock som grafisk konst, sรฅ jag utgรฅr ifrรฅn det.
โImagOn Intaglio-typeโ รคr en relativt ny konstgrafisk metod som anvรคnder vattenlรถsliga fรคrger i djuptryck. Det รคr รคven mรถjligt att kombinera olika tekniker i โi bildorginaletโ. Det รคr sรฅ mycket jag fรถrstรฅr just nu.
Denna arbetsmiljรถvรคnliga teknik utvecklades av professor Keith Howard vid Rochester Institute of Technology i Rochester, New York. Den รฅteranvรคnder material skonsamt och anvรคnder inga lรถsningsmedel. Fรคrgen kan enkelt tas bort med diskmedel och vatten.
ImagOn รคr en fotopolymerfilm som appliceras pรฅ ett underlag. Bildoriginalet รถverfรถrs dรคrefter till filmen genom belysning. Fรถr en mer utfรถrlig beskrivning, se โImagOn instructionsโ. Denna metod kan jรคmfรถras med etsning, men รคr betydligt mer hรคlsosam รคn fotogravyr.
Jag har fรฅtt en fรถrklaring. Men fรถr att verkligen greppa processen mรฅste jag vara med. Jag behรถver se ett alster fรถdas med den hรคr metoden. Att se det hรคnda skulle ge mig en helt annan fรถrstรฅelse. Men vilken konstnรคr skulle vilja ha mig som en skugga i ateljรฉn? ๐
Artikeln betonar slutligen den bildmรคssiga friheten som metoden erbjuder, vilket gรถr den sรฅ attraktiv fรถr konstnรคrer. Den mรถjliggรถr en sรถmlรถs blandning av olika tekniker och lager-pรฅ-lager-uppbyggnad, vilket ger oรคndliga kreativa mรถjligheter.
Bjรถrn Blomqvist 2015-08-25
Kรคlla: Konsttidningen Volym “www.volym.info” – http://www.polymetaal.nl
-
Ett nรคra farvรคl
Plรถtsligt sรฅ… frรฅn ingenstans de kom. Sittandes med en kopp kaffe och en ostfralla pรฅ ett av stans cafรฉer kom orden till mig. Pรฅ min iPhones lilla skรคrm blev de till ett hastigt alster.
…Om att mรถtas i ett annorlunda farvรคl.ย
Andas luft, slรฅr i tomma intet
pรฅ oidentifierad plats
gestikulera vilt omkringรppna รถgon, en blick i taket
en undanmanรถver
balanserar pรฅย ett brรคdeFlyttar kraft, mottar frรฅn golvet
ett luftfyllt agerande
siktar, blundar, siktarKramar hรฅrt, hรฅller andan
en omfamning
pressar, grรฅter, pressarStรฅr kvar, fastnar i greppet
ett รถgonblnicksekund
lรฅser, slรคpper, lรฅserBackar bakรฅt, utรถkar avstรฅndet
vemodets tankar
faller med himlenยฉ Bjรถrn Blomqvist 2015-08-25ย
-
Utan resultat
Det gรฅr ett sus genom luften
lika tomt som mitt vemod
Det ekar av รฅngest i kroppen
med samma kraft som dina ordDet ligger en tanke pรฅ tork
sรฅ ensam som din tomma blick
Det fastnar kรคnslor i nรคtet
sprattlandes varma som vattnetDet skapas text i slutscenen
rullandes fรถrbi sรฅsom min oro
Det byggs murar runtomkring
av hรถga torn som ditt motstรฅndยฉ Bjรถrn Blomqvist 2015-08-23
-
72 genom 10
Medan solen vรคrmde utanfรถr satt jag ensam pรฅ mitt stamstรคlle. Pรฅ galleri Fiskhuset pรฅgรฅr just nu en samlingsutstรคllning med konst av tio kvinnor frรฅn รKKV (รrnskรถldsviks Kollektiva KonstnรคrsVerkstad). Utstรคllningen bjuder pรฅ en mรคngd olika uttryck och intryck, med totalt 72 verk.
Teknik och material รคr otroligt varierande, allt frรฅn olja och akryl till porslin, textil och grafik. Vi inkluderar รคven jรคrnetsningar, emalj, terrakotta och stengods, bland mycket annat. Listan kan gรถras lรฅng, men jag ska fรถrsรถka hรฅlla det kortfattat.
I โI ett hรถstfรคrgat klimat i gult och grรถntโ (olja pรฅ duk) av Annika Kronlind Arvidsson vรคnder tvรฅ mรฅleriskt รฅterskapade personer ryggen รฅt oss betraktare. De verkar se eller diskutera nรฅgot lรคngre bort i bilden, men deras exakta fokus fรถrblir ett mysterium. I kontrast till detta, i โKarin Olsรฉn รbergโ, mรถts himmel och vatten i en helt annan kolorit. En liten badande flicka omges av ringar pรฅ vattnet, vilket antyder en rรถrelse i bilden.
En virvel av vรฅgor i vattnet speglar den lysande himlen ovanfรถr. Reflektionen รคr otroligt skarp och skapar ett teleskoplikt perspektiv, uppifrรฅn och ned pรฅ den lilla flickan. Bakom henne tronar en gigantisk vรคv med digital utskrift. Den รคr visuellt fรคngslande och estetiskt tilltalande. Hรคnder strรคcker sig mot huvud och hรฅr i Marianne Saapunkis verk โManusโ.
Jag gรฅr runt mittensektionen, dรคr en samling porslin och skulpturer i emalj och andra material visas upp. Sรฅdant som inte alltid faller mig i smaken, fรถrutom Hertha Hillfons senaste utstรคllning pรฅ Liljevalchs konsthall.
Plรถtsligt kastas jag รถver 400 รฅr tillbaka i tiden, pรฅ en resa lika lรฅng som Karin EE von Tรถrne Haerns namn. Resan bรถrjar med โBegrundan 40 X 50 cmโ, en akrylmรฅlning som fรถrestรคller en kvinnas ryggtavla. I en stil som pรฅminner om barockmรฅlare som Caravaggio och Rembrandt, badas ena sidan av kroppen i ljus medan den andra fรถrsvinner in i ett lรคtt dunkel. Den mรถrka koloriten รคr mรฅleriskt รฅterskapad, och jag kan inte lรฅta bli att undra om det finns en viss inspiration bakom.
Stilleben fรฅngar allt โ fรคrg, ljus, skugga, mรฅleriskt djup och till och med rรถrelse, trots att rรถrelse inte รคr nรฅgot man vanligtvis fรถrknippar med stilleben. Tรคnk bara pรฅ ett pรคron som balanserar pรฅ kanten av ett bord. Det รคr en enkel sak, men det lurar รถgat att tro att pรคronet gungar pรฅ kanten, redo att falla till golvet.
Jag gรฅr vidare in i utstรคllningen. Upphรคngningen blir platt, men motiven fรถrblir levande. Jag ser nรฅgra grafiska alster i en modernistisk stil. Randiga mรถnster markerar รถvergรฅngen till det jag inte har kunskap om sen innan: โImagOnโ? En konstteknik jag ska undersรถka nรคrmare. Motiven รคr i en svartvit kolorit eller nรคstan i sepia. De bestรฅr av lรถkblommor och fรฅglar som stรฅr i stark kontrast mot den vita bakgrunden.
รntligen! รntligen kommer det jag รคlskar, det jag lรคngtar efter โ det abstrakta! Linjer mรถter ytor i en dans av skapande, ytor delas och cirkulรคra former fรถds ur tomma intet och bildar nya ytor. Fรคrg mot fรคrg, en explosion av nyanser, linje mot kontur, en skarp kontrast som fรฅr hjรคrtat att bulta. Jag stรฅr mitt i en virvelvind av varierande kolorit, omgiven av en symfoni av fรคrger. Jag stirrar, jag fascineras, jag fรถrlorar mig i allt som liknar vatten och labyrinter, i de mystiska djupen och de oรคndliga gรฅngarna. Jag observerar etsningarna, deras 1970-talets fรคrgteman som viskar historier frรฅn en svunnen tid. Jag tittar, jag ser, jag fรถrestรคller mig โ saker som bara jag kan se i min fรถrestรคllning, i min egen privata vรคrld. Enligt titeln vatten, ser jag plรถtsligt hur allt i den abstrakta bildytan rรถr pรฅ sig, dansar, flรถdar, som om det vore levande. Jag tar nรฅgra steg bakรฅt, jag betraktar, jag fรถrundras (creapy, men i bรคsta bemรคrkelse).
Nรฅgra tekniska alster av ImagOn fรถregรฅr en samling expressiva figurer fรถrestรคllande Taipei. Rastafaris-fรคrgerna, uttryckta genom linjer och kvadrater, ger en expressionistisk upplevelse fรถr betraktaren. Utstรคllningen avslutas med en djupare bildkomposition, skapad med en mer avslappnad teknik liknande van Goghs. De asymmetriskt komponerade stolarna antyder ett medvetet val.
Cirkeln รคr sluten. Alsterna delar samma kolorit och stil som de tvรฅ fรถrsta, skapade av samma konstnรคr.
Symboler รคr lite knepiga i den hรคr samlingsutstรคllningen med sina mรฅnga uttryck och motiv. Jag har svรฅrt att hitta nรฅgot gemensamt, men fรถr de vetgiriga och nyfikna symbolforskarna ska jag รคndรฅ fรถrsรถka ge en kort fรถrklaring. Tรคnk pรฅ det dรคr pรคronet som gungar farligt nรคra bordskanten, nรคstan pรฅ vรคg att ramla ner.
Pรคronets sensuella, runda form representerar kรคrlek och moderlighet. I grekisk mytologi ansรฅgs Athena, vishetens och krigets gudinna, vara pรคrontrรคdets moder. Inom kristendomen symboliserar pรคronet Jesu kรคrlek till mรคnskligheten. Kineserna ser dรคremot pรคrontrรคdet, med sin lรฅnga livslรคngd, som en symbol fรถr lรฅngt liv.
ยฉ Bjรถrn Blomqvist 2015-08-19
-
Not a clue?
Feelings to boil
heat on fireplace
Timelines to fill
clockworks in space
New life to live
lack on happiness
Big dreams to go
start in emptiness
Take me to heaven
fly on fate
Nothing to fear
rest in hateยฉ Bjรถrn Blomqvist 2015-08-03
-
Nรคrhetsturism… ;)
Fรถr ovanlighetens skull, gjordes en utflykt med semesterkรคnsla, bara nรฅgra mil hemifrรฅn. Just รster Malma har vi talat om mรฅnga gรฅnger att besรถka. En restaurang med viltkรถtt till buffรฉn fanns ocksรฅ.

รster Malma, en plats fรถr avkoppling med restaurang och lokalproducerat viltkรถtt. 
Smakmรคssigt och prismรคssigt – ok. Inte sรฅ extremt gott, men man fick ju รคta hur mycket man ville. Dรคremot รคr ju allt viltkรถtt till maten lokalproducerat – direkt frรฅn gรฅrdens slakteri. Vildsvin och รคlgar skulle beses. Herrgรฅrden/godset precis intill, hann vi inte besรถka. Jag gjorde ingen nรคrmare historisk koll, sรฅ nรฅgra bilder fรฅr tala fรถr sig sjรคlva.

Gรฅrdsbutiken blev ett tillhรฅll medan regnet gjorde oss sรคllskap. Nรฅgra vildsvin och elstรคngsel blev det sista innan avfรคrd och resa genom det sรถrmlรคndska landskapet. Kyrka efter kyrka passerade vi utan att besรถka nรฅgon av dem. Fรถrutom stoppet vid Godishuset, blev Stjรคrnholm (4 km hemifrรฅn!) den sista platsen innan hemkomst.

Interiรถren i gรฅrdsbutiken pรฅ รster Malma, med hyllor fyllda av lokala produkter och viltkรถtt. 

Entrรฉn till Restaurang รster Malma, med en djurhud pรฅ vรคggen som del av inredningen. Just Stjรคrnholms slott har jag besรถkt otaliga gรฅnger. Vรฅra gรคster har dรคremot inte gjort det. Sรฅ det รคr av den anledningen. Det jag รคr mest fascinerad av รคr skulpturparken intill. Jag passade pรฅ att ta nรฅgra bilder.

Skulptur av en bok under ett litet tak i Stjรคrnholms skulpturpark. 
En humoristisk skulptur av en man som stรฅr pรฅ huvudet i grรคset, ett unikt inslag i skulpturparken vid Stjรคrnholms slott. 
Skulptur av en portal i Stjรคrnholms slott, omgiven av grรถnska. ยฉ Bjรถrn Blomqvist 2015-07-15
-
Fรฅgelungen PAX och alla andra
Med brinnande iver efter att uppleva en uppsjรถ av intryck, hade jag inte insett fรถrrรคn i allra sista stund. Det var dรฅ den djupare innebรถrden av fรฅgelungen PAX uppenbarade sig fรถr mig. Jag kastade mig genast in i analysen, i min sedvanliga anda – alster efter alster. Pรฅ Galleri Fiskhuset var det pรฅ sjรคlvaste nationaldagen – vernissage pรฅ Fรคrgklicken 30 รฅr, en samlingsutstรคllning del 2. Fรถrst en snabbkoll pรฅ tvรฅ traditionella landskapsmotiv, aโla akvarell. Just akvareller dominerade – drygt hรคlften, om inte mer.
Efter tvรฅ dunkla akvareller var det dags att FLY, PAIX och sen den dรคr fรฅgelungen PAX, eller kanske en duva. Verket innan heter ju “Paix” (fred). Poรคngen med “Pax” รคr att pรฅ avstรฅnd, ser den abstrakta monotypin ut att fรถrestรคlla en fรฅgelunge. Jag tror inte det รคr bestรคmt – utan bara en slump, sรฅnt som jag ofta upptรคcker. Jag har ju en exceptionell fรถrmรฅga att se ovanliga detaljer i bildmotiv. Fรฅgelungen lรคmnar jag hรคn fรถr tvรฅ fรคrgmatchande akvareller i ljusare ton รคn de tvรฅ fรถrsta. Nu med motiv av landskap och solrosor. Mycket gult och grรถnt, men helt godkรคnt.
Utstรคllningen presenterar en dynamisk utveckling av motiv och stil, med bรถrjan i en akryl i kolorit blรฅ som fungerar som en รถvergรฅng till nya fรฅgelmotiv i โFรฅgel flygโ. Dessa fรฅglar, tillsammans med โUgglanโ och โSkatanโ, รคr tydligt igenkรคnnliga och ger en kรคnsla av rรถrelse. Tvรฅ akvareller med tydliga motiv leder sedan betraktaren vidare till det mest abstrakta verket i utstรคllningen, โVisshetโ (akvarell/tusch). Placerad strax efter en knallrรถd tulpan i akvarell, erbjuder โVisshetโ en abstrakt upplevelse med sina vita, svarta och gula former i modernistisk anda. Detta abstrakta verk fungerar som ett effektivt avbrott frรฅn den mer traditionella motivskรถrden av landskap och djur, och ger utstรคllningen en vรคlkommen variation.
I den andra sektionen av konstrummet och utstรคllningen presenteras en samling verk av en och samma skapare, dรคr olika tekniker samverkar. Samlingen inkluderar monotypier, blandtekniker och akvareller. Bland dessa verk utmรคrker sig โBlรฅ, blรฅ รคr kรคrlekenโ, en blandteknik som fรฅngade min uppmรคrksamhet. Verket, med sin abstrakta koloristiska palett bestรฅende av rรถtt, blรฅtt och svart, reflekteras i en sjรถliknande yta. โHรถstrapsโ, en monotypi, skapades genom att pressa en fรคrglagd glasskiva mot ett fuktigt papper. Denna teknik erbjuder en fascinerande mรถjlighet till ovรคntade resultat.
Jag bรถrjade min vandring genom utstรคllningen med van Goghs skor och ett lyckosamt fรถrsรถk till pointillism i โIntegrationโ. Under utstรคllningens gรฅng deltog jag i flera konstnรคrssamtal, vilket jag hoppas konstnรคrerna uppskattade lika mycket som jag. รntligen fick jag se nรฅgra oljemรฅlningar med fina motiv av โMagnolia pรฅ kvistโ, โRosor i fรถnstretโ och โVallmonโ. Plรถtsligt tog utstรคllningen en ovรคntad vรคndning mot fyrar. Inte i den ordagranna bemรคrkelsen, utan genom en samling akvareller med fyrar som motiv. Till skillnad frรฅn konstens fyrmsรคstare Hรฅkan Groop, som jag tidigare bloggat om, har dessa fyrar fรฅtt en mer central position. Allt runt omkring รคr avskalat, vilket gรถr att sjรคlva fyren stรฅr i fokus, centrerad mitt i bildytan. Konturerna รคr bรฅde linjรคra och mรฅleriska, vilket skapar ett lรคttare djup i bilden.
I nรคsta sektion introduceras mer rรถrelse i motivet, vilket framgรฅr tydligt av de rinnande bรคckarna och det dimmiga vรคdret som virvlar runt de kala trรคden. Ovรคdret verkar gripa tag i bรฅde de vindpinade trรคden och det forsande vattnet i bรคcken. ร terigen anvรคnds akvareller, men denna gรฅng med en trolsk stรคmning som uppskattas. Djupet i dessa mรฅlningar, liksom i mรฅnga andra i utstรคllningen, skapas frรคmst genom centralperspektivet. Bรคckens strรคckning formar konturerna som leder blicken mot blickpunkten lรคngre bort eller uppรฅt.
I utstรคllningens sista del, รถvervรคldigad av intryck, fastnade jag fรถr ett alster som lyfte akvarellmรฅleriet till nya hรถjder. Bland de fรคrgstarka akvarellerna av โThailรคndska juvelerโ och โStockholm i morgonsolโ utmรคrkte sig โMorgontidigt mรถteโ. Ljusets ursprung var fรถrst oklart, men dess skickliga รฅtergivning var slรฅende. En gestalt, lutad mot en vรคgg, badas i ljus, medan den mรถtande personen mittemot fรถrblir i dunkel. Hela motivet รคr i grรฅskala, med en ljuspunkt som ger en clairobscur-effekt. Varifrรฅn kommer ljuset? I min fantasi fรถrestรคller jag mig att det kommer frรฅn en lampa eller lykta i fasaden ovanfรถr den upplysta gestalten, som vi inte ser i bilden men vars ljus kastar en skugga รถver honom.
Efter alstret om mรถte kรคnde jag en stark lรคngtan att avsluta mitt egna mรถte – mitt konstmรถte. Dรคr fann jag en skattkista av allt jag sรฅ ofta sรถker. Djupet, rรถrelsen, den mรฅngfald av tekniker, de abstrakta motiven, clairobscuren och de fรถrtrollande ljussรคttningarna. Det som gjorde det hela sรฅ befriande var att det i stort sett, bara รคr bildkonstโฆ
ยฉ Bjรถrn Blomqvist 2015-06-07
-
En stil fรถr varje smak

โSommarsalong Mina vรคnnerโ โ en utstรคllning som sprudlar av kreativitet och mรฅngfald! En fantastisk mรถjlighet att uppleva en uppsjรถ av konstnรคrliga uttryck, dรคr varje stil och influens frรฅn konsthistorien fรฅr sin plats att lysa. En riktig fest fรถr รถgat och sjรคlen!
Efter att ha beundrat fรฅglar som poserade som om de var pรฅ catwalken och en kronรคrtskocka som sรฅg ut att vara redo fรถr en gala, fortsatte jag min klรคttring. En paus i trappan, lรคngre รคn en katt som strรคcker pรฅ sig, gav mig en fรถrsmak av vad som vรคntade. Nu รคr det konst รถverallt, och jag kรคnner mig som en รถverstimulerad hamster i ett konstgalleri.
Filippa Lรถvemarks konstverk fรคngslar med sin mรฅleriska kvalitet och skickliga skuggsรคttning, vilket ger djup รฅt motiven. Fรฅglar och fjรคrilar รคr รฅterkommande teman, placerade i olika miljรถer. Bakgrunderna, med sina naturmotiv, รคr avsiktligt abstraherade fรถr att framhรคva fรฅglarna eller fjรคrilarna och de fรถremรฅl de befinner sig pรฅ, sรฅsom taggtrรฅd eller elkontakter, i ljuset. Denna teknik skapar en fokuserad och fรคngslande visuell upplevelse.
Nรฅgot senare befann jag mig i trรฅnga passager och mystiska platser, inte inne i galleriet, utan i bildens vรคrld. Agneta รstlunds obskyra och hemlighetsfulla gestalter rรถr sig i dessa trรฅnga passager, omgivna av fรคrgytor eller kolorit i grรฅtt och svart. Detta skapar en diffus uppfattning om suspekta personer i en dunkel miljรถ, samtidigt som hon skapar djup pรฅ ett traditionellt sรคtt.
Snabbt vรคnde jag mig om och tittade pรฅ alstret mittemot de suspekta herrarna i svart. Det jag sรฅg, var tvรฅ kvinnors/flickors ben, dvs. underkroppar. Motivet talar till oss genom hรคndernas fattning och fรถtternas placering. En hand hรฅller om den andres hรคnder och tvรฅ par fรถtter riktas inรฅt som ett tecken pรฅ underlรคgsenhet, skam eller rรคdsla fรถr nรฅgonting. Koloriten i alstren fรถrekommer i fler av Neringa Stjernmans alster – nรฅgot jag gillar. Inte bara de lugnande fรคrgerna, utan stillheten och de tysta uttrycken i motiven.
Jag fortsatte min runda och betraktade alster efter alster i vanlig ordning. Strax efter Nerringas alster finns ett motiv av en pojke i rรถtt. Pojken, klรคdd i rรถd trรถja, utstrรฅlar en kรคnsla av sรถkande eller nyfikenhet. Det som fรฅngade min uppmรคrksamhet var konstnรคrens anvรคndning av en vinjett i sina alster. Allt runt omkring, inklusive hus och vegetation, blir mer otydligt, vilket skapar ett cirkulรคrt fokus eller skรคrpa kring pojken. Det pรฅminner mig om hur man skapar en vinjett pรฅ Instagram, dรคr motivet framhรคvs medan bakgrunden suddas ut. I detta fall รคr det pojken i rรถd trรถja som stรฅr i centrum.
Plรถtsligt kรคnde jag igen mig! Jag mรถttes av en samling alster av Helena Trovaj, vars konst jag tidigare analyserat. Jag รคr inte sรคker pรฅ om det รคr nya verk, men stilen รคr omisskรคnnlig. Jag minns inte exakt vad jag sa om hennes verk tidigare, men jag tror att jag gillade dem. Jag uppskattar nรคr konstnรคrer gรถr nรฅgot extra med akvareller, och det tycker jag definitivt att hon gรถr. Gula spรฅrvagnar, gula taxibilar och livfulla stadsmiljรถer รคr รฅterkommande motiv i hennes verk.
Mitt i galleriets lugna miljรถ, en skarp kontrast till det stormiga vรคdret utanfรถr, fรฅngade mina รถgon ett antal skulpturer. Bland dessa konstverk stack Helรฉne Andersons keramik ut. Skulptur รคr fรถr mig en komplex uppfattning, men i detta fall fann jag mig sjรคlv hรคnfรถrd av Andersons skicklighet. Hon hade skapat en samling handvรคskor och skor sรฅ realistiska att jag fรถrst trodde de var รคkta. Deras intrikata detaljer och livfulla fรคrger fick mig nรคstan att vilja bรคra dem och gรฅ ut i vรคrlden med en keramisk handvรคska om axeln.
Mitt i samlingen finner vi tvรฅ verk av Eva Andersson, var och en med ett unikt motiv och komposition. Jag uppskattar sรคrskilt kontrasten mellan himmel och vรคg i ett av verken. Den knallblรฅ himlen mรถter en vรคg eller gata i en mer orange ton, vilket skapar ett naturligt ljus i bilden. Det traditionella centralperspektivet anvรคnds effektivt, dรคr gatans kanter och husens strรคckning mรถts i den centrala blickpunkten lรคngre bort.
I konstrundans fortsรคttning stรถtte jag pรฅ modernismens element. Tobias Eklunds verk, prรคglade av Matisse-liknande ansikten och fauvistiska inslag, kombinerar starka linjedragningar med en livligare textur och form skapad genom mixed media. Nรคsta steg รคr att analysera dessa verk.
Smileysarna i det stรถrre ansiktet รคr charmiga, men de fรถrtjรคnar en egen utstรคllning. De kommer inte riktigt till sin rรคtt i det hรคr sammanhanget, kanske pรฅ grund av verken som kommer fรถre och efter. Jag hoppas att Tobias snart fรฅr en separat utstรคllning, dรฅ kan jag analysera hans verk mer ingรฅende.
Med en glรถdande iver kastade jag mig รถver till bortre vรคggen i galleriet, den heliga platsen dรคr galleristen alltid stรคller ut de stรถrre mรคsterverken och de mest fรถrtrollande skapelserna. Denna gรฅng var inget undantag! Neringa Stjernmans alster, med sin fรถrtrollande, varma kolorit, รฅtervรคnder triumferande! Frรฅn fauvismens och modernismens virvlande vรคrldar, kastas vi plรถtsligt in i ett stilla, stilla stilla-liknande tillstรฅnd, en andlรถs paus i tidens gรฅng.
Verket refererar till stillebenkonsten genom att avbilda en skรฅl med รคgg eller en terrin pรฅ ett bord med matchande bakgrund/tapet. Detta motiv รคr vรคlbekant inom genren. Konstnรคrens tidigare verk med underkroppar antyder att detta kan vara ett รฅterkommande tema. Bรฅde kompositionerna och koloriten i detta verk uppskattas. Konstnรคren lyckas mรฅleriskt รฅterskapa en kรคnsla av ensamhet, bundenhet och kรคnslor.
Jag lรคmnade de tre stรถrre verken bakom mig nรคr jag dรคrefter befann mig i kubismens tidevarv. Inte bara fรถr att Alexandra Kubiaks namn pรฅminner om kubism, utan รคven fรถr att hennes verk รคr i kubistisk stil. De starka linjedragen och de tvรฅdimensionella kvinnogestalterna fรถr tankarna till Picasso. Jag uppskattar hennes verk, men de med รถverdriven textmรคngd skulle kunna vara mer effektfulla utan den. Min personliga koppling till kubismen รคr att dess fรถrgrundsgestalt, Pablo Picasso, gick bort samma รฅr som jag fรถddes. Nu var det sagt.
Min resa genom konstens vรคrld tog mig frรฅn modernismens djรคrva penseldrag, via fauvismens explosiva fรคrger, till stillebenets stillhet och kubismens geometriska lekfullhet โ och sedan, som av en blixt, landade jag i surrealismens fรถrtrollande vรคrld. Det รคr hรคr, i drรถmmarnas och det omedvetnas rike, som min passion verkligen flรถdar. Som en hรคngiven beundrare av Salvador Dalรญs surrealistiska mรคsterverk och Renรฉ Magrittes gรฅtfulla bilder, finner jag en djup resonans med Per Nylรฉns skapelser. Hans vรฅgformiga hรถghus, med sina fascinerande sprickor i tegelfasaderna, viskar till mig om en vรคrld bortom det vanliga, en vรคrld dรคr fantasin sรคtter grรคnser.
Underfundiga titlar och en รฅterkommande hรคngbro som leder oss nรฅgonstans, vidare in i bilden, eller ut ur den โ det รคr nรฅgot jag uppskattar. Den starka koloriten, med intensiva blรฅ och rรถda nyanser i drรถmska miljรถer, fรฅngar min uppmรคrksamhet. Ljussรคttningen รคr tydlig, med ett ljus snett framifrรฅn som kastar skuggor pรฅ husets ena sida, vilket konstnรคren skickligt anvรคnder fรถr att skapa djup. Lekfullhet genomsyrar Pers verk, och dessa blir direkt favoriter i utstรคllningen. Men det finns fler โ rรคkna med det.
Utstรคllningen รคr en riktig pรคrla, med en imponerande variation av stilar och inspirationskรคllor. Konstnรคrerna som sรคrskilt fรฅngade mitt intresse รคr Per Nylรฉn, vars surrealistiska och lekfulla hรถghus รคr en frรถjd fรถr รถgat, Filippa Levemark, vars fรฅgelmotiv รคr bรฅde eleganta och fรคngslande, Alexandra Kubiak, vars kubistiska kvinnofigurer รคr bรฅde tankevรคckande och visuellt slรฅende, och Neringa Stjernman, vars varma stilleben av en รคggskรฅl och en soppterrin utstrรฅlar en kรคnsla av hemtrevnad och komfort.
ยฉ๏ธ Bjรถrn Blomqvist 2015-05-30
-
Comparison
In my head you are
the masterย
of comparison
I see what you see
to compare
good or betterย
in the scale of myย
worthless skillsย
to pretending be goodยฉ Bjรถrn Blomqvist 2015-05-28
-
Krypande kรคnsla
I snรฅrskogen vandrar utanfรถrskapet,
sida vid sida med lรถvtrรคden
Motvinden รฅker slalom mellan trรคden,
vinande fรถrbi, vinande borta
Pรฅ stenen ensam sittandes kvar,
ni och jag, vi eller bara jaget
I ett dike ligger hopplรถsheten,
utmattad, utan tro pรฅ framtidenยฉ Bjรถrn Blomqvist 2015-05-27
-
Goda utsikter
Det kรคnns som om det รคr medgรฅng i skrivandet just nu. Sรฅ sent som igรฅr pรฅbรถrjade jag planerna fรถr nรคsta diktsamling. Det kommer bli mer personligt och med en hel del mรถrker. Orsaken till detta sรฅ plรถtsliga infall, kan bero pรฅ ett รถkat sjรคlvfรถrtroende. Jag har mรฅnga gรฅngar tvivlat pรฅ min talang, men nu kรคnns det som om jag struntar i det och bara skriver. Det รคr det som รคr passionen. Att fรฅ uttrycka sig och berรคtta sin historia och om sina kรคnslor via poesin.
Det som kommer skilja frรฅn den tidigare samlingen dikter – den samling som inte รคr helt klar รคn, รคr att inga dikter frรฅn nya samlingen kommer publiceras hรคr. De dikter som kommer att dyka upp hรคr emellanรฅt, hรถr antingen till fรถrsta, ofรคrdiga samlingen eller fria dikter utanfรถr systemet (svenska/engelska). Det enda som รคr garanterat och genomgรฅende, รคr att alla dikter, all poesi pรฅ bloggen, fortfarande รคr skrivet av mig – ingen annan, om inget annat skulle framgรฅ. ๐
Nu ska jag baka pizza. ๐
ยฉ Bjรถrn Blomqvist 2015-05-25
-
Perfect match – nearly!
In reference to my visit to Galleri Sjรถhรคsten today, I opted for a monochromatic ensemble consisting of gray trousers and a blazer. However, I incorporated a touch of color through my shirt and Vagabond shoes. Notably, some of the artworks displayed at the gallery featured gray surfaces, which was an unexpected coincidence.
On the final day of the exhibition featuring the works of Margareta Gelles (painting, acrylic/oil) and Claes Andersson (painting/mixed media), the exhibition presents a captivating juxtaposition of muscle cars and playful artistic expression. The general description encapsulates the essence of the exhibition, highlighting the harmonious blend of automotive aesthetics and artistic prowess.
In the majority of Margaretaโs paintings, I discerned a character reminiscent of Disney. The other paintings convey expressions through gray fields and three-dimensional surfaces, which is the sole instance where I observed depth in her works. Notably, all other paintings lack three-dimensional compositions. This distinction is significant, in my opinion. Two of her paintings stand out as a stark contrast to her more whimsical artworks, even in their titles. These paintings are titled in Swedish, unlike the majority of her works that are titled in English. The paintings demonstrate her proficiency in employing diverse motifs while simultaneously incorporating her playful motifs. This observation has been confirmed. The paintings exhibit depth, movement, and adhere to conventional compositions and perspectives.
In Claes Oldenburgโs paintings, I consistently observe one or two automobiles, predominantly featuring significant power. The artist skillfully integrates these vehicles with text sourced from newspapers or his own compositions, effectively establishing a connection between the automobile and the text. Notably, the text is directly printed onto the canvas and subsequently covered with varnish. Towards the conclusion of my visit, I observed that Oldenburg employs a colored line in his artworks, employing a distinct hue for each painting, as a delineator between two sections. This technique is particularly noteworthy. The paintings are replete with traffic signs, lights, maps, and other ubiquitous imagery associated with the existence of substantial automobiles.
Summary of My Exhibition Visit
I hold diverse perspectives on the artworks displayed. I commend Cleaโs mixed media creations and Margaretโs two stylistic paintings. However, I find the other more whimsical paintings excessively expressive and difficult to comprehend. I appreciate how Cleaโs paintings allow for our imaginative interpretation. For instance, the artwork โSomeoneโ aligns with my preferred style, predominantly employing black color, a code of ones and zeros, and a diminutive female portrait in the corner. It exemplifies how we can discern concealed elements within art. The utilization of code is evident in other artworks as well, albeit with distinct connotations.
Presently, we delve into the symbolic research of the most prevalent motifs. A vehicle with substantial horsepower evokes the symbols horse and car. To facilitate comprehension, I will provide a concise symbolic description of โHorseโ and its connection to the automobiles in Claesโs paintings. The horse serves as a symbol of nobility, swiftness, and aesthetic beauty. Similarly, the automobiles in his paintings embody these qualities. Furthermore, they symbolize the acquisition and exertion of power. A galloping horse represents the power of nature and swiftness, but the symbolic significance of the horse varies depending on its color.
ยฉ Bjรถrn Blomqvist 2015-05-24
-
Tystnaden
Det var fรถr ovanlighetens skull, tyst vid min skrivarplats (ekbordet i matsalen med utsikt mot baksidan!). Sรฅ jag kastade snabbt ihop en dikt om just “Tystnaden”. Ett hafsverk helt enkelt ๐
Tystnaden
i ensamhetens vagga
grรฅmulen bakbunden
i ett solvarv
Fjรคrran ljud
i ett gungande anfall
svepandes i ett vรคdertรคckeTystnaden
i nattmรถrkrets grepp
bedรถvat avlyssnad
under plรคd
Vindens sus
i sjungandes libretto
upplyftande i ett tygstyckeTystnaden
i frihetens tjรคnst
upplyst och befriad
i ett dagsverke
Regnmoln i filtrerat
fรคrgformat
vitare รคn lรถgnen om nederbรถrdยฉ Bjรถrn Blomqvist 2015-05-19
-
Sista pusselbiten, so far…
Jag var pรฅ en tillstรคllning idag, jag behรถvde undersรถka i samband med nรฅgra scener i bokmanuset. Nu รคr det gjort. Det gav mig inte sรฅ mรฅnga nya infallsvinklar. Ingenting sen sist i alla fall. Ingenting รคr nytt under solen sรฅ att sรคga. Dรคremot kunde jag hitta andra saker jag kan relatera till. Ur ett research-syfte kan jag nu lรคgga denna hรคndelse รฅt sidan och fortsรคtta skriva.
Fantasin/fiktionen och sjรคlva berรคttelsen finns i smรฅ bitar i mitt huvud. Nu รคr det raka spรฅret att sammanfoga dem och fylla ut dรคr det saknas. Jag kommer fรถrmodligen att hamna i en liknande situation lรคngre fram dรฅ jag mรฅste invรคnta resultat frรฅn ytterligare research. Sen har jag inget att frukta. Det รคr bara att kรถra pรฅ.
Manuset ska vara klart till hรถsten, det lovar jag denna gรฅng. Dรคrefter ska jag fรถrsรถka slutfรถra diktsamlingen, om inte det skulle ske dessfรถrinnan. Det รคr inte alls frรคmmande om den rรฅkar ges ut i tryck fรถre debutromanen. Nรฅgot jag รคr beredd pรฅ med tanke pรฅ den hรฅrda konkurrensen inom branschen.
Som trรถst eller bot pรฅ det, kommer jag direkt efter utfallet, pรฅbรถrja nรคsta romanprojekt. Om det blir en till relationsroman i surrealistisk anda med neurotiska undertoner, eller en kriminalroman, fรฅr framtiden utvisa! Idรฉer fรถr de bรฅda finns.
ยฉ Bjรถrn Blomqvist 2015-05-09ย
-
What am I thinking? ;)
Itโs here on the blog you can
read my thoughts – my thoughts
about my thoughts in the field
of art analysis, poetry and
everything in between – often
written thoughts about my
thoughtsโฆยฉ Bjรถrn Blomqvist 2015-05-09
-
A title? Haven’t a clue?
My empty head
by the echo
of nothing
sounds like
inner steps
of tap dancing
through my brainAn empty feeling
by the wind
of silences
tastes like
refreshing air
of hurricanes
in my chestAn empty soul
by the anger
of blackness
looks like
dark chocolate
of nightmares
in my eyesMy empty body
by the power
of weightlessness
feels like
jagged demons
of starvation
through my gutsยฉ Bjรถrn Blomqvist 2015-05-07
ย
-
Tudelad
Mellan tvรฅ ytor jag fรคrdas
i dragkamp emellan polerna
Delat sinne i passet lรคngs
hjรคrnan rรถr om i vรฅgskรฅlen
Utstrรคckta armar รฅt sidorna
greppas av hungriga viljor
Rรถkridรฅer ligger vรคntande
i bakhรฅll mot min ovisshet
Sรถmnlรถsa nรคtter i mรฅnsken
mot ljuset genom slรคckta rum
Pรฅ ett schackbrรคde jag gรฅr
i tankebana i diagonal fil
Pรฅ svarta rutor en vit hรคst
plรถjer fรฅllan fรถr min fรคrd
Ett steg fram, ett i taget
mot stupet pรฅ ett spelbrรคdeยฉ Bjรถrn Blomqvist 2015-05-05
-
Svallvรฅgslitteratur…ย
Nyfikenheten slรฅr till utanfรถr bokhandeln. Med blicken mot skyltfรถnstret vill jag i det nรคsta – gรฅ in. Hyllor av bรถcker slรฅr รถver mig som en litterรคr tsunami. Jag surfar pรฅ vรฅgen tills jag nรฅr avdelningen fรถr facklitteratur. Dรคr bland biografier och historiska verk finner jag en bok som genast fรฅngar min uppmรคrksamhet. Jag slรฅr upp den och kastas in i en vรคrld av kunskap och รคventyr. Tiden stรฅr stilla medan jag fรถrdjupar mig i sidornas magi, och jag kรคnner tacksamhet รถver att ha hittat denna pรคrla mitt i bokdjungeln.
Jag lyfter pรฅ bรถckerna och lรคser, blรคddrar och inser. En ny vรฅg strรถmmar till, en vรฅg av sviktande sjรคlvkรคnsla i en mur av jรคmfรถrelsedrift. Ett hinder mot den egna vรคgens filosofi. Bara dรคr, bara i havet av bรถcker blandas lust med rรคdsla att misslyckas i ett drรถmlandskap av mixade tankar. Vad har jag att? vad har de? …och vem ska jag lyssna pรฅ?
ยฉ Bjรถrn Blomqvist 2015-04-29
-
Glasklart – nรคstan… ;)

Starten bรถrjar lugnt denna gรฅng. Entrรฉhallen รคr inte lika fylld av alster som tidigare. Hรคr mรถter tre alster mig; tvรฅ i grafik och ett i textil. Mer behรถver det inte vara. Kvantiteten och kvaliteten vรคntar jag pรฅ รถvervรฅningen. Utstรคllningens dominant รคr konstglas av Betina Huber. Det รคr i betydligt stรถrre omfattning รคn den vรคgghรคngda konsten av Mona Hedin (grafik, textil).
Textilkonsten, med sina vรคvar och garn, erbjuder en unik tredimensionell djup i bilden. Grafiken, รฅ andra sidan, kretsar kring ett รฅterkommande motiv i olika fรคrgkombinationer โ en klรคnning. Pรฅ avstรฅnd kan den likna en katt med รถgon och en hjรคrtformad mun (eller รคr det bara min fantasi?). Klรคnningens symboliska betydelse รคr nรฅgot jag vill utforska vidare.
Textilerna visar upp en mรคngd olika naturmotiv, sรฅsom รถar, รคngar och landskap. Blommor och klรคnningar (vรคvar) รคr ocksรฅ รฅterkommande teman. Fรคrgpaletten รคr inspirerad av dessa naturmotiv: รถn รคr omgiven av blรฅtt (hav), landskapet รคr grรถnt och รคngen รคr orange. Fรถr att fullt ut uppskatta dessa verk bรถr man betrakta dem pรฅ avstรฅnd fรถr att fรฅ en helhetsbild. ย
Konstglas รคr en hisnande uppvisning av skรถnhet, elegans och ren konstnรคrlig briljans! Jag har sagt det fรถrut och jag sรคger det igen โ dessa verk รคr helt enkelt magiska. Galleri Sjรถhรคsten bjuder pรฅ en enastรฅende samling konstglas, en symfoni av former och fรคrger som tar andan ur en. Fรถrestรคll er runda, koniska och skรฅlformade mรคsterverk โ och det รคr bara bรถrjan! Att beskriva allt hรคr skulle krรคva en hel roman. Majoriteten av dessa fรถrtrollande glasverk รคr prydda med intrikata mรถnster i djup kolorit. De fรถrestรคller allt frรฅn majestรคtiska fjรคdrar, kloka ugglor, stolta รถrnar och delikata blommor. Men det stannar inte dรคr! Det finns รคven mer abstrakta mรถnster och texter eller budskap i nyanser av glasfรคrgen, som blรฅ eller rosa nyanser. Listan รถver motiv รคr oรคndlig, och skicklighetsnivรฅn รคr lika imponerande. Varje verk รคr ett bevis pรฅ konstnรคrens passion och hantverk, en sann frรถjd fรถr รถgat och sjรคlen!
Utstรคllningen visar en varierad samling fรถremรฅl. Den innehรฅller droppformade glas (lampskรคrmar), oljelampor, snรคckor och fossiler. Alla har varningen โrรถr ej glasetโ eller liknande. Glaskonst dominerar, med en liten samling textilier och upprepade motiv i grafik som fyller ut utrymmet.
ยฉ Bjรถrn Blomqvist 2015-04-26
-
Vakuum
Kรคnslan finns dรคr
kรคnslan som gnager
Jag รคr dรคr
jag lever
i en bubbla
i ett ekorrhjul
Nรฅgot ska ske
nรฅgot hรคnder
Jag springer
i ett vakuum
utanfรถr รคr tyst
hรคrinne stรคngt
Vรคggar i pansar
dรถrrar av stรฅl
i fรถrfluten tid
det som var
En fรคrd genom tunneln
trycket gรฅr
trycket som fรถr
Jag รคr ensam
jag sluter mina รถgon
รถgon blรฅยฉ Bjรถrn Blomqvist 2015-04-23
-
Kontrasthรคndelser

Hรฅkan Groop, kรคnd fรถr sin fรถrkรคrlek till fyrar, har skapat en serie pรฅ 15 mรฅlningar inspirerade av Corsewall Lighthouse vid den skotska vรคstkusten. Under en fem dagar lรฅng resa besรถkte han fyren och รฅterskapade den pรฅ 15 estetiskt olika sรคtt, frรฅn olika vinklar. Trots det gemensamma motivet รคr varje mรฅlning unik, med distinkta stildrag, kompositioner, ljus och vรคderfรถrhรฅllanden.
De flesta verken รคr akvareller, med nรฅgra Giclรฉe Fine Art-tryck. Mรฅnga av verken fรฅngar vรฅgor som slรฅr mot klipporna, med vatten som sprutar hรถgt upp i luften i vissa motiv. Detta stรคmmer med Hรฅkans kommentar om att det kan blรฅsa upp till 30 sekundmeter ena dagen.
Konstnรคren har รคven inkluderat nรฅgra alster av fyrar pรฅ ett betydligt nรคrmare avstรฅnd, som till exempel fyren och fyrvaktarbostaden vid Femรถrehuvud. Djupet i Hรฅkans akvareller uppnรฅs genom traditionella tekniker, sรฅsom centralperspektiv, strategisk placering av fรถremรฅl och anvรคndning av diagonala linjer. Dessa diagonala linjer delar ofta in motiv i tvรฅ sektioner, vilket รคr en vanlig kompositionsteknik. Till exempel kan en diagonal kustlinje (i 3D) dela bildytan i tvรฅ delar. I ett fall dรคr huvudmotiven avbildas platt, har Hรฅkan mรฅlat en annan byggnad i 3D i fรถrgrunden fรถr att skapa djup, som han sjรคlv fรถrklarade.
Hรฅkans alster visar en varierande kolorit, pรฅverkad av vรคder, tid och kanske รคven hans humรถr. Detta gรถr det svรฅrt att identifiera en konsekvent kolorit. De branta, steniga klipporna uppvisar olika nyanser, och vรฅgornas rรถrelser mot dem fรถrรคndras beroende pรฅ vรคder och tidsperspektiv i bilden. Detta bidrar till variationen, trots att motivet รคr detsamma. รven vinkeln frรฅn vilken motivet avbildas pรฅverkar variationen. Ljussรคttningen รคr oftast ur betraktarens perspektiv eller snett framifrรฅn.
Hรฅkans mรฅleri รคr otvivelaktigt imponerande. Hรฅkans skicklighet och produktivitet imponerar dock mest pรฅ mig, liksom de fascinerande anekdoter han gรคrna delar med sig av. Varje besรถk pรฅ Galleri Westerlind bjuder pรฅ ny kunskap, nรฅgot jag vรคrdesรคtter hรถgt.
Bland alla motiv stack ett ut som min favorit. Till skillnad frรฅn de andra vyerna รถver fyren med utomhusfokus, fรฅngade detta motiv interiรถren. Konstnรคren beskrev det som en vy frรฅn toalettfรถnstret, dรคr fyren badas i det starka ljuset frรฅn den rรฅdande solnedgรฅngen. Fรถnstret skapar en slรฅende kontrast till den upplysta scenen med sina tvรฅ mรถrkt grรฅ fรถnsterluckor och en 3D-centralperspektivisk gestaltning.
Symboler spelar en viktig roll i konst, och fyren รคr en framtrรคdande sรฅdan i detta verk. Fyren, eller fyrtornet, symboliserar manlig fruktsamhet och Kristus lรคra, och fungerar som en vรคgvisare fรถr sjรคlar som dras till tron, likt fartyg som navigerar efter dess ljus. Tornet, med sin maskulina arkitektur, representerar makt och manlig รถverlรคgsenhet. Konstnรคrens intresse fรถr fyrar รคr symboliskt fรถr bildskรถrden.
…Pรฅ รฅterseende!
ยฉ Bjรถrn Blomqvist 2015-04-16
-
Sanningsbรคgare
Sanningar fรถrvrids
i ett handgrepp
om svampenDroppar pressas ut
i ett uttorkat
faktaklimatAllt rinner av
genom rรถr och
felaktiga kanalerDiken vรคxer igen
ingen som ser
tittandes framรฅtยฉ Bjรถrn Blomqvist 2015-04-08
-
Just nu…
Pรฅ tvรฅ dagar har jag nรคstan skrivit ett helt nytt kapitel i romanen. Hypotetiskt sett skulle jag kunna sรคga att jag snart รคr inne pรฅ den andra fjรคrdedelen. En stegring i handlingen รคr pรฅ intรฅgande. Dรคrefter – bortรฅt mitten ska saker och ting ta sin verkan. Det รคr jag klar med, men vet inte riktigt hur jag ska vinkla det. Dรคremot vet jag hur allt ska sluta och hur allt ska fรฅ sin upplรถsning. Det svรฅra รคr som vanligt hur och med vad jag ska fylla allt emellan med ๐
ยฉ Bjรถrn Blomqvist 20015-04-07
-
Innanfรถr
Hjรคrtats solfรถrmรถrkelse
i ett รฅskknall
vredesutbrott
Skuggor svarta
sakta gรฅr
รถver gata under hud
Kastanjetter vibreraย
i rรถda ljusets
gรฅshud koka
Gnisslets bedรถvande
i en skivspelares
armrรถrelse
Mรถrka tankar
ilande รฅka
รถver brรถst under hudยฉ Bjรถrn Blomqvist 2015-03-28
-
Det centrala ljusets betydelse
Om utstรคllningen “Tillsammans”.ย
Av systrarna Agneta ร hl och Elisabeth Rosenlund som stรคller ut tillsammans, sprudlar kreativa mรถjligheter och glรคdje!
Elisabeth stรคller ut mรฅlningar i tempera och olja/tempera, medan Agneta visar Collografi och Serigrafi. Mรฅlningarna har en tydlig stil med dominerande fรคrger som blรฅtt, vitt, turkost och brunt. Detta รคr sรคrskilt tydligt i motiv som handlar om hav och himmel. Kompositionerna med rektangulรคra och abstrakta former har en stark fรคrgkombination av lila, turkos och brunt.
I nรคstan alla mรฅlningar av Elisabeth รคr ljuset avgรถrande. I mitten av motivbilden strรฅlar en stor ljusbild med ett kraftfullt ljussken. Mรฅnga gรฅnger formar ljuset djupet i bilden, sรคrskilt nรคr ljuskรคllan skapar speglingar i vattnet. Genom detta upptรคckte vi djupet, delvis tack vare den vanliga segelbรฅten i fjรคrran. Ljuset koncentrerar sig ofta pรฅ ett specifikt objekt i bilden, oftast bรฅten i fjรคrran eller ett mรคnniskopar.
Det รคr emellanรฅt upprepningar av motiv – likasรฅ i kompositionerna. Det som verkligen skiljer dem รฅt รคr den skiftande koloriten bland alstren. Jag uppskattar tempera, eftersom det skapar en tunn och klar yta utan grova penseldrag eller texturer. Inledningsvis dominerar ljusa och kalla fรคrger, men senare framtrรคder en mรถrkare och varmare kolorit. Frรฅgan om det finns rรถrelse i motiven รคr enbart en lek fรถr fantasin. Bรฅtarna i bilden kan antingen rรถra sig eller ligga fรถr ankare. Det centrala ljuset รคr det som verkligen hรคrskar i Elisabeths alster, och symboliskt kan jag tydligt redogรถra fรถr det senare.
Djup finns det ocksรฅ. Diagonalt placerade fasader och fรถnster skapar ett perspektiv i bakgrunden. Detta kontrasterar mot de mer tvรฅdimensionella element med mat- och dryckestema i nederkanten. Bordets placering bidrar ytterligare till illusionen av djup i bilden. Dessa verk kรคnnetecknas av en viss mystifikation, vilket fรถrhรถjer deras estetiska vรคrde. De tvรฅ serigrafierna, nr. 19 och 20, รคr relativt abstrakta.
Det finns en tydlig rรถd trรฅd i utstรคllningen, trots de varierande stilarna. Elisabeths mรฅlningar skiftar i kolorit, och galleristen har noggrant hรคngt deras verk i fรคrgordning. Inga slumpartade hรคngningar hรคr, utan vรคl genomtรคnkta placeringar.
Detta avslutar mina observationer fรถr tillfรคllet. Jag ser fram emot vรฅrt nรคsta mรถte.
ยฉ Bjรถrn Blomqvist 2015-03-07ย
-
Dรคr borta – helt borta
I ett hรถrn stรฅr kreativiteten och gnager. Med ansiktet vรคnd mot fasaden kommer den ingenstans. Kreativiteten har mรฅlat in sig i ett hรถrn. Fรคrgen har torkat. Rollern har kรคrvat fast. Stenvรคggens textur รคr grov, fรคrgad i svart. I nittio graders vinkel delas svรคrtan i en smal strimma grรฅtt. Kreativiteten tappar greppet om handtaget. En roller ligger pรฅ stengolvet, uppfรฅngat av gรฅrdagens tidning. Mittomslaget vrรคker sig fram ut รถver golvet. Kreativiteten stรฅr kvar med fรถtterna pรฅ tidningen. Kreativiteten blundar, tittar och blundar en gรฅng till. รgonvรคtska droppar ned, rakt ned i hinken. Ringar bildas pรฅ ytan – svarta som allt annat runt omkring. Desperata rop hรถrs i rummet. Eko som studsar fram och tillbaka i hรถrnet. Mรฅlarhinken dallrar av ljudet om rop pรฅ hjรคlp. Vรฅgor i fรคrgytan fรฅr hinken att rinna รถver. En droppe fรคrg, ett rop pรฅ hjรคlp och allt rinner ut รถver golvet. Saker flyter, allt annat simmar men kreativiteten รคr orรถrlig. Stel som fรคrgen pรฅ rollens mjuka rulle stรฅr kreativitetens kvar och undrar om det snart kommer en lรถsning. Fรคrglรถsning, lacknafta och thinner fรถr sjรคlen.
ยฉ Bjรถrn Blomqvist 2015-02-24
-
The sad poet
Darkness in mind
black holes in universe
Feelings goes behind
deep words on verse
Puzzle of inner fight
wounded by ego trip
Souls dark as the night
phrases along strip
No words from heart
lose control losing life
New chance a new start
throwing the knife
Tears behind my eyes
cold fluid frozen ice
moments to catch flies
cuts my tiesยฉย Bjรถrn Blomqvist 2015-02-20
-
Ice…
ice in slice of waves
cooling down
ice in ties of days
losing crown
cold in bold to block
thick thoughts
cold in fold to lock
sick throats
drift in shift of heat
takes away
drift in swift of beat
wakes today
talk in walk on ice
slowing speed
talk in stalk on rice
growing seedยฉย Bjรถrn Blomqvist 2015-02-15ย
-
From the silence of the forest to urban life
Today, I found myself once again at the enchanting Gallery Sjรถhรคsten, for what feels like the hundredth time. This brief visit inspired my thoughts. I immersed myself in the profound art exhibition by the talented John Ramberg. His aquarelles, each a vivid masterpiece in various sizes and compositions, captivated my senses. The exhibition whisked me away on a mesmerizing journey. It traversed the stillness of inanimate objects. It moved through the serene woods to the exhilarating pulse of vibrant city life.
The first three images showcase striking scrap cars nestled in a dense forest. The motifs are sourced from the renowned car cemetery in Smรฅland. It is a must-visit destination. The rusty car wrecks intertwine with the silence. They transform into captivating works of art. These artworks reflect urban life and feature various vehiclesโfree from rustโand the vibrant presence of people amidst the cityscape.
The prevalent theme in numerous works is the vibrant use of yellow hues. The figures depicted are often silhouettes, allowing the artist to masterfully employ a contre-jour technique that enhances the composition. Additionally, light sources such as street lamps and car headlights add an evocative depth to the imagery.
The texture possesses an exhilarating roughness, beckoning viewers to step back and drink in the mesmerizing images from a distance. Drenched in vibrant shades of yellow and beige, these hues dance vividly across the canvas. Most objects exude a captivating linearity, while the artwork’s enchanting 3D depth invites the imagination to plunge into its wonder.
ยฉ Bjรถrn Blomqvist 2015-02-05
-
Status…
Nรฅgon inom mig sitter
rattar och styr
Nรฅgon framfรถr mig gรฅr
sakta och tyst
Nรฅgon i mitt huvud hรถr
brister och fel
Nรฅgon bakom mig finns
sorgsen och rรคdd
Nรฅgon i det undermedvetna
fรถrhalar och tar
Nรฅgon utanfรถr min sfรคr
ovetande och rak
Nรฅgon emot mig agerar
stark och smart
Nรฅgon till mig sรคger
kasta och glรถmยฉย Bjรถrn Blomqvist 2015-01-28
-
Inner secrets
Follow the path to follow
the light
Walk beside to walk
alone
Look around to look
good
Stand still to stand
inside me
Search now to search
my inner
Move inside to move
my heartยฉ Bjรถrn Blomqvist 2015-01-26
-
Det sitter i detaljerna
Mitt i galleriet stรฅr jag som om jag letar efter en fรถrsvunnen socka. Huvudet sveper fram och tillbaka som en robot med kort batteritid. Jag har noga studerat alster efter alster, som om de vore konstiga slรคktingar pรฅ ett familjefoto!

Entrรฉn till Galleri Fiskhuset, dรคr utstรคllningen ‘Karolinerbilder’ med Gรถte Gรถranssons oljemรฅlningar pรฅgรฅr. โ Har jag glรถmt nรฅt? Kanske att jag borde ha tagit en GPS med mig bland de detaljrika oljemรฅlningarna lรคngs galleriets vรคggar? Annars kan jag ju hamna i mรฅlningen av en katt fรถr evigt!
Gรถte Gรถranssons kvadratiska oljemรฅlningar i stora format pryder stolt vรคggarna pรฅ utstรคllningen “Karolinerbilder” pรฅ Galleri Fiskhuset. Varje duk รคr mรคsterligt fylld av enastรฅende detaljrikedom. Jag inser omedelbart den tjocka och matta texturen som ger liv รฅt verken. En imponerande kolorit i blรฅtt, brunt och grรถnt skildrar pรฅ ett fรคngslande sรคtt vardagen bland karolinerna. Blรฅ uniformer, klarblรฅ himmel, frodiga grรถna slagfรคlt, djupgrรถna skogar, kraftfulla bruna hรคstar och kraftfulla bruna bรฅtar vรคcker starka kรคnslor.
Stรคndigt i rรถrelse รคr alla – hรคstar och soldater, kvinnor och barn, bรฅtar och krutrรถk. Listan รคr oรคndlig, och detaljerna รคr rikliga. Allt, nรคstan allt, รคr noggrant utformat ner till minsta detalj. Det รคr i detaljerna som kraften ligger, trots den tjocka texturen. Detta รคr en mรคsterlig lektion i hur man komponerar en mรฅlning med finess. Den inkluderar element som var djupt rotade fรถre modernismens intรฅg. Med en mรฅlerisk stil ibland, men fรถr det mesta linjรคrt.
Djupet i hans mรฅlningar nรฅr imponerande hรถjder! Ljussรคttningen รคr storslagen och i mรฅnga verk – medvetet fokuserad. Tรคnk pรฅ mรคsterverket “Marketenterskan fyller รถl”. Den strรฅlar av en palett av blรฅtt, brunt och grรถnt, dรคr fรคrgerna samverkar genom uniformerna och vagnen i bakgrunden. Hรคr handlar ljuset om nรฅgot betydelsefullt, dรคr fokus ligger pรฅ titeln. De tรถrstiga herrarna i skuggan รคr nรคstan helt vรคnda bort, precis som vagnen. Men ljuset glittrar pรฅ marketenterskan, รถltunnan och รถlstopet! Allt annat fรถrsvinner i skuggan, medan dessa objekt lyser starkt. Gรถte skapar magiska fokuspunkter, dรคr varje motiv berรคttar sin historia.
Den lilla roddbรฅten i framkant eller de tvรฅ frรคmre soldaterna i ett annat alster. Antingen ligger de i ljuset eller sรฅ har kontraster och fรคrger en starkare kolorit. Det viktiga i bilden fรฅngas av ljuset. Matt yta och detaljrikedom รคr centrala aspekter. Den matta texturen framtrรคder tydligt nรคr vattenpรถlar och bรถssornas metalliska delar reflekterar och ger en blรคnkande yta. Detaljrikedomen รฅterskapar elegant blรคnket av vatten och metall.
Den guldfรคrgade flaggan lyser strรฅlande upp hela motivet och fรฅr en att tro att det รคr รคkta konst. ร terigen har konstnรคren, med sin osvikliga detaljrikedom, gett koloriten en glรคnsande, guldkantad textur. Fanns det konstverk som tilltalade mig? Absolut, flera stycken. Sรคrskilt nr. 17, “Illustration ur boken Gustav Vasa och hans folk”, gjorde ett starkt intryck. Utstรคllningen som helhet รคr imponerande och erbjuder vรคrdefulla insikter i studiet av detaljer pรฅ mikroskopisk nivรฅ. Dessutom demonstrerar den en djup fรถrstรฅelse fรถr hur hรคstar ska รฅterges i full galopp.
Det finns ocksรฅ en fascinerande symbolik som grep tag i mig precis i slutet av mitt besรถk. Tรคnk dig stridens hetta, kampens intensitet, dรถdens skugga och djup misรคr. Mรถrkare รคn sรฅ kan det knappast bli. I just de mรฅlningar dรคr dessa teman utforskas, flรถdar koloriten av det mรถrkaste slaget. Grรฅtt, kallt, och en tรคt dimma av mรถrkt krutrรถk som ligger som ett tรคcke i bakgrunden. Man vill blรฅsa pรฅ duken. Man hoppas att gestalterna dรคr bakom sakta ska trรคda fram ur dimman. Den dyker bara upp nรคr de mest gripande och mรถrka hรคndelserna utfรถrs framfรถr vรฅra รถgon.
ยฉ Bjรถrn Blomqvist 2015-01-16
-
Pulserande rรถtt
…In i trรคngseln – in i folkmassan –ย in i alstren – sรฅ in i…ย

Nja, sรฅ illa var det inte! Helena Trovajs akvareller pรฅ Galleri Sjรถhรคsten drar verkligen folk till sig, bรฅde innanfรถr ramen och utanfรถr. Det var fullt i galleriet, vilket รคr fantastiskt! Mรคnniskorna i hennes alster symboliserar liv, rรถrelse och stadspuls pรฅ ett inspirerande sรคtt. Utan dem skulle det bara vara bilar och spรฅrvagnar i rรถrelse, men med dem fรฅr hela scenen liv. Den lilla rรถda flรคcken intill signaturen ger en lekfullhet i nรฅgra av motiven. Det rรถda blir en strรฅlande rรถd trรฅd som binder allt samman!
Platser pulserar av liv och rรถrelse. Mรคnniskor vibrerar av energi i salonger, pรฅ livliga perronger, eller mitt i den intensiva stadstrafiken. Detta รคr essensen av Helenas alster.
Nรฅgonstans i sjรคlva motivet pulserar den lilla rรถda ytan, som en glรถdande kรคrna av energi. En husfasad, en husgavel eller en stadsbuss frรฅn SL, allt bรคr pรฅ sin egen historia. Och bland folkmassorna strรฅlar det rรถda fram; kavajer och jackor dansar i takt med trafikljusen som blinkar mot tidsandan. Dessa rรถda nyanser tycks bรคra en djup symbolik, en viskning av kรคnslor. I alstrens kompositioner fรคnger jag allt det som vanligtvis fรถrfรถr mig. Djupet, perspektivet, den mรฅleriska och linjรคra skรถnheten, rรถrelsens flรถde, symbolikens djup och fรคrgernas livfullhet โ en symfoni av sinnesintryck.
Gula taxibilar, en gul spรฅrvagn och framfรถrallt de livliga folkmassorna ger verkligen liv รฅt bildmotiven. En gata i New York med skyskrapor i bakgrunden visar stolt hur konstnรคren framhรคver centralperspektivet. Detta skapar en fantastisk djupkรคnsla i bilden. Gatan och husens fasadlinjer samlas harmoniskt mot en gemensam central punkt, likt en inbjudande tunnel.
Genom att utelรคmna detaljrikedomen uppstรฅr en mรฅlerisk kvalitet, dรคr inga skarpa linjer definierar grรคnserna mellan ytorna. Det รคr en kraftfull vรคxelverkan mellan tvรฅ kontrasterande ytor som skapar distinkta konturer.
Koloriten รคr i mรฅnga alster tydligt mรถrk, accentuerad av kontrasterande inslag av vitt och den vanliga rรถda fรคrgytan. I motivskรถrden rรถr vi oss som betraktare mellan storstรคder och vรคrldsmetropoler. Paris, New York, Stockholm och Lissabon รคr nรฅgra exempel. Vรคdermรคssigt kan det verka grรฅtt, men det finns ocksรฅ alster med stรคmningsfulla vintermotiv som verkligen fรฅngar รถgat.
Markiser i rรถtt pryder kafรฉerna som en fรถrfรถrisk inbjudan till livets fest! Hรคr รคter, dricker, vandrar och dansar mรคnniskorna med glรคdje och energi i sina hjรคrtan. Men om de inte befinner sig i rรถrelse sรฅ vรคntar de ivrigt pรฅ tรฅget, tunnelbanan eller spรฅrvagnen, som om varje sekund รคr en del av en magisk resa. Det รคr en kollektiv motivskรถrd, ett kalejdoskop av liv och hopp! Att รฅka kollektivt eller ta en taxi, valet ligger i dina hรคnder โ fรถr รคventyret รคr alltid nรคra!
Det estetiskt tilldragande med Helens motiv รคr det underbara samspelet mellan fรคrgerna. Dรคr vitt skapar livfulla siluetter av figurer, folk eller fordon. Detta ger en glad fingervisning om ljusets kรคlla i bilden. Vรคxelverkan mellan det vita och primรคrfรคrgerna skapar en inspirerande mรฅlerisk tendens.
ยฉ Bjรถrn Blomqvist 2015-01-10ย
-
Delat ljus
Sida vid sida i bรคdden
av kvรคllsskimmer
ligger bukten stilla
Strandlinje mรถter horisont
i ett delat slag
en strid om kvรคllssolen
Mรฅnens vakan i osynlig
skepnad kyler vattnet
till isbana
Bruten kamp om kommande
is-vรคlde pรฅ sandbotten
sakta sol sakta gรฅr
ned bakom egen linje
fiendens linjeยฉ Bjรถrn Blomqvist 2014-12-29
-
Stilla vik
Spegelns strimma segla
ovan vatten solen gรฅr
Kisande motsols snegla
i vinden kall tรฅrar fรฅrรars trรคdtoppar pekar
รถver viken barren vakar
Stillsamt lugnets lekar
under yta simmar lakarVรฅgorna stilla backa
mot ljuset de blรคnka
Frestelse kasta macka
med sten vattnet stรคnkaCirkelns former skapa
studs pรฅ ytans spegel
Tomma bรฅtplatser gapa
inga bรฅtar inga segelVikens spegel krossa
pรฅ begรคran kasta sten
Trรคdgrenen ovan lossa
fรถrruttnad och klenยฉ Bjรถrn Blomqvist 2014-12-29
-
Oljans vรคg

Entrรฉn till Galleri Westerlind, en plats fรถr konstnรคrliga upplevelser. I grevens tid tog jag mig in pรฅ Galleri Westerlind. Utstรคllningen รคr pรฅ sin nรคst sista dag. Det kรคndes som en sista-minuten-biljett till en konsert. Vรคggarna var prydda med oljemรฅlningar som hade mer personlighet รคn vissa av mina vรคnner. Mitt besรถk ledde till en livlig diskussion och en informationstund med galleristen som verkade kunnig om konstens mysterier.
Motiven i utstรคllningen รคr i huvudsak dynamiska och uttrycksfulla, med imponerande miljรถskildringar av olika slag. Strรคnder, pirar, bryggor och den majestรคtiska vulkanen “Eldfell” pรฅ Island รคr bara nรฅgra exempel. Dessutom tar vi med rockor, kor och det livliga nattlivet pรฅ Solkusten som ytterligare fรคngslande motiv.
Alster dรคr konstnรคren gjort sin fantastiska tolkning, รคr av Franz Schuberts – “Der Gondelfahrer, “Schubert: Gondoljรคren.” Tvรฅ gondoljรคrer pรฅ vardera gondol avbildas som eleganta siluetter. I Gondolerna sitter entusiastiska passagerare, skildrade med endast linjekonturer mot en ljus bakgrund. Det skapar en hรคrlig fokus pรฅ huvudpersonerna, gondoljรคrerna, som fรถrmedlar en kรคnsla av glรคdje och rรถrelse.
Miljรถn och platsen รคr Venedig, en stad som andas konst och historia. Konstnรคren har underbart รฅterskapat husen och deras fรถnster i ett mรถnster som fantastiskt kan liknas vid ett klaviatur. I vattnet dansar vรฅgor i form av kringflytande teater- och operamasker, vilket tillfรถr en magisk dimension till verket. Allt detta hade jag inte reflekterat รถver om jag inte hade fรฅtt den fรถrfรถrstรฅelse frรฅn galleristen. Det รคr dรคrfรถr samtal och idรฉutbyte mellan konstnรคr och betraktare รคr mycket viktigt.
Ett reflekterande antagande jag observerade var hur konstnรคren har komponerat bilderna i tydliga tvรฅ eller tre sektioner. Kompositioner med tvรฅ sektioner innebรคr en รถvre och en undre, och i vissa verk, en tredje, en mittensektion. Fรถr att fรถrtydliga min poรคng kan jag nรคmna motivet “Strandsatt (Puerto de Mogan)”. I bildytan ser vi en bรฅt (eka) som รคr strandsatt pรฅ en รถde strand, med en klippa intill. Bildytan delas effektivt av en rak mittlinje, bestรฅende av horisonten i bakgrunden. Det vill sรคga, stranden, ekan och vattnet finns i den nedre sektionen, medan himlen dominerar den รถvre.
I nรคsta exempel “Fiskafรคnge” รคr bildytan smart indelad i tre sektioner. Den nedersta bjuder pรฅ en brygga och flera fiskande personer, medan den mellersta sektionen stolt visar vattnet. I den รถversta รฅterfinns landlinjen, vilket skapar en perfekt balans mellan de tre nรคstan lika stora sektionerna.
Utรถver alla fรถrestรคllande motiv fanns det รคven nรฅgra fantastiska abstrakta alster som tillfรถrde en spรคnnande dimension till utstรคllningen. Den tydliga kontrasten mot รถvriga verk skapade en fรคngslande dynamik. Sjรคlv tyckte jag att dessa verk berikade utstรคllningen och gav en extra dimension av djup och reflektion. Just kontrasten var รคven en hรถjdpunkt i ett av mina favoritmotiv. Den ljusblรฅ himlen och den vita stenbyggnadens kolorit brรถts harmoniskt av den terracottafรคrgade trappen lรคngs husets lรฅngsida “Riu Karamboa”.
ยฉ Bjรถrn Blomqvist 2014-12-10
-
Hjรคrtats vรคg till korset i glasrike

Gallerisignalen fรถr Galleri Sjรถhรคsten, en plats fรถr abstrakt konst och installationer. STOPP! Stannaโฆ – intalar jag mig sjรคlv framfรถr mรฅnens yta. Jag รคr tillbaka pรฅ Galleri Sjรถhรคstens trรถskel, stรฅende i trapphuset och beundrande en gigantisk abstrakt mรฅlning i mรถrkaste blรฅtt. Den har en tjock textur av fรคrgklumpar och รคr titulerad โBlรฅ Oceanโ. Till vรคnster om mig hรคnger en mindre abstrakt mรฅlning i vitt, gult och grรถnt. Tjocka lager av akryl รคr pรฅstrukna i vรฅgrรคt riktning, och mรฅlningen รคr titulerad โTre vise mรคnโ. Fรคrgen รคr sprucken pรฅ sina hรฅll, vilket ger den en viss charm. Innan jag gรฅr upp fรถr trappan stannar jag till fรถr att studera den blรฅrรถdbruna installationsmรฅlningen โPassion 57:1โ till hรถger om โBlรฅ Oceanโ.
Galleri Sjรถhรคsten รถvertrรคffar sig sjรคlv! Jag har redan tvรฅ guldbiljetter att dela ut, och det med rรคtta! Tvรฅ stycken, minsann! Utstรคllningen pรฅ galleriet รคr en hisnande upplevelse med Stefan Lekbergs mรฅleri och Morgan Perssons konstglas. Pรฅ รถvervรฅningen fรถrvandlas koloriten till en drรถmlik, ljus beige symfoni av lika tjocka lager fรคrg i en abstrakt visualisering. Ett andningshรฅl fรถr sjรคlen, en vรคlkommen kontrast till den chockartade inledningen i trapphuset. En utstรคllning som berรถr, fascinerar och lรคmnar ett bestรฅende intryck!
Silverhjรคrtan, i dubbel bemรคrkelse, vรคlkomnar mig vidare in i utstรคllningslokalen. Hjรคrtan รคr ett รฅterkommande tema genom hela utstรคllningen, men med varierande undertoner. Det finns โKรถtthjรคrtaโ och โRosa hjรคrtaโ, insvepta i tyg, liksom โKopparhjรคrtaโ och โRastafaris hjรคrtaโ, som รถvergรฅr till ett mer ridderligt tema. Altartavlor med korstecken (variant) hรคlsar mig vรคlkommen in i det stora rummet. Mรฅnga av verken kretsar kring hjรคrtat. Genom โTudelningโ kommer sรฅ en โErotisk korsfรคstelseโ. Som i de flesta av Stefans verk sparas det inte pรฅ vare sig material eller krut. Djupet i motiven ligger inte i fรถrestรคllningen, utan i materialets beskaffenhet, vilket resulterar i utbuktade, gigantiska skepnader.
I installationsvรคg, efter den erotiska korsfรคstelsen, fรถrvandlas den rostiga metallen till โKniven i Hjรคrtatโ. Lika utstรฅende som tidigare skapelser, buktar hjรคrtat ut frรฅn bakgrunden, en symbol fรถr smรคrta och passion. Knivskaftet i hjรคrtats รถverkant markerar var resten av kniven รคr instucken, en pรฅminnelse om den vรฅldsamma kรคrleken. Ett punkterat hjรคrta rinner av i en dรคckinstallation i nederkant, en metafor fรถr livets skรถra natur och den oundvikliga fรถrlusten. Punkterat dรคck efter hjรคrtsticket, en tรคnkbar, dรคckad person dรคrefter โ en bild av den tysta, ensamma smรคrtan som fรถljer i kรคrlekens kรถlvatten.
Texturen รคr en mรฅngfald av material, frรฅn rostiga metallband och tejpremsor till nรฅgot som liknar sรคckvรคv. Dessa element samverkar fรถr att framkalla en abstrakt kรคnsla hos bรฅde dig och mig, och tilltalar vรฅra sinnen. Mitt bland hjรคrtan och religiรถsa symboler รคr vi under stรคndig uppsikt. Vi รคr iakttagna i allra hรถgsta grad!
Morgan Perssons utsรถkta glasmรฅlningar stรฅr majestรคtiskt mitt ibland oss, en sann hyllning till naturens skรถnhet. Med motiv hรคmtade frรฅn vรคxt- och djurlivet, dรคr ansikten och รถgon dominerar, kรคnner vi oss iakttagna, nรคstan som om vi stรฅr under en magisk fรถrtrollning. Kanske vaktar dessa fรถrtrollande varelser inte bara oss, utan รคven Stefans abstrakta installationsmรฅlningar? Jag vandrar runt ett varv till, helt uppslukad av konstglasets fรถrtrollande vรคrld. Ett tema i taget, sรฅ att sรคga. Ansikten och รถgon smรคlter samman i en harmonisk, kontrasterande glastopp. I flera av de eleganta glasskรฅlarna och flaskorna รคr flaskhalsens topp fรคrgad i en fรคngslande kontrast. Den ljusgrรถna vasen, prydd med bladguld, krรถns av en klargul ring pรฅ flaskhalsens topp โ en kombination som utstrรฅlar ren elegans. Bladguld, detta gyllene damm, รฅterkommer i de flesta av dessa mรคsterverk och ger dem en tidlรถs och magisk lyster.
Ordsprรฅket โTala รคr silver och tiga รคr guldโ antyder att tystnad รคr mer vรคrdefullt รคn tal. Men รคr det verkligen vad silverprydda hjรคrtan vill fรถrmedla? Kanske fรถresprรฅkar de att vi ska tala med hjรคrtat. โKรถtthjรคrtaโ skulle jag kunna tolka som en symbol fรถr kรถttets lustar. Detta leder mig till en andlig eller religiรถs ton. Dรฅ kom jag att tรคnka pรฅ ett citat av Hjalmar Sรถderberg: โJag tror pรฅ kรถttets lust och pรฅ sjรคlens obotliga ensamhet.โ Detta fick mig att tรคnka pรฅ Doktor Glas, och apropรฅ glas, undrar jag om det รคr Guds รถgon i Morgans konstglas som รถvervakar oss dรคr inne i galleriet.
Korset och krucifixet รคr vรคlkรคnda symboler som representerar den kristna tron, sรคrskilt Jesu korsfรคstelse. Den erotiska korsfรคstelsen, รฅ andra sidan, skildras genom en kvinnokropp insvept i rostiga metallband. Krucifixet symboliserar kristen tillbedjan. Hjรคrtat, en stiliserad symbol fรถr kรคrlek, fรถrekommer ofta i Fredriks verk. I dessa verk fรถrmedlar fรคrg, textur och material de specifika betydelserna. Material som silver, kรถtt, rosa, koppar och rรถtt anvรคnds, tillsammans med en mรคngd andra fรคrger, var och en med sin egen betydelse. Jag vill dock inte gรฅ in pรฅ detaljerna kring dessa betydelser i detta korta utdrag.
I Morgans glaskonstverk flรถdar blickar och รถgon av symbolisk kraft, en inbjudan till djupgรฅende tolkning. Vems รถgon, vems ansikte dรถljer sig bakom dessa fascinerande ytor? I vissa fall framtrรคder en solliknande symbol, en hyllning till Apollon, solguden. Den gula fรคrgen, eldens fรคrg i andra symboliska sammanhang, brinner med en inre glรถd. Medan fรคrgerna i glasen dansar och fascinerar, รคr det symbolen รถga som fรฅngar min uppmรคrksamhet. Nรคr jag blรคddrar i mitt symbollexikon mรถts jag av det allseende รถgat, en symbol som speglar de pรฅ Morgans alster. I samma kontext som i Fredriks mรฅlningar, hรคrstammar denna symbol frรฅn kristendomen, en manifestation av Guds allmakt och allestรคdes nรคrvaro. Om รถgat รคr inneslutet i en triangel, talar det om treenigheten, en helig enhet.
Slutligen har jag bara lovord att dela ut. Morgans konstglas uppfyller alla kriterier jag vรคrdesรคtter: konstnรคrlig skicklighet, hantverksskicklighet, estetisk kรคnsla och en imponerande konstform. Fredriks konst รคr ett lysande exempel pรฅ just den abstrakt konst jag sรฅ ofta hyllat i mina tidigare inlรคgg โ en av mina absoluta favoritgenrer inom mรฅlerikonsten.
ยฉ Bjรถrn Blomqvist 2014-11-16
-
Tvรฅsamhet och mรถrker

En havsvรฅg skรถljer in i fiskhuset, och det gamla gifta paret vรคlkomnar besรถkarna med รถppna armar. Sรฅ kan man pรฅ ett poetiskt sรคtt beskriva de tvรฅ fรถrsta mรคsterverken i den fรคngslande utstรคllningen pรฅ Galleri Fiskhuset. Hรคr finner vi en รถvervรคldigande skara av akryler, med nรฅgra sรคllsynta mรฅlningar i blandteknik som lyser upp rummet. Omgivna av blรคnkande texturer och relativt stora format fรถrlorar jag mig sjรคlv i utstรคllningen. Jag lรฅter mig fรถrfรถras av dess magi, nรคstan tre varv.
Lea Karlsson รคr konstnรคren denna gรฅng, med en utstรคllning som vรคsentligt uppgraderar erfarenheten frรฅn mitt senaste besรถk pรฅ Galleri Fiskhuset. Precis som alltid รคr det en lokal talang som stรฅr i centrum. De tvรฅ fรถrsta tavlorna som mรถter mig strรฅlar med en kall kolorit i ljusblรฅtt och vitt. Dessa tvรฅ delade motiv (diptyk) pryder varsin duk: “The wave”. Den ljusa koloriten fascinerar i nรคsta verk. Ett รคldre par hรฅller varandra hรฅrt i handen. Titeln รคr “Hemma – dรคr Du รคr!”. Vigselringarna stรฅr i kontrast mot den ljusgrรถna och gulvita koloriten, vilket skapar en vacker balans.
Tvรฅsamheten fortsรคtter i nรคsta fรคngslande alster. “Pojken och fรฅgeln” ger en stark ledtrรฅd till vad som vรคntar. Med sina intensiva fรคrger och linjรคra mรฅleri fรฅngar verket oss. Varje motiv manar till en djupare reflektion eller skrรคmmande destruktivitet. Pojken blundar i en starkt kรคnslomรคssig undanflykt. Eller sรฅ betraktar han med halvt stรคngda รถgon. Han รคr nedsjunken i en hypnotiserande kontemplation av fรฅgeln?
Utstรคllningen “Artig? Konstig?”** รคr definitivt inte konstig, men vi kanske skulle kalla den lite quirky! Tรคnk dig en upphรคngning som รคr sรฅ genomtรคnkt att den fรฅr neurotiska konstnรคrer att tappa hakan. Tvรฅsamheten รคr snรคll. Men precis som en vรคxande svamp i en mรถrk kรคllare, bรถrjar den รถvergรฅ till en allt mรถrkare ton. Kanske de artiga motiven slรฅr รถver till en destruktiv kolorit i nรคsta rum โ dramatisk cliffhanger, nรฅgon? Fem alster som har samlats hรคr, som en familj som inte riktigt vet hur de hamnade pรฅ samma fest!
Det mรถrka och destruktiva utgรถr en kraftfull brytning mot triptyken “Parken” som avslutar fรถrsta sektionens artighet. De modernistiska dragen och den linjรคra รฅterskapningen av motiv i intensiva fรคrger tilltalar mig enormt. “Sikta hรถgt” presenterar en spjutkastande, lรคttklรคdd person med mรถrk hy. Hรคr finner jag starka inslag av 1900-talsmodernism. En mosaik av djรคrva fรคrger skapar liv i ett trรคd, medan den kraftfulla linjedragningen runt figurerna ger en imponerande struktur.
Triptyken รคr ett fantastiskt exempel pรฅ hur centralperspektivet kan anvรคndas fรถr att skapa en kรคnsla av djup i bildytan. Nรฅgra trรคd i nederkant delar stolt linjen av hรถstens vackra fรคrger diagonalt. Mindre trรคd som avbildas hรถgre upp i bildytan pekar entusiastiskt mot en central punkt lรคngre bort. Detta รคr centralperspektivet. Det ger oss en magisk kรคnsla av det stora perspektivet.
I den mรถrka sektionen brinner rรถtt, svart och brandgult av intensitet och kรคnsla. Som sรฅ ofta รคr texturen tunn, nรคstan som en viskning av nรฅgot djupt och dolt. Ibland kรคnns ytan lite tjockare – en medveten gest fรถr att fรถrdjupa upplevelsen. Bland dessa mรถrka motiv framtrรคder tvรฅ fรคngslande portrรคtt. Elefantmotivet รคr knappt synligt, sรฅ svart รคr det, som om det dolde sig i skuggornas gรฅtfulla famn. Lรฅt oss fรถrestรคlla oss att det avbildar en fรถrtrollande kvรคll. Skymningen sveper รถver savannen och skapar en stรคmning av mystik och stillhet.
Ett ansikte vars blick utstrรฅlar en djup sorgsenhet. Med avsikt har konstnรคren lรฅtit fรคrgen flรถda nerรฅt i duken. Om man ser lรคngre upp i ansiktet, upptรคcker man รคven dรคr spรฅr av rinna fรคrg. Det kan mycket vรคl vara en symbol fรถr de rinnande tรฅrar som fortsรคtter i bildens nederkant.
I mitten pรฅ lรฅngsidan ovan elementet. Det framstรฅr som en helgonbild i en ceremoniell sal. Dรคr finns ett motiv jag omedelbart kรคnner igen. Det รคr ett portrรคtt av “Malala” (blandteknik), den modiga flickan som numera ocksรฅ รคr en fredspristagare. Bilden รคr bekant, men i Leas mรฅlning ser Malala nรฅgot รคldre och blekare ut รคn jag tidigare fรถrestรคllt mig. Kanske รคr detta avsiktligt, vad kan jag veta? Texturen รคr tjock och pรฅ vissa stรคllen oavslutad.
Nรคsta sektion, en ljusare och mer livfull kolorit med lรคttare motiv. Det รคr fortsatt linjรคrt med varma fรคrger som ger en kรคnsla av gemenskap. Fyra stenar i minskande storlekar รคr staplade pรฅ varandra och symboliserar “Balans”. Verket har en enkel men vacker fรคrgsรคttning och en monumental funktion. Mรฅnga alster lรฅter fรคrgen flรถda nedรฅt, vilket skapar liv. Flickan med blommor i hรฅret ser glad ut. Jag undrar om det finns en osynlig flรคkt som leker med henne. Hรฅret stรฅr rakt bakรฅt och hennes kroppssprรฅk utstrรฅlar glรคdje, “blomsterflickan”.
Generellt sett รคr utstรคllningen bra och alstren genomtรคnkta, men de saknar den chock som behรถvs fรถr att verkligen imponera. Fรคrgerna รคr behagliga fรถr รถgat, men det kรคnns som en trygghetszon.
ยฉ Bjรถrn Blomqvist 2014-11-12
-
Dubbelanders och akvarellerna
Pรฅ Galleri Westerlinds vรคggar blรคndar akvarellerna betagande. Varje penseldrag รคr en glimt av Anders Anderssons kreativa sjรคl. Dรคrav min lekfulla titel, “Dubbelanders och akvarellernaโ.

Ingรฅngen till Galleri Westerlind med en affisch fรถr konstnรคren Anders Andersson och utstรคllningen av akvareller med vattenmotiv. Motiven i utstรคllningen รคr genomgรฅende inspirerande med vattenmotiv i form av hav, vikar och รฅar, samt bรฅtar. Det รคr en enhetlig utstรคllning som bjuder pรฅ en spรคnnande dubbel textur. รven om det kan vara en utmaning att upptรคcka fรถr det otrรคnade รถgat.
Som sรฅ ofta med akvareller utstrรฅlar en elegant stillhet och fรถrestรคllande motiv som bรคr ett klassiskt djup. Diagonala och fรถrminskade objekt bidrar till bilddjupet pรฅ ett slรฅende sรคtt. Ett rรถrligt vattenflรถde formas genom tvรฅ distinkta diagonala linjer; fรถrst frรฅn hรถger till vรคnster, och sedan dramatiskt tillbaka. Detta skapar en effekt dรคr รฅn plรถtsligt byter riktning รฅt hรถger i bilddjupet.
Mรฅnga av de mindre formaten har en hรถgre upplรถsning, vilket verkligen รคr imponerande! Kanske har konstnรคren haft mer tid att lรคgga sin sjรคl i dem? I de stรถrre verken kan vi glรคdjas รฅt fokuset pรฅ fantastiska objekt som en sten eller en fรฅgel. Detta fokus รคr helt fรถrstรฅeligt. Det รคr spรคnnande att tรคnka pรฅ hur lรฅng tid det skulle ta. Uppnรฅ samma fantastiska upplรถsning och kontrast som i de mindre formaten!

En utstรคllning av Anders Andersson pรฅ Galleri Westerlind, med fokus pรฅ akvareller av vattenmotiv. I de mer grรถvre alstren รคr det faktiskt inte lika linjรคrt som i de mer hรถgupplรถsta motiven. Nรคr vatten och vรฅgor reflekterar ljuset, blir det fantastiskt. Ljussรคttningen รคr dessutom utmรคrkt.

Utstรคllningen visar akvareller av Anders Andersson med fokus pรฅ vattenmotiv, broar och naturlandskap. Det rรฅder ingen tvekan om att det รคr det estetiska som dominerar i motiven. รven om en social aspekt finns nรคrvarande, รคr det helt klart att det psykologiska planet inte har nรฅgon relevans. Ragnar Josephson diskuterar just dessa tre aspekter i sin bok โKonstverkets fรถdelseโ. Det finns ett socialt, psykologiskt eller estetiskt fรถrhรฅllningssรคtt i skapandeprocessen av en mรฅlning. Vanligtvis handlar det om en kraftfull kombination. Dessa tillstรฅnd vรคxelvis interagerar. I Anders mรฅlningar upplever jag frรคmst stillhet, estetisk skรถnhet, lugn och harmoni.
Fรถrsta alstret i utstรคllningen โKvarglรถmdโ – en ensam brygga mot havet med en orange hink ovanpรฅ. Den har en imponerande nyans i himmelsgestaltning som helt klart fรฅngar blicken. Denna nyans genomsyra รคven ett senare verk. Jag รคr djupt imponerad av den mjuka och stilrena toningen som tydligt definierar var det vita pappret mรถter sin grund.

Tvรฅ akvareller av gamla Volvo-bilar parkerade vid en lada, fรฅngar kontrasten mellan bil och natur i utstรคllningen. Jag rullar stolt in i utstรคllningen. Sjรคlvklart rullar jag โ3 x Volvoโ. Jag รคlskar โ2 x Volvoโ โ kanske fรถr att den verkligen sticker ut i samlingen. Gamla volvobilar intill en lada och leriga vรคgar skapar en fantastisk atmosfรคr. En Volvo Amazon och en Volvo PV stรฅr stolt uppstรคllda bredvid ladan. Koloriten skiljer sig markant frรฅn de vatten- och havsnรคra motiven. Gamla bilar framtrรคder som en stark kontrast till bรฅtar, vikar och hav. Sedan ser jag en cykel som vilar mot en vรคgg med texten โPausโ.
Som helhet รคr utstรคllningen verkligen fรคngslande. Akvarellerna denna gรฅng fรถrmedlar sina motiv pรฅ ett enastรฅende sรคtt, vilket gรถr att de blir รคnnu mer intressanta. Nรฅgra verk att lyfta fram, รคr; โBlรฅis IIIโ, โKl. 07.32โ, “Utloppโ och โNykรถpingsรฅnโ. Dessa alster strรฅlar av hรถg kontrast och en รถvervรคldigande detaljrikedom. Rรถrelse och speglingar i vattnet fascinerar mig alltid.
ยฉ Bjรถrn Blomqvist 2014-10-25ย
-
Contradiction
Threats to my
free will
A contradiction
over the shield
Freedom on fire
a firewall
of bullet holes
Shrink slowly
in distressed situations
without
large arguments
I slowly corrode
from insideย ยฉ Bjรถrn Blomqvist 2014-10-19
-
Det ARTar sig ๐
Jag bรถrjade med Lasse. Ni vet, ร berg โ mannen som kan fรฅ en att le bara av att hรถra namnet. Pรฅ galleri Westerlind pรฅgรฅr just nu Lasse ร bergs fรคrgsprakande utstรคllning Artโs Fun! dรคr hans humoristiska vรคrld tar form genom grafik โ mestadels litografier โ och nรฅgra lekfulla originalverk i form av kollage. Det รคr som att kliva in i en glad skrattbubbla fylld av hans karaktรคristiska charm.
Medan jag vandrar runt bland titlar som skulle fรฅ en ordboksredaktรถr att grรฅta, รคr jag i mitt rรคtta element โ ensam med mina tankar och konstverken. Skaparen sjรคlv hรฅller hov i rummet bredvid och pratar om sin konst och senaste bok. Jag lyckas fรฅnga galleristen fรถr en snabb pratstund innan jag fortsรคtter min konstnรคrliga pilgrimsfรคrd, i numerisk ordning โ ett konstverk i taget, som en snigel pรฅ speed.

Plรถtsligt stormar ett fyrtiotal besรถkare in i det lilla galleriet, som om nรฅgon annonserat gratis kanelbullar. Jag blir inklรคmd mellan en staty och en tant med en gigantisk ryggsรคck. Jag fรถrsรถker desperat lรฅtsas som att jag kan andas och samtidigt hinna titta pรฅ konsten. Jag vill ju stรฅ dรคr som en djup tรคnkare, begrunda och analysera โ men nu kรคnns det mer som jag deltar i en konstnรคrlig version av kollektivtrafiken i rusningstid. Fรถredraget รคr slut och hela publiken fรถljer efter, som om de alla blivit kallade till ett hemligt vernissage med gratis snacks.
Jag passade pรฅ att frรฅga Lasse sjรคlv om bakgrunden till ett av hans verk, โPatrik O Putrikโ. Han fรถrklarade vรคnligt motivet, och de som รคr fรถdda pรฅ 1950-talet eller tidigare kommer sรคkert fรถrstรฅ det, till skillnad frรฅn mig innan jag frรฅgade.
Utstรคllningen รคr ett riktigt Musse-kalas! Fรถrestรคll dig en kunglig katt med krona och pรคrlor, och en burk gรฅslever som om det vore en kunglig skatt. Eller Musse mitt i en afrikansk djungel, omgiven av masker och gestalter โ snacka om kulturell mix! Och Lenin? Jo, han tar en promenad med ett paket hushรฅllspapper, men vรคnta liteโฆ det stรฅr ju Leni pรฅ det! Det รคr bara bรถrjan pรฅ det roliga!
ร h, Lasses humor! Den รคr sรฅ djรคrv, sรฅ uppfriskande! Han vรฅgar sig pรฅ fรถrfalskningar och liknande, och skapar dรคrmed en helt ny dimension av konstnรคrligt uttryck. Tรคnk dig Piet Mondrians ikoniska mรฅlning, โHigh and Lowโ, med en Mussehand som lekfullt drar i en av de svarta linjerna! Fรถr en konsthistoriker kanske det inte รคr det roligaste, men fรถr oss andra รคr det en explosion av kreativitet och ironi! Det รคr som att Mondrian sjรคlv ler ner frรฅn sin himmel och njuter av Lasses busstreck. Och sedan, nรคr rummet glesnar, lรคmnas vi med en kรคnsla av mystik och fรถrundran. Vilken fantastisk konstnรคr!
Alla kan inte dela min entusiasm och stanna kvar i timmar. Jag tar pauser, och tankarna flรถdar fritt igen. Motivationen รฅtervรคnder, likt verket โMotivationโ. En pingvin med en trรคregel pรฅ huvudet och en fisk hรคngande framfรถr ansiktet symboliserar en stรคndig drivkraft. Den รฅker rullskidor โ jag gรฅr vidare till nรคsta galleri.

Pรฅ Galleri Sjรถhรคsten รคr det en hรคrlig blandning av stilar! Lasse ร bergs litografier med sin tecknade touch och hans kollage och hommage stรฅr i fin kontrast till de stora akrylerna som mรถter mig dรคr inne. Fรคrglagren รคr tjocka och det รคr en direkt koppling till bรฅde Renรคssans- och Barockkonst, fast med en mรถrkare och mer dramatisk kรคnsla.
Mรถrka silhuetter av personer med ryggen รฅt oss, men vรคnda mot ett starkt ljus i mitten, รคr ett รฅterkommande motiv. En riddare syns ocksรฅ, oftast med ett ljus i bakgrunden. Det รคr tydligt att konstnรคrerna har en klassisk skolning, och mycket kรคnns igen frรฅn konsthistorien.
De stรถrre verken i nรคsta rum transporterar mig direkt till ett storslaget nationellt konstmuseum! Motiven har en sรฅ stark historisk resonans. Ta bara โAlkemistenโ till exempel. Tvรฅ figurer stรฅr sida vid sida, och den Georges de La Tour-liknande ljuskรคllan i bilden skickar mina tankar pรฅ en resa genom konsthistorien. De intensiva fรคrgerna โ rรถtt, blรฅtt och gult โ tillsammans med de grova penseldragen och det genomgripande ljusdunkelmรฅleriet (clairobscur) skapar en helt fรคngslande upplevelse!
Mรฅlningarna รคr fyllda av symbolik och mystik, med landskapsmotiv uppdelade i tvรฅ faser โ en รถvre och en undre del i mรถrka nyanser, och en ljuskรคlla nรฅgonstans dรคremellan. Ljuset kan komma frรฅn solen, en uppsprucken himmel eller en ringlande flod. Mรฅleriet รคr djupt, symboliskt och mรฅleriskt, utfรถrt pรฅ duk med akryl, vilket ger en modernare tolkning av 1600-talets pannรฅer och tempera. Trots den moderna stilen finns kรคnslan kvar, men inte pรฅ ett sรคtt som direkt kopplar mรฅlningarna till just den tidsepoken, utan snarare till ett modernt mรฅleri.
Efter en lรฅng vistelse pรฅ รคnnu ett galleri, rรคcker det fรถr denna gรฅng. Bรฅda utstรคllningarna รคr uppgraderingar jรคmfรถrt med tidigare besรถk. Lasse ร berg levererar alltid, och pรฅ Galleri Sjรถhรคsten fรถrvรคntas mer รคn pรฅ andra gallerier i stan, vilket รคven denna gรฅng infriades.
ยฉ Bjรถrn Blomqvist 2014-10-18
-
Lamp it II…
…med tanke pรฅ fรถrra inlรคgget ๐ Skrev en snabb dikt i brist pรฅ annat – tรคnk bilden!ย
Sรถker raka svar
fastnar i krokar
Snirklig form
rรคtar pรฅ ryggen
Vรคgen till ljuset
en delad historia
Rakt pรฅ
inga krusiduller
Underliggandeย
vackra krรถkar
Fel bรถj ย
du hรคnger lรถst
Kronan pรฅ verket
en fas under glaset
Hatten pรฅ
ljuset avยฉ Bjรถrn Blomqvist 2014-10-11
-
En andlig resa genom konsten
Ny utstรคllning (vernissage) โIntonatโ, nya intryck men samma gamla vanliga galleri. Fรถr en gรฅngs skull hรถll jag lรฅg profil, typ som nรคr det inte รคr vernissage och inga konstnรคrer finns dรคr att snacka konst med. Man kan ju inte alltid vara festens mittpunkt, eller hur?

Fiskhuset, en plats fรถr utstรคllning och konstnรคrlig inspiration. I min sedvanliga konstnรคrliga pilgrimsfรคrd vandrade jag genom utstรคllningen, med en blick skarpare รคn en hรถks, och granskade varje mรคsterverk med den vรถrdnad en katt visar en laserpekare. Fรถrst Katarina Sandgrens kvadratiska akryler, som fick mig att undra om hon mรฅlat dem med en linjal och en gradskiva, och sedan ร sa Granskรคrs oljepasteller i samma format, som fick mig att lรคngta efter en rejรคl portion pannkakor.
Andligheten var den gemensamma nรคmnaren. Innan jag valde att samtala med en av skaparna delade jag min upplevelse och beskrev den rรถda trรฅden av religiรถs och andlig natur som jag direkt uppfattade. Detta ledde till en fascinerande fรถrelรคsning om de sju olika chakran, som finns inom hinduism, yoga och new age. Dessa chakran, var och en fรถrknippad med en specifik fรคrg, fรถrekommer i mรฅnga konstverk. Jag reflekterade inte รถver detta i fรถrsta anblicken eftersom jag saknar fรถrkunskaper inom omrรฅdet. Mitt fokus ligger frรคmst pรฅ det estetiska och konstvetenskapliga, inklusive teknik. Med tanke pรฅ utstรคllningens syfte, som kretsar kring andlighet och mening, blev min analys av mรฅlningarna mindre inriktad pรฅ konstnรคrliga, estetiska och konstvetenskapliga aspekter. Lektionen om chakrasystemet var dock givande. โChakrabalanseringโ, till exempel, รคr en metod som syftar till att skapa jรคmvikt mellan olika energier i chakrasystemet, vilket i viss mรฅn liknar intoning.
Mรฅlningarna รคr mindre stilistiska och estetiskt tilltalande รคn vad jag รคr van vid, eftersom fokus ligger pรฅ deras innehรฅllsmรคssiga betydelse och mening. Oavsett om det รคr andlig eller religiรถs konst med tonvikt pรฅ innehรฅll, kan ingen idag mรคta sig med dessa mรคstare. Renรคssansens och barockens mรคstare var oรถvertrรคffade i religiรถs mรฅlerikonst.
Koloriten och den linjรคra/mรฅleriska stilen varierar, och 3D-perspektiven รคr begrรคnsade. Dessa konstnรคrer รคr inte vรคrldskรคnda, sรฅ man fรถrvรคntar sig inte att bli helt รถvervรคldigad. Mitt idol-jury tรคnk hade inga kandidater den hรคr gรฅngen heller. Jag gick runt i utstรคllningen tre varv och samlade intryck. Motiven inkluderar mรคnniskor, skyddsรคnglar, healing och gudinnor, ibland poserade med ett av de sju chakran, som hjรคrtat, Solar plexus, tredje รถgat och strupen.
Pastellerna utforskar teman som brustna hjรคrtan, splittringar och saknad, vilket skapar ett betydligt mรถrkare symbolsprรฅk jรคmfรถrt med akrylerna. Trots detta ger element som eld, sinnen och spiralformade resor inรฅt i bildytan ett 3D-perspektiv. Spiralen bidrar till en uppfattning om rรถrelse inom bilden.
I symboljakten i utstรคllningen lyfter jag fram elementen grottan och berget. Ett av verken heter just โGrottanโ, medan ett annat fรถrestรคller ett berg. Varfรถr dessa tvรฅ motsatser? Konstnรคren fรถrklarade att grottan symboliserar det kvinnliga och berget det manliga. Jag fรถrdjupade mig i detta i mitt symbollexikon och fann att grottan representerar moderlivet och fรถdelse, vilket รคr starkt kvinnligt. Den fungerar ocksรฅ som en mรถtesplats, och vatten i nรคrheten symboliserar liv. Tyvรคrr hittade jag ingen tillfredsstรคllande symbolisk fรถrklaring fรถr berget, sรฅ jag lรคmnar det รฅt framtida forskning.
Efter att ha besรถkt โIntonatโ kรคnde jag att jag behรถvde bearbeta alla intryck innan jag gav mig pรฅ nรคsta utstรคllning, som lรฅg precis tvรคrs รถver gรฅrden. Jag planerar att รฅtervรคnda en annan dag fรถr att ge den den uppmรคrksamhet den fรถrtjรคnar. Utstรคllningen pรฅ Galleri Vindfรฅng, mittemot, erbjuder en vรคlkommen kontrast till det konstmรถte jag just upplevt. Jag ser fram emot att besรถka den snart, med ett enda fokus โ just bara pรฅ den! Den kรคnns mer i min smak, sรฅ att sรคga.
Pรฅ รฅterseende!
ยฉ Bjรถrn Blomqvist 2014-10-04
-
Enkel snabb hรถstdikt…
Ett รฅrstidernas รฅr
en nyans lรถven fรฅr
Ett mรถrkrets dag
en kvรคllsvind sรฅ svagEtt virvlandes fรฅng
en vajande stรฅng
Ett grenverks stam
en sol tittar framEtt himlaspels lek
en regndroppes smek
Ett grรฅvรคders fart
en รฅrstid frรฅn startEtt lรถvtรคckes sรคte
en lรถvslungas lรคte
Ett vรคdrets makt
en storm med kraftยฉ Bjรถrn Blomqvist 2014-10-02
-
Uppgradering – upprepning
Ett myrsteg in i trapphuset mรถts jag av den magnifika rรถda elefanten โHigh in New Yorkโ. Den griper tag i min uppmรคrksamhet, men skrรคmmer mig inte. Jo, den รคr stor, som elefanter รคr โ men inte som ni kanske tror, utan bara pรฅ bild. Den rรถda elefanten stรฅr pรฅ en kedja, uppspรคnd mellan New Yorks ikoniska hรถghus. Under den, en samling gula taxibilar. Motivet รฅterkommer flera gรฅnger i utstรคllningen, och det รคr just det som gรถr det sรฅ fรคngslande! Dรคremot har jag uppdaterat mig. Jag vet att Galleri Sjรถhรคsten visar verk av mer etablerade konstnรคrer. Detta รคr jรคmfรถrt med vissa andra i stan. De gรถr detta รคven nu, trots upprepade motiv. Vilken passion!

Innan jag gรฅr upp fรถr trappan stannar jag till vid den rรถda hjorten โMy Deer Friendโ, som stรฅr framfรถr en annan trappa. Den รคr flรคckvis fรคrglagd i blรฅtt, ett motiv som รฅterkommer i skiftande kolorit. Innan jag nรฅr trappans topp mรถts jag av noshรถrningen โHaving a Ballโ, som balanserar pรฅ en stor gul boll i en slottssal med delvis gul bakgrund. Slutligen tar jag en tur med den rรถda fรฅgeln โEven the ravenโ vid den kinesiska muren.
Lars Tunebos fotokollage (mixed media) pryder galleriets vรคggar, med djuren i centrum. De stora formaten fรฅngar fรถrst uppmรคrksamheten med sina upprepande motiv, men en nรคrmare titt avslรถjar en djupare innebรถrd. Konstnรคren har fรถr hand mรฅlat de starkt fรคrgade djuren, medan den svartvita bakgrunden รคr ett skickligt sammansatt kollage av olika motiv. รven de delvist fรคrglagda bakgrunderna รคr kollage, vilket vittnar om Tunebos fรถrmรฅga att harmoniskt kombinera olika element.
Kvinnan i ensamt glittrande rรถtt (โBat Chairโ) mรฅste ha tagit sin tid att fรฅ till. Den rosa leoparden i trรคdet likasรฅ โI ainโt movingโ. Den fรถrekommer flera gรฅnger. Det รคr fascinerande hur det krรคvs kunskap att skapa samma motiv flera gรฅnger, det blir till en upprepning. Det fรฅr mig att snabbt gรฅ vidare till nรคsta alster. Flodhรคst i ett 50-talstema gรถr sin rรคtt dรฅ konstnรคren valt fรคrgerna rosa och turkost โWho parked the pink hippoโ. Det รคr liksom 50- och 60-talet enligt mig i alla fall.
Vilken otur! En fรคrggrann elefant stรฅr pรฅ nรคsan framfรถr Royal Albert Hall med skylten โLooking for a gigโ. Konstnรคren har anvรคnt fotokollage i bakgrunden fรถr att symbolisera en elefant som vรคntar pรฅ att gรถra entrรฉ pรฅ scen. Utstรคllningen innehรถll รคven skulpturer, frรคmst glas- och bronsverk av Astrid Gillenius. Mรฅlat glas, fastsatt i stenblock, visar geometriska figurer, ansikten och รถgon i linjรคrt utfรถrande, avskilda av svarta linjer. Motiven pรฅminner om modernism, kubism eller Matisse, vilket gรถr att man kan bortse frรฅn fรถrsรถk att hitta ett djup i dem.
Makt, mod och knutna nรคvar leder mig vidare in i utstรคllningen, dรคr brons, glas och sten dominerar. Snรคckor, nรคvar och masker mรถter mig dรคrinne, men det รคr allt. Jag gรฅr ett varv till och studerar djuren i starka fรคrger, pรฅ jakt efter symboler och ikoner. Men det รคr fรถr mรฅnga olika djur och motiv, sรฅ jag ger upp.
Jag brukar analysera element som djup, perspektiv, symbolik och konturfรถrhรฅllanden. Lars fotokollage uppvisar tydligt djup. Kolorit รคr en annan viktig aspekt, med en svartvit fotobakgrund som kontrasterar mot starkt fรคrglagda djur i fรถrgrunden. Symbolik kan tolkas i de olika fรคrgerna och djuren, men jag lรคmnar det รฅt betraktarna att utforska dessa tolkningar.
ยฉ Bjรถrn Blomqvist 2014-09-28
-
Retirera
Ingen konstnรคr jag รคr
Ingen pensel jag har
Andra bilder jag bรคr
Andra fรคrger jag tarMรฅlar bilder i sinne
Mรฅlar fรคrdigt i ord
Torkar pensel i linne
torkar tankar i jordรltande rรถst av รฅnger
รltande tanke av trรถst
Smรคrtans ton av sรฅnger
smรคrtans del av brรถstHรฅller hรฅrt om rรคcket
Hรฅller med om saken
Denna sida om strecket
Denna รฅsikt om smakenFaller pรฅ eget grepp
Faller av eget vrรฅl
Seglar i eget skepp
Seglar mot eget mรฅlTrasig i hela jaget
Trasig av hela striden
ร ngest รถver hela slaget
ร ngest mest hela tidenยฉ Bjรถrn Blomqvist 2014-09-26
-
Som en Idol-jury i ett konstgalleri
Jag fรถrstรฅr att det lรฅter lite metaforiskt, men vad รคr det egentligen jag sรถker? Pรฅ grund av tidsbrist och brist pรฅ kandidater hamnade jag รฅterigen pรฅ Galleri Fiskhuset. Just nu visas akvareller pรฅ galleriets vรคggar, och likt en idol-jury รคr jag trรถtt pรฅ slรคtstrukna trubadurer. Det kanske lรฅter lite elakt, men jag har faktiskt blivit trรถtt pรฅ akvareller pรฅ senare tid. Jag vill uppgradera mig och se en utstรคllning med det lilla extra โ den som kan blรฅsa mig ur stolen, sรฅ att sรคga, och ge mig rysningar.

Fiskhuset galleri, dรคr akvarellutstรคllningen pรฅgรฅr. Snart bรถrjar jag lรฅta som en krรคsen idol-jury. Men jag mรฅste, precis som mรฅnga andra, gรฅ vidare. Det รคr dags att vidga mina vyer, annars blir jag lika fast i rutiner som en katt i en garnnystan. Akvarellerna pรฅ Galleri Fiskhuset รคr fulla av traditionella element. Stugor, landskap, skog och stilla liv โ det รคr som att ha klivit rakt in i en gammal svensk film. Jakten pรฅ rรถrelse รคr fรถrgรคves, det enda som rรถr sig รคr nog min mage efter den dรคr ostmackan jag รฅt till lunch. Stilleben och landskap i dyster kolorit รคr lika vanliga som regn i Gรถteborg. Till slut bรถrjar jag se ansikten i mรฅlningarna โ รคr det bara jag eller har jag bรถrjat hallucinera av alla grรฅ nyanser? Kanske รคr det dags att byta ut akvarellerna mot en komedi-show, det skulle nog fรฅ mig att skratta mig ur den hรคr konstnรคrliga dimman!
Konstnรคren, som tidigare arbetat med olja och akryl, finner akvarell vara bรฅde mer utmanande och mer passande fรถr hennes stil. Hennes palett domineras av kalla, dystra nyanser av lila, grรถnt och grรฅtt. Hon anvรคnder sig av linjรคrt mรฅleri, med tydliga konturer och linjedragningar fรถr att skapa djup. Djupet uppnรฅs genom olika tekniker, sรฅsom centralperspektiv i rum med รถppna dรถrrar och golvplankornas linjer.
Plรถtsligt exploderar koloriten i starkt rosa, grรถnt och blรฅtt, som skรคr av och bildar en klar nyans mot tidigare alster. Denna vakenhet varar i tre alster innan idol-juryn รฅterigen faller i dvala. Nรคsta sektion รคr fylld av stilleben efter stilleben โ en bjรถrnskalle, en hink och trรคtunnor. Visst รคr stilleben vackra, men inte i akvarell. Jag lรคngtar efter att se stilleben i olja och tempera av de hollรคndska mรคstarna frรฅn 15- och 1600-talet. Koloriten รฅtervรคnder till en grรฅ och dyster inramning, och det blir ingen guldbiljett denna gรฅng heller.
Jag gรฅr vidare lรคngs galleriets vรคggar. Jag letar symboler, rรถrelser och ikoner. Jag hittar inte det jag sรถker. Istรคllet dyker de omedvetna ansiktena upp igen. I en mรฅlning med รฅskregn tycks jag plรถtsligt se ett รถga och senare ett ansikte i det mรถrka molnet. รr det bara jag eller? Jag blundar en stund och sen flyttar jag blicken till mรฅlningen innan. Tro det eller ej. Jag ser ett ansikte dรคr ocksรฅ – i en gammal ek. รgon, skรคgg och hatt! Det blir bara mer och mer creepy. Nรฅgon guldbiljett kan jag dรฅ inte dela ut. Fรฅr vรคl รถverlรคgga.
Tiden rann ut och inget av verken fick mig att rysa eller ramla ur stolen. Jag mรฅste besรถka ett annat galleri, eller kanske till och med en annan stad, fรถr att hitta mina kandidater. Jag vet att det finns nรฅgra riktiga guldkorn bland de abstrakta konstverken som fรถrtjรคnar en guldbiljett. Dags att รถppna eget snart. ๐
ยฉ Bjรถrn Blomqvist 2014-09-20
-
Visual Struggle
Counts steps, chasing shadowsย
Stays up, looking down
Operating Shadow, still sun
Gray silhouettes, white clouds
Runs fast, creeping lightย
Light winds, heavy heartbeat
Deep breathing, falling flat
Curved body, full length street
Bright surface, dark thoughts
Open path, eyes closed ย ยฉ Bjรถrn Blomqvist 2014-09-18
-
Love – Short Poem
ย * Like love in aย typhoonย you opened my heartย As a glance at aย flareย you captured my soulย As a kiss in aย waveย you are like a tsunamiย As a smile in theย sunย you shine like a starย As thoughts in aย bodyย your deepest love ย * ย ยฉ Bjรถrn Blomqvist 2014-09-16 ย
-
Pain – Short Poem
Something’s broken
something aches
Where on inside
all the slashes
The pain comes
the pain will stay
Behind the wounds
I count my dayยฉ Bjรถrn Blomqvist 2014-09-04
-
รr det renรคssans – dรฅ รคr jag pรฅ
Jag blev genast intresserad nรคr jag lรคste om utstรคllningen pรฅ Galleri Fiskhuset. Den visar mรฅleri och teckningar av Michael Vรฅgsten, som hรคmtar sin inspiration frรฅn bรฅde renรคssansen och barocken. Sรคrskilt lockande รคr att han har studerat ljusdunkelmรฅleriets mรคstare. Framfรถr allt har han fรถrdjupat sig i hur Rembrandt skildrade hudens nyanser. Det gรถr att jag verkligen vill se utstรคllningen med egna รถgon.

Ingรฅngen till Galleri Fiskhuset, dรคr Michael Vรฅgstens utstรคllning pรฅgรฅr. Jag var dรคr idag, helt uppslukad av Michaels mรคsterverk, och betraktade det i det stora in i minsta detalj. Den blรคnkande texturen, skapad med oljefรคrg, รคr ett bevis pรฅ konstnรคrens otroliga skicklighet. Som artikeln i SN beskriver, har detta sjรคlvklart gjorts lager pรฅ lager, med en precision som รคr helt fascinerande. Efter lรฅng, lรฅng tids torkning har han lackerat ytan fรถr att ge den den dรคr klara, fรถrtrollande lystern. Det รคr verkligen en upplevelse utรถver det vanliga!
Det fรถrsta som sรคtter eld pรฅ min fantasi i renรคssansmรฅleriet รคr den fรคngslande anvรคndningen av primรคrfรคrger. Dessa fรคrger dansar i kontrast mot de djupa, jordiga grรถna och bruna tonerna, sรคrskilt i Leonardos verk. Figurerna framtrรคder med markanta linjekonturer, fรถdda ur den intensiva fรคrgkontrasten snarare รคn genom upptrissade linjer. Det finns ingen plats fรถr subtila svep eller toningar hรคr. Istรคllet avgrรคnsas figurerna skarpt mot sina omgivningar. Detta skapar en fantastisk separation och ett grafiskt uttryck som slรฅr an kรคnslor djupt i betraktaren.
Det รคr mjuka former. Jag kan inte lรฅta bli att tรคnka pรฅ hur konstnรคren verkligen vill utmana. Konstnรคren vill fรถrfรถra vรฅra sinnen. Vad รคr egentligen syftet med den dรคr rรถr- eller slangstumpen som dyker upp i varje bild? Varfรถr ser vi hundar och strandade bรฅtar samt fartyg รถverallt? Dessa frรฅgor virvlar i mitt medvetande som en fascinerande gรฅta. Till slut kan jag inte annat รคn att undra om vissa alster kanske รคr menade att fรถrenas. Finns det halvfigurer som dรถljer sig i kanterna? Kanske en triptyk nรฅgonstans som vรคntar pรฅ att bli upptรคckt?
Ett gemensamt drag รคr det centralt placerade motivet i bildytan. Det skapar inte det sรฅ karaktรคristiska centraperspektivet. Detta perspektiv tillskrivs renรคssansmรคstaren sjรคlv – Leonardo. I alstret som kallas “Floating” tycks konstnรคren har roligt med kapade delar av armar, ben, fรถtter eller varfรถr inte en halv fisk. Det finns med andra ord en viss surrealism i hans alster. Bรฅtar pรฅ torra land, bilar pรฅ tak, surfare pรฅ en val osv. ย
Jag frรฅgar mig fortfarande med en brinnande nyfikenhet vad den lilla rรถrstumpen kan betyda. Jag kan inte lรฅta bli att undra รถver betydelsen av skrรคpet han har strategiskt placerat i bildytan. Sladdar, skiftnycklar och hundbรคddar ligger i oordning. I min fantasivรคrld รคr jag รถvertygad om att dessa smรฅ, till synes meningslรถsa detaljer bรคr pรฅ ett djupt sammanhang. Jag kรคmpar med att finna precis vad det รคr.
Objekt som stรฅr i centrum av bildytan kan vara allt frรฅn en elegant spade eller ett majestรคtiskt bord. Det kan ocksรฅ vara en fรถrtrollad lรคsare, ett dansande par i harmoni eller en ruffig motorcykel som skriker av frihet. Varje detalj tycks strรฅla av konstnรคrens brinnande intresse. Nรฅgot unikt i bilden ska stolt placeras i mitten. Det รคr omgรคrdat av majestรคtiska trรคd, livliga djur, mรคnniskor fyllda av liv eller svรคvande flygplan. Djur och trรคd รคr tidlรถsa symboler av skรถnhet. Dessa symboler รคr vanligen nรคrvarande i konsthistorien. De berikar varje verk med sin nรคrvaro.
Nog finns det en hel del annat att sรคga om utstรคllningen. Det mystiska med halvfigurer skapar en fascinerande atmosfรคr. En flod av surrealistiska element bidrar ytterligare till denna kรคnsla! Huvudbonader och bar รถverkropp stรฅr i fรถrgrunden av Michales mรฅlningar. Man kan verkligen undra om det รคr en djup personlig reflektion som fรถrmedlas genom dessa verk.
Det รคr de starka primรคrfรคrgerna som verkligen imponerar. Kontrasterna dem emellan spelar en avgรถrande roll. De mjuka formerna i figurerna fรถrstรคrker det jag ser och ger en enastรฅende visuell upplevelse. Det finns ett flรถde, dรคr allt fรถljer samma mรถnster och kolorit, vilket gรถr det behagligt fรถr รถgat. Jag uppskattar verkligen konstnรคrens skicklighet och den konsthistoriska inspirationen som ger verket en unik dimension.
Att ormen finns i nederkant i bild och stegen i รถverkant ger en tydlig och direkt fรถrklaring. Konstnรคren har en uppenbar insikt om den gemensamma symboliken mellan de tvรฅ figurerna. Ormar och stegar representerar ett indiskt brรคdspel dรคr dygder (stegar) guidar spelarna mot himlen, medan laster (ormar) drar dem tillbaka. Detta samband รคr inte lรฅngsรถkt; det รคr en insiktsfull koppling. Ni som fรถljer bloggen vet att jag alltid sรถker efter djupare fรถrklaringar och skarpa insikter i mysterier.
ยฉ Bjรถrn Blomqvist 2014-09-02ย
-
Ovissheten…
Komparativa kรคnslor
tungan pรฅ vรฅgen
Jรคmfรถrande vรคrde
balansakt pรฅ brรคdeOvetandes kluster
framtidstro i oro
รvertrรคffade fรถrsรถk
obesvarade upp i rรถkDimtรคta illusioner
dunkar hรฅrt i rygg
Replikerande fรถrsvar
hรฅnfullaste svarMรฅlbild av flimmer
skรคrpa eller fokus
Hoppfulla tankar
รฅngesthjรคrtan bankarยฉ Bjรถrn Blomqvist 2014-08-30
-
Hรฅlla masken och fรฅnga รถgonblicket
Grรฅtt, รถde och stรคngda dรถrrar mรถter mig dรคrinne. Ett kรคrt รฅterseende! Galleri Fiskhuset och jag har delat otaliga stunder, fyllda av bรฅde magi och stillhet. Utstรคllningen som nu รคr inne pรฅ sin sista dag, bรคr den passande titeln โMagiโ. Tre konstnรคrer, var och en med sin unika konstform, mรถts i galleriets tvรฅ utstรคllningsrum och skapar en symfoni av kreativitet.

Exteriรถr av Galleri Fiskhuset, platsen fรถr utstรคllningen ‘Magi’, som presenterar verk av tre konstnรคrer. Jan Lindahls enorma fotografier av รถde hus, lador och fasader fรถrmedlar en kรคnsla av รถvergivenhet. Deras svartvita estetik, med stรคngda portar, mรถrka fรถnster och reglade dรถrrar, fรถrstรคrker denna kรคnsla. Men plรถtsligt รถppnas en dรถrr och fรคrg strรถmmar in i bildytan, vilket ger liv รฅt en lika รถde byggnad.
Utstรคllningen bรถrjar ta form, sprudlande av fรคrg, liv och rรถrelse! โSjรถhรคstarโ รคr inte vad man fรถrst tror, men jag fรถrstod genast den geniala tanken. En stilla stock vilar i ett spegelblankt vatten, och hรคstformade grenstumpar reser sig majestรคtiskt ur ytan.
Tvรฅ triptyker flankerar รถppningen till nรคsta rum och visar havets och vattnets kraft. Den ena avbildar en stilla vik med รถvergivna redskap fรถr att dra in fisknรคt, medan den andra, i starka grรถna naturfรคrger, skildrar en livlig bรคck som forsar genom skog och mossbeklรคdda stenar. Jag tror att fรคrgfoton fรถrmedlar liv och rรถrelse, medan svartvita bilder fรฅngar stillhet.
Nรคr jag lรคmnar fotokonsten bakom mig รคr kontrasterna lika enorma som fotografiernas storlek. Ingrid Stattins akvareller kan inte jรคmfรถras med fotokonsten, men de รคr fรถrestรคllande och lekfullt gestaltande av naturlandskap. I dessa mรฅlningar sรถkte jag allt det dรคr jag alltid letar efter: djup, rรถrelse, form, fรคrg, linjer, symboler och sรฅ vidare.
Alstrens fรคrgsรคttning pendlar mellan mรถrka och ljusa nyanser, och fรฅngar landskapen i dagens gรฅng. Hennes teknik fรถr att skapa djup รคr tydlig, med vรคgar och staket som diagonalt skรคr genom bildytan, nedifrรฅn och upp. Motiven รคr oftast tvรฅdelade, med landskap och himmel, och fyllda med berg, stugor och andra element som ger liv รฅt de annars รถde vyerna.
Tvรฅ alster med ansikten bryter trenden i bildsviten. D1e รคr modernistiskt och linjรคrt รฅterskapade. Jag blev genast nyfiken pรฅ vilken genre eller konststil de kan placeras i. Kanske รคr det lite รถverdrivet, men jag fรฅr en kรคnsla av kubism ร la Matisse. Varfรถr just det รคr svรฅrt att sรคga. Det รคr bara mitt fรถrsta intryck.
Ansikten i all รคra, men tรคnk om varje ansikte bar en mask, en mask som dansade och fรถrรคndrades med sjรคlens alla nycker! Vilken magi det skulle vara! Men lรฅt oss vรคnda blicken mot Monica Karlssons fรถrtrollande broderade masker. De svรคvar som drรถmmar pรฅ olika platser i rummet. En cirkel av utsmyckade masker, upphรถjda pรฅ eleganta pinnar, bjuder in till en hypnotisk vandring, varv efter varv, i en evig spiral av skรถnhet. Materialet i stommen fรถrblir ett mysterium, en lockande gรฅta. Men tygets textur, sรถmmarnas precision och fรคrgernas vibrerande prakt โ allt detta รคr en hyllning till Karlssons mรคsterliga hantverk.
Det รคr mestadels linne och olika sรถmmar som jag inte รคr sรฅ bekant med, som lรคggsรถm och kastsรถm. Linnetyget รคr fรคrgat fรถr hand, vilket ger det en unik touch. Jag lade mรคrke till att det pรฅ hjรคssan av maskerna ofta finns en uppstickande dekoration, som stรคnger, horn eller en slรถja, vilket ger det en extra dimension.
Efter alla fantastiska bildintryck, tog jag inte lika lรฅng tid pรฅ mig att studera broderierna vidare. Jag gick utstรคllningen i den ordning jag sjรคlv tycker รคr mest spรคnnande! Fotokonst รคlskar jag, men akvareller รคr jag inte lika fรถrtjust i nu fรถr tiden. Broderi, beroende pรฅ vad det รคr, blir jag inte sรฅ uppslukad av. Varfรถr vet jag inte riktigt, men det รคr ju sรฅ det รคr ibland!
ยฉ Bjรถrn Blomqvist 2014-08-20
-
Brรฅviken i alla รคra – men Femรถrehuvud levererar
Pรฅ huvudet, tvรฅ uppspรคnda รถgon som mรถter naturens estetiska kraft…
Pรฅ Femรถrehuvud finns flera attraktioner. Det finns ett museum รถver kalla krigets dagar (Femรถrefortet). Det finns ocksรฅ ett naturreservat och ett konstnรคrstillhรฅll. Dessutom รคr det en vacker plats att vila รถgonen pรฅ. Femรถrehuvud รคr mer eller mindre stadens pรคrla. Oxelรถsund – staden vid havet, orten med den vackra skรคrgรฅrden.
Vรคlbesรถkt och vรคlbevarat. Faktiskt en inspelningsplats (2009) – i den tyska lรฅngkรถraren Inga Lindstrรถm, รคr Femรถrehuvud ett mรฅste fรถr alla att fรฅ uppleva.
Jag hรถll hundkopplet med ena handen och mobilkameran med den andra. Bilderna fรฅngades snabbt. De fรฅngade mig i ett havskast av estetisk skรถnhet.
Ett kulturmรถte som blev ett naturmรถte med havsvรฅgorna slรฅende mot klippan, gjorde ingen skillnad. Lika tagen och lika begeistrad som vanligt gjorde jag mitt fรถr att njuta av naturen och samtidigt dokumentera den.



En stilla havsutsikt vid Femรถrehuvud med mรถrka moln som speglar naturens skรถnhet. 







Femรถrehuvuds karakteristiska fyr som stรฅr stolt vid havets kant. 





ยฉ Bjรถrn Blomqvist 2014-08-17
-
Under havsรถrnens vingar
Likt havsรถrnens vingar, lika utstrรคckt รคr akrylen i Anna Wirmans abstrakta mรฅlningar lรคngs ena kortsidan. Ett tjockt lager akryl strรคcks ut i raka, men ack sรฅ abstrakta linjer. Rรถtt, vitt, svart eller varfรถr inte turkost, fyller den vita men ocksรฅ den svarta bakgrunden. Ur ett estetiskt perspektiv รคr de abstrakta mรฅlningarna snygga och trendsรคttande. Den tjocka texturen blรคnker sรฅ som akryl oftast gรถr. Bara i en av de abstrakta mรฅlningarna kunde jag, via min fantasi, hitta ett fรถrestรคllande motiv. Ett fartyg med master och segel. Det var min fantasi som skapade det, vad andra ser รคr upp till dem.

Konstnรคrens skicklighet inom olika mรฅleritekniker รคr uppenbar. De fรคrgstarka abstrakta verken fรถljs av akvareller, bรฅde abstrakta och fรถrestรคllande, med motiv som naturlandskap och havsvikar.
Utstรคllningen tรคnde en gnista i mina analytiska tankar, och fyrar var ett รฅterkommande motiv bland akvarellerna. Som ni som fรถljt bloggen vet รคr jag en stor anhรคngare av abstrakt konst, medan akvareller inte riktigt fรฅngar mitt intresse. Dรคrfรถr spenderade jag mer tid i nรคsta del av utstรคllningen รคn vid akvarellerna.
Alster efter alster granskar jag, millimeter efter millimeter. Mycket mรถrka fรคrger och landskapsbilder, varvat med skog och vatten. Mรฅnga figurer รคr mรฅleriska dรคr konstnรคren utelรคmnat starka konturer med enskilda linjedragningar.
Vad har havsรถrnen egentligen med saken att gรถra?
Vissa mรฅlningar visar en havsรถrn i luften med utstrรคckta vingar, medan andra fรฅngar den pรฅ vรคg att landa. Dessa havsรถrnar symboliserar rรถrelse i bilderna, liksom nรฅgra fiskmรฅsar i en annan mรฅlning. Jag letar ocksรฅ efter perspektiv och djup, och det รคr tydligt att Anna Wirman behรคrskar dessa tekniker.
Centralperspektivet pulserar av liv i denna komposition, dรคr grusvรคgen drar oss in mot evigheten som en tratt av parallella linjer. Blicken sveps med mot det skimrande ljuset lรคngst bort, ett ljus som inte bara รคr en fysisk punkt utan ett andligt ankare fรถr konstnรคrens sjรคl. I skogsscenen, dรคr trรคden stรฅr i en kraftfull diagonal mot bildens djup, uppstรฅr en rytm som bรคr betraktaren in i mรฅlningens hjรคrta. En osynlig diagonal, som slingrar sig frรฅn nederkanten och upp mot hรถjden, fรถrvandlar stillheten till en dynamisk rรถrelse. Hรคr fรถrenas perspektiv och passion; naturen blir en vรคg mot ljuset, mot det innersta uttrycket av konstnรคrens lรคngtan.
Det รคr inte bara de vibrerande abstraktionerna och de fรถrtrollande naturlandskapen i naturens alla nyanser som fรคngslar mig, utan en stubbe. En stubbe, ansprรฅkslรถs och till synes obetydlig, fรถrvandlas i hennes hรคnder till ett kraftfullt uttryck. Sรคttet hon mรฅlar den pรฅ, den djupa gestaltningen, lรฅter oss lรคsa in en hel vรคrld i denna enkla form. En hรถg stubbe, vittrande och bortsliten, viskar om stormar som rasat, om naturens rรฅa kraft. Ett trรคd, en gรฅng stรฅtligt, har slitits frรฅn sin rot, kanske av en vรฅldsam vind, kanske av tidens tand. Motivet griper tag i mig, kanske fรถr att det bรคr pรฅ en inneboende dramatik, en berรคttelse om fรถrlust och fรถrvandling. Det finns en outtรถmlig rikedom i bilden, en inbjudan att utforska dess djup. Det tilltalar mig djupt!
รrnen, en universell maktsymbol, fรถrknippas ofta med solen, himlen, kungligheter och gudar. Fyrtornet, รฅ andra sidan, symboliserar manlig fruktsamhet och Kristus lรคra, dรคr ljuset vรคgleder sjรคlen till tron. Likheten mellan dessa tvรฅ symboler ligger i deras koppling till det gudomliga och den traditionella kopplingen mellan makt och mรคn.
ยฉ Bjรถrn Blomqvist 2014-08-12
-
A chance in Provence – 19/7 to 22/7 (2014)
Pรฅ toppen av vad farkosten kan prestera, ses andra toppar vara relativt smรฅ. Pรฅ 10 000 meters hรถjd fรคrdas vi ovan moln och bergkedjor i kampen om att vara hรถgst upp i skyn. Den kampen รคr redan vunnen. Flygplanet vinner den. Den bevingade farkosten – en flygande rocka frรฅn Ryanair, tar mark drygt tre timmar frรฅn start. Vingspetsarna vittnar om stabilitet i luften. I kabinen mullrar det. Men det besvรคrar inte passagerarna. Snรถtรคckta bergstoppar reser sig lรฅngt under dem. De gรถr sรฅ i kampen mot molnens vita skimmer.
Rockan gรฅr mot botten, d.v.s. den landar mjukt pรฅ Marseilles flygplats. Inte fรถrrรคn flygtrappan nรฅr dรถrren, kan den varma luften svepa sig om vรฅra uppresta kroppar. Pรฅ fransk mark lรคmnas farkosten i sticket. Snart รคr den utbytt mot en nรฅgot mindre med fyra hjul. Den har รคven ett femte fรถr att hรฅlla hรคnderna pรฅ. Hyrbilen mรฅ vara liten. Resan bland stora berg, stora fรคlt och slingrande vรคgar รถppnar en ny vรคrld att utforska. En berg och dalbana i Provence med sikte pรฅ det stora med det lila och chansen att finna inspiration.
Den lilla byn Gordes, eller orten om man vill kalla den sรฅ, samlar nรฅgot stort. Stora folksamlingar frรฅn stora bussar, vandrar nedanfรถr bergsbyn och hรฅller hรฅrt i sina kameror. Det kรคnns lika stort att hitta en plats att parkera pรฅ. Vi gรถr detsamma som alla andra gjort fรถre oss. De kommer att gรถra det efter oss ocksรฅ. Ta foto efter foto i all oรคndlighet. Att trycka pรฅ knappen sรฅ att kameran gรฅr varm och batterier tar slut.
Vรคgarna รคr smala och till rรฅga pรฅ det, avstรคngda nรคstkommande dag. Tour de France kommer till byn. Hurtiga spjuvers pรฅ tvรฅ hjul ska tรคvla om vem som kommer fรถrst i mรฅl. En etappseger ska hรฅlla turisterna pรฅ avstรฅnd den dagen och lรคmna plats fรถr supportrar.

Vy frรฅn flygplansfรถnstret รถver moln och fjรคll, med Ryanairs vinge synlig. 
Vy รถver snรถtรคckta bergstoppar och moln frรฅn ovan. 
Vy รถver den medeltida byn Gordes, belรคgen pรฅ en klippa i Provence, med charmiga hus och omgivande grรถnska. 
Vรคghรคnvisning fรถr Tour de France 2014, med information om avstรคngd vรคg och tidpunkter. Allt รคr fint, estetiskt och vรคlbevarat sen historiens gรฅng. Historiens vingslag har รถvertagit flygplanets vingar. Det รคr vackert och vรคgarna รคr ilka slingriga som en politikers svar pรฅ en ja/nej-frรฅga. Allt som svischar fรถrbi skapar eftertanke. Snabbt hamnar man i filosofiska tankar. Eller sรฅ drรถmmer man sig bort som i en historisk roman. Man vill nรคstan gรฅ i kloster. Dessutom finns det ett inte allt fรถr lรฅngt bort.
Djupt inne i dalen, en fรคrd pรฅ slingriga vรคgar i starkt nedfรถrslut, reser sig Abbaye de Sรฉnanque. Cistercienserklostret hade sin guldรฅlder under 1200-talet. Pest och brรคnder har sรฅrat dess charm. Inte fรถrrรคn pรฅ 1900-talet har restaureringar av klostrets kulturhistoria gjorts. Det รคr inte stort i yta, men stort att beskรฅda. De lila fรคlten kastar sig รถver en med sin skรถnhet, doft och vรคlordnade rader. Rรคnderna gรฅr inte ur, sรฅ att sรคga. Som doftande badrumstvรฅl gรฅr man mellan raderna – och pรฅ klostrets skylt, lรคser jag emellan detsamma.
Pรฅ lรฅg vรคxel och pรฅ hรถga motorvarv klรคttrar man uppรฅt igen. Det lila, eller violetta om man vill sรคga sรฅ, sitter fast som torkat fรคrg pรฅ nรคthinnan. Bilden av lavendelfรคlt tรคcker framrutan. Det gรคller att hรฅlla รถgonen pรฅ vรคgen. Bilderna av de otroligt vackra fรคlten hinner knappt tyna bort innan nรคsta rejรคla portion lavendel fรฅr bilen att stanna till.
En dragningskraft stรถrre รคn man tror, fรฅr bilen att fint stรคlla sig vid sidan av vรคgen. รver vรคgen man gรฅr – och detsamma, den friska doften fรฅr – dras man ner i det randiga landskapet. Den ljusbruna, torra och steniga jorden kontrasterar mot det lila i det stora. Tvรฅ varma fรคrger hรฅller ett grepp om รถgonen och i handen hรฅller man kameran i ett lika hรฅrt grepp. Det smattrar frรฅn knappen lika ofta som man i steget, surfar รถver de violetta vรฅgorna.
Den sena kvรคllen ska bรคdda in en hรคndelserik dag. Sova pรฅ saken รคr det inte att tala om. Sova fรถr att orka. En fรถrrรคtt pรฅ รคventyret har gjort sitt. Bakom dรถrrar och fรถnster i villan kryper lรคngtan fram. Lรฅt mรถrkret fรถra tiden framรฅt i rask takt. Morgondiset ska visa vรคgen och morgonljuset fรถra oss framรฅt. De lila fรคlten i dalen nedanfรถr vรคxlar fรคrg. Allt mรถrkare blir de genom nattljusets skimmer.




Efter frukost i blandad valรถr frรฅn frukostbordet, รคr magen fylld fรถr nya strapatser. Med lavendeldalen bakom sig, reser man tillbaka i tiden. Medeltid, nรคrmare bestรคmt. Den mรถrka perioden i historien besรถks pรฅ pรฅ en grรฅmulen dag. Grรฅ och imponerande reser sig Rocher du Cire (Vaxklippan). Den รคr lรคngs vรคgen bort frรฅn medeltiden i Monieux – Gorges de la Nesque.
Den mรถrka, men ack sรฅ omskrivna epoken Medeltid, tar emot en med god mat. Det รคr dock inte med medeltida smaker. Istรคllet รคr det en typisk mรฅltid med rรถtterna i Provence. Lamm och ost finns sรฅklart med pรฅ menyn. Hรถgst upp i byn reser sig Saint Pierrekyrkan frรฅn 1100-talet, i romersk stil. De runda bรฅgarna vittnar om just romersk stil. Den stil som fรถregick gotiken som รคr mer kรคnd fรถr sina spetsbรฅgar och kryssvalv m.m.
Den medeltida byn รถvergรฅr i modernare bebyggelser pรฅ vissa stรคllen. Det kan man ju inte frรฅngรฅ, dรฅ nutidens mรคnniskor, gรคrna lever i sin samtid. Tre blir sex, om korrektheten stรฅr รถver upplevelsen. Pรฅ menyn pรฅ restaurangen, blir tre rรคtter till sex. Jo sex… stycken sรฅklart. En aptitretare fรถre fรถrrรคtt och en fรถre desserten, plus en lite kaka till kaffet. Tre + tre helt enkelt.
Pรฅ Les Lavandes, mitt pรฅ huvudgatan i byn, tyder mycket pรฅ en exklusive resaturang, men utan stjรคrnor. Efterrรคtten gick inte av fรถr hackor! Ett hack med skeden och den sรถta sรฅsen rinner som lava ut ur den hรถga bakelsen.




Snurrigt vรคrre kan nog sรคgas om resterande resa. En berg och dalbana ligger utdragen framfรถr oss. Till sin lรคttnad, styrs inte vagnen av andra. Vagnen rรถr sig sakta framรฅt lรคngs serpentiner och snirkliga vรคgbanor. Cyklister och branta stup fraktar hjรคrtat upp i halsgropen. Vรคl hemma i Sault faller det tillbaka. Som en sten som lรคttar frรฅn detsamma. Hembyn gรฅr inte heller fรถr hackor – ocksรฅ den med medeltida anor. ร skan mullrar i takt med regnet som smattrar mot hotellverandan. En ny dag vรคntar och den med sol i sikte och hรถga berg att bestiga.
En uppfรถrsbacke i dubbel bemรคrkelse ligger framfรถr en. Uppstigning med tunga รถgon byter skepnad nรคr en senare stigning pรฅ nรคstan 2000 meter vรคntar. Den tunga kroppen som restes frรฅn sรคngkanten รคr lika tung som stigningen mot toppen av Mont Ventoux. Tung uppfรถrsbacke och dimman liggande tรคtt pรฅ toppen, gรถr resan nedfรถr allt enklare. Den branta backen nedfรถr slingrar sig som serpentinvรคgar sรฅ att bromsarna gรฅr varma.
Upprepande tramp pรฅ bromspedalen gรถr att skivorna osar brรคnt. Samtidigt byter skivan i stereon spรฅr. Bromsskivorna glรถder nรคr stereon spelar heavy metal. Cyklister som trotsar uppfรถrsbacken, ska likasรฅ rulla nedfรถr. Dimman gรถr sikten dรฅlig. Dimljus och lรฅg fart pรฅ den plรฅtbeklรคdda farkosten “Punto” – ett sรคkerhetstรคnk som lyckas vรคl.




Tvรฅhjulsentuiasterna blir bara fler och fler. Plรถtsligt reser sig ett sorts cykel-Mecka upp frรฅn Provence vackra landskap. Cyklister tycks vallfรคrdar till staden Malaucรจne. Ett mecka fรถr cyklister att kanske meka med cykeln pรฅ. Lavendelfรคlten รคr bortbytta fรถr lรคnge sedan. Allt lila och violetta fรถrvandlas till grรถnt. Lavendel blir till vin i distrikten som ligger nรคrmast. Skyltarna blir fler och fler och vinfรคlten likasรฅ. Vingรฅrd efter vingรฅrd svischar man fรถrbi.
Ett stopp hรคr och dรคr, men utan vinprovning. Det rรคcker att ratten รคr rund. Vรคgarna svรคnger tillrรคckligt fรถr att lรฅta farkosten “Punto” rattas med noll promille i kroppen. Detta gรคller fรถrstรฅs chauffรถren, medan andra รคr undantagna. Den cykelburna staden bjuder pรฅ kultur, precis som i รถvriga stรคder. En kyrka och ett slott stรฅr pรฅ tur. Mitt i byn de stรฅr, dit vi gรฅr. Sรฅ som kyrkor รคr utformade och hur de vanligtvis ser ut invรคndigt, var detta inget undantag. En รถversikt frรฅn slottsruinen rรคcker fรถr att se de charmiga i byns utformning.

Cykelbutik i Malaucรจne, ett populรคrt stopp fรถr cyklister som besรถker Mont Ventoux. 


Vignobles de Caractรจre i Vaucluse, Frankrike, visar vinproducenternas engagemang och hantverk. Runda hjul, runda tunnor och gott om runda flaskor ses fรถrsvinna bakom en. Nya runda ting ligger framfรถr. Kolonner, teatrar och en runda pรฅ stan, sรฅ att sรคga. Det รคr precis i skarven mellan tvรฅ epoker. De รคr delade av vatten med en bro frรฅn รคldsta epoken av de tvรฅ. Vaison-la-Romaine stรฅr pรฅ menyn och det smakar dรคrefter. Kryddor frรฅn antiken, toppat med medeltiden och bismak av turistmagnetism, utforskas byn med hopp om att finna historiens vingslag. Ingenting visar pรฅ besvikelse, men gott om intryck.
Ruinens brant รคr ett faktum. Sรฅ mรฅnga objekt, sรฅ mycket sten. “Den dรคr bron frรฅn romartiden – var รคr den dรฅ?”. Det blir tyst en stund, sen kom svaret. “Du stรฅr ju pรฅ den!”. “Ojdรฅ!”.




Fullt pรฅ kontot – det historiska, gapar batterierna i kameran efter laddning – nu fรฅr det vara nog. Icke sa Nicke. “Jag kom, jag sรฅg, jag…” finner รคnnu mer av antikens spรฅr. Inte bara en utan flera platser. Inte bara en utan flera teatrar. Ett stenkast lรคngre bort, ett kast med en antik byggkloss (kolonn), finns ett gigantiskt omrรฅde. Omrรฅdets historia รคr densamma som innan. Snabba fรถtter รถver latriner, grรถna ytor och vackra dammar och fontรคner, passerar antikens romarrike fรถrbi och faller lika fort.
476 minuter senare kliver vederbรถrande in i nรคsta epok. Enligt vissa historiska kรคllor, bรถrjar medeltiden dรคr antiken tar slut, dvs nรฅgonstans mellan รฅr 476 e.kr. och 800-talet, beroende pรฅ vilken del av Europa det gรคller. Sveriges medeltid startade inte fรถrrรคn pรฅ 1000-talet efter vikingatiden t.ex.




Medeltida torg mรถter borg nรคr teatern mรคter sig med ateljรฉ efter ateljรฉ. Lรคngs smala grรคnder samlas konstnรคrerna, sida vid sida. Mรฅlare efter mรฅlare fรฅr sig en mรฅltid vart hen รคn vรคnder sig. I brant lutning รคr bergets stigning en mรคktig uppgift att ta sig an. Obevรคpnade turister tar sig sakta upp mot fรถrsvarsborgen. Kanske en lรคttare match pรฅ tiden nรคr det begav sig. Fullt utrustade fiender med armborst, spikklubbor och slitna lรคderskor nรถtte sรคkert berget lika รถmt som samtidens mjuka promenadskor. Strapatsen avslutas nรคr magar ropar efter anfall mot gastronomin.
I valet och kvalet inmundigas mat pรฅ fat i annan stad. Mรถrkret som sakta faller, bรคddar in en vรคxtrik uteservering i Carpentras. Staden bjuder inte pรฅ nรฅgot av intresse. Bara mat och bara dryck hรฅller en kvar. Chez Serge vars specialitet รคr vin, hรคlsar oss vรคlkommen med en gest som รคr vรคl bekant vid detta laget. “Vรคlkommen! Den hรคr vรคgen”. Lรถvtunna tryffelskivor och olivolja som aptitretare hjรคlper fรถga. Ju mer mรถrkret faller, ju lรคngre har vรคntan varit. Till slut en mage mรคttad och hemfรคrd gรถr en lรคttad.




Ett kulturmรถte, sent att glรถmma var till รคnda. Vad som sen ska hรคnda รคr en annan sak. En bil och en vรคxelspak i riktning mot landets andra stad. Hemรฅt man for men ville gรคrna stanna kvar. Inspiration, en lyckad tur som nu ska fรถrvaltas, men hur?
ยฉ Bjรถrn Blomqvist 2014-08-11
-
(Skรถr)detid
Strรถr orden
i den nรคringsrika jorden
Spรคr vatten
รถver meningarna pรฅ natten
Vรคntar pรฅ svar
frรฅn de som lyssnat har
Solen skiner
รถver deras fula miner
Mottar pikar
av hรฅn vassa som spikar
รltar mig trรถtt
efter mobben jag mรถtt
Alla skrattar
dรคr jag gรฅr och krattar
Skรถrdar mera ord
i lera och torkad jord
Brister i grรฅt
nรคr regnet faller hรฅrt
Grรคver en grop
som dรคmpar mina rop
Ropen ekar
i deras fortsatta lekar
Groende vรคxter
รคr nรคring i mina texter
Skrivna stycket
jag faller fรถr trycketยฉ Bjรถrn Blomqvist 2014-08-10
-
Upprepning – samma vals
Som repor i skivan, saker upprepas. Spelaren hรฅller stiftet stadigt pรฅ plats. Rummet den stรฅr i รคr nytt – men melodin densamma. Det ekar glรฅpord lรฅng vรคg. Samma ord frรฅn samma tratt. รr det jag eller de som vevar igรฅng allt?
Varje gรฅng skivan snurrar ett varv studsar jag mellan misantroper och osynliga bollplank. I diskant rop pรฅ lรถsning lyssnar ingen. Basljudet bullrar i pausen mellan arbetspassen. Jag slรคpar efter – jag kommer ย alltid fรฅ marschera i takt med stenkakan, jagad av vinyler.
ยฉ Bjรถrn Blomqvist 2014-07-14
-
Mรฅltavla

รr inte vacker, har ingen ram
รr dock en tavla, utan motiv
รr endast rund, har bara rรคnder
รr numrerad, snurrigt vรคrre
รr en mรฅltavla, har mรฅnga hรฅl
รr prickad, pilad genom kropp
รr upphรคngd, har rรฅg i ryggen
รr utbytbar, efter sรคsong
รr fรคst i nacke, har barhรคngยฉ Bjรถrn Blomqvist 2014-06-24
-
Vรคgen ut – vรคgen tillbaka
Jag har lรคmnat det upplysta rummet – nu รคr jag vilse. Jag stรฅr i centrum av en dunkel plats. Det รคr fรถr mig den oinvigda jargongen som hรฅller alla dรถrrar stรคngda. Det finns ingen รฅtervรคndo, inte nu i alla fall.
Jag รคr som ett รถppet kort trots att jag hรฅller fรคrgen. Pรฅ en helt annan nivรฅ jag befinner mig, genomskรฅdas jag. De lรคser mig som om allt redan skrivits – pรฅ nรคtet.
Utan att visa mina styrkor รคr jag inte starkare รคn min svagaste lรคnk. Med bakbundna hรคnder lyckas jag รคndรฅ hรฅlla masken – รคn sรฅ lรคnge. Ju lรคngre tiden gรฅr, ju mer lutar golvet – uppfรถr. I backkrรถnet stรฅr nรฅgon och drar mig framรฅt, men min svaga aning gรถr att jag glider tillbaka – nedfรถr.
Mina tรคnder gnisslar sรฅ lรคnge jag biter ihop. Jag mottar verbala slag utanfรถr ringen – utanfรถr min spelplan. Reglerna รคr otydliga. Som en trisslott ska vinnaren skrapas fram, allteftersom.ย
Jag studsar frรฅn sida till sida utan att komma under repen. I ringen รคr alla verbala pikar, ย slag under bรคltet. Gonggongenย gรฅr nรคr kontraktet lรถper ut. Dessfรถrinnan lutar det pรฅ alla plan. Vissa dagar kryper jag, andra dagar stรฅr jag och stampar – framรฅt kommer jag inte!
ยฉ Bjรถrn Blomqvist 2014-06-20
-
Djupdykning
Spegling i vatten
ett ansikte fรฅr
Lyfter pรฅ hatten
nytt motiv gรฅr
Stampar med sko
det blir ringar
Skrรคmmer fรฅgelbo
de flyr pรฅ vingarGrumligt pรฅ yta
en bild tynar bort
รnskar fรฅ byta
รถnskan blir kort
Vandrar mot kust
en stilla hamn
Saknar livslust
ett ristat namnSimmar mot vรฅg
dyker mot djupet
Vem kommer ihรฅg
hopp frรฅn stupet
Ovan ytan andas
simtag mot land
Besluten blandas
rรคddas av handยฉ Bjรถrn Blomqvist 2014-06-17
-
Vรคrmeflรคkt
Vind mot gren slรฅ
Stam ur jord vรคxa
Rรถtter utรฅt krรคla
Furor stadigt stรฅBarken lysa i sol
Kotte nedรฅt falla
Solstrรฅle i krona
Skuggornas ย stolVรคrme sakta minska
Kyla i nรคsta vind
Perkele vad kallt
Svordom pรฅ finskaSuset mรถter kraft
Ljudet framรฅt gรฅr
Blรฅst som trumpet
Glas blandat i saftFram och tillbaka
Trรคden vajar till
Solljus tar skugga
Lรถvkrona ej skakaTallen stilla vilar
Ljudlรถsa strรฅlar
Solen vinner mark
Trรคffsรคkra pilarFriska vinden flyr
Bruset mot tystnad
รppet sinne i nuet
Nya รถgon som styrยฉ Bjรถrn Blomqvist 2014-06-14
-
Bรฅtenupp!
Med ett stadigt grepp jag vrider om. Etiketten skvallrar om dess รฅlder. Innehรฅllet har รฅlder men mรคngden snart ett minne blรฅtt, fรคrgat som havet. Med smal hals stรฅr den stadigt pรฅ bordet. Min hals desto stรถrre. Som i ett vattenfall skรถljs gommen ren. Lika kal som klippan intill.
Sanden grumlas, halsen likasรฅ. Eftersmak i stark arom stinker som tรฅng lรคngs strandkanten. Sjรถgrรคset som gรถr vattnet oklart, gรฅr som en strimma genom รถgonen efter alla glas. I handen รคr glaset lika brett som en fender. Stadigt vilande i hand ligger fendern stilla och doppas i vรคtska.
Vattnet รคr kallt, isbitarna flyter upp. Havsytan รคr spegelblank, glasets botten blank. Ett tomt skrov flyter nรคr ett lika tomt glas har gjort mina tankebanor flytande. Ringar pรฅ bordet och cirkulerande รถgon รคr propellern som skapar vรฅgor i vattnet.
Ett gungande upp och ned รคr stegen fram och tillbaka. Pรฅ samma stรคlle gungar bรฅten upp och ned, jag frรฅn sida till sida. Ljudet av en surrande bรฅtmotor dรคmpas av den hรถga ton jag sjunger i. Tonsรคkerheten gรฅr i vรฅgor, bรฅten gรถr detsamma.
Bรฅten tar in vatten nรคr min slang kastar vatten. Klippan torkar och gommen gapar efter mer. Bรฅten รคr halvfull, glaset tomt, jag mittemellan. Det som nyss flรถt sjunker och jag nรฅr botten.
Bjรถrn Blomqvist 2014-06-10
-
Kรคrleksvalv

Vid valvets karm
dina รถgons grind
I gotikens charm
mรถrka tรฅrars kindPรฅ skuggsida stรฅr
sjรคlars arma sorg
Tidens mรถrker gรฅr
flyende รถver borgI grindens galler
dina tรฅrars plats
Grรฅten som faller
i raserat palatsPรฅ murens kant
ditt hjรคrtas lรฅs
Pรฅ ruinens brant
lรคttar mitt krรฅsFรถrlรฅten som ekar
svรคljande i hals
Fanfar och lekar
i en kรคrleksvalsVissna rosor rรถda
bleknar pรฅ chans
Bรถrjar om i mรถda
bjuder upp i dansSรฅrbarhetens lรคra
vid valvets bรฅgar
I lรฅsstenens รคra
pรฅ nytt jag vรฅgarยฉ Bjรถrn Blomqvist 2014-06-09
-
Nรคrkontakt
Mellan mjuka lakan
รถgon blundar ihop
Rรถrelser i blindo
hรคnder fรถrs sammanVรคrme under huden
smekningar utanpรฅ
Leenden fรถr samman
skratt utan blickNรคrhet i mungipor
lรคppar mรถter upp
Kyssar i rรถrelse
vandrar รถver kroppLjusrรถda neonljus
lyser รถver akten
Ilfart av blรถtan
droppar mot tygetDjup andningsvila
mot stรถnande eko
Neonskylt slocknar
med solens uppgรฅngยฉ Bjรถrn Blomqvist 2014-06-03
-
Inte nu igen
Jag tรคnkte inte klart
vad var det som hรคnde
Jag var inte sรฅ smart
en chans jag brรคndeJag teg inte om saken
varfรถr jag det gjorde
Det fรถll mig i smaken
det jag inte bordeJag vรคntar mig en pik
svaret pรฅ en gรคrning
Jag รคr mig inte lik
fel att kasta tรคrningJag framstรคlldes dum
dรคr tiden stรฅtt stilla
Jag rodnade flera tum
mรฅste det vara sรฅ illaยฉ Bjรถrn Blomqvist 2014-05-29
-
Lรฅsning
Lรคser rรคtt
lagrar fel
Oro samlas
frรฅgor gรฅr
Ja eller nej
nu eller senSamlar mod
faller bort
Skriver ned
รคltar upp
Hur eller vad
vem eller varKastar tankar
lรถper amok
Dubbelt spel
flera bollar
Nรคr eller om
dรฅ eller inteKopplar pรฅ
stรคnger av
Fiskar trรถst
sรถker bete
Tรคnka eller ej
gรถra eller gรฅยฉ Bjรถrn Blomqvist 2014-05-26
-
Baksidestango
Hรถr sus frรฅn vรคgens liv
blandat med lรคttan vind
Fรฅglars kommunikation
i lag med lรถvens tystnad
Flagga vajar i fรคrgerna tvรฅ
pรฅ stรฅng mot skuggan grรฅSer blint efter รฅkande bil
fรถljt av bussens hรถga ton
Vรคxthustaket speglar sol
i vรคxtlighetens arma tjรคnst
Grรคset gror i รถkande takt
vilar i grรคsklipparens maktFรถljer med i krukans match
gungande fram och tillbaka
Kedjornas hรคngandeย lรคngd
hรฅller vรคxt i pendlande fart
Allt ovan mark med vinden
rรถr sig i takt med lindenSkรถljer mun med sodadricka
fylld med koffein och socker
Flaskans inneboende vรคtska
fyller kropp i kokande form
Mot soldiset รถgonen sรถker
kisande dรคr molnen krรถkerยฉ Bjรถrn Blomqvist 2014-05-22















As dark as
My childhood